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Pierre klossowski, Castanet, Herve
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Автор:
Castanet, Herve
Название:
Pierre klossowski
ISBN:
9783034302098
Издательство:
Peter Lang
Классификация:
Общие вопросы искусства
Классические тексты
Философия
ISBN-10: 3034302096
Обложка/Формат: Paperback
Страницы: 317
Вес: 0.48 кг.
Дата издания: 27.05.2014
Серия: Cultural interactions: studies in the relationship between the arts
Язык: English
Издание: New ed
Размер: 227 x 151 x 20
Читательская аудитория: Professional & vocational
Ключевые слова: The arts: general issues,Classical texts,Philosophy, ART / General,LITERARY CRITICISM / European / Italian,PHILOSOPHY / General
Подзаголовок: The pantomime of spirits
Рейтинг:
Поставляется из: Англии
Описание: This book examines the many facets of the work of Pierre Klossowski (1905–2001). Klossowski first established himself as a writer and was known and admired by peers such as Bataille, Blanchot, Gide, Foucault, Deleuze and Lacan. But in 1972 he gave up writing to devote himself to his ‘mutism’: painting made up of large coloured drawings. In time he became as famous a painter as he had been a writer and theorist. Klossowski now has two separate groups of commentators: those concerned with his writings and those with his painting, with little overlap between the two.
Here, this separation is explicitly removed. Klossowski’s entire
?uvre
revolved around the concept of the gaze. Rarely has the gaze been so radically interpreted – as an active, mobile, evanescent object that breaks down the connections between representation and the visible. How is one to see the invisible divinity? This question plagued Klossowski, and he displaced it onto pornographic rituals. The
pantomime of spirits
is the scene, fixed in silence, where bodies meet – a knotting of desiring body and dogmatic theology. A creator of
simulacra
, Klossowski attempted to exorcise the ‘obsessive constraint of the
phantasm
’ that subjugated him in all these scenes.
Translated from the French by Adrian Price in collaboration with Pamela King.
Дополнительное описание: Contents: Sarah Wilson: Foreword: Klossowski our Contemporary – Klossowski as Reader – Sade: Evil, Perversion – Nietzsche: The Same, The
Stimmung
– Body, Currency, Utopia – Roberte: Exchanging the Unexchangeable – The Violence of the Gaze – Conclus
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