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Legible Religion: Books, Gods, and Rituals in Roman Culture, MacRae Duncan Jr.


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Автор: MacRae Duncan Jr.
Название:  Legible Religion: Books, Gods, and Rituals in Roman Culture
ISBN: 9780674088719
Издательство: Harvard University Press
Классификация:


ISBN-10: 0674088719
Обложка/Формат: Hardback
Страницы: 248
Вес: 0.54 кг.
Дата издания: 07.06.2016
Язык: English
Размер: 167 x 245 x 25
Читательская аудитория: Professional & vocational
Подзаголовок: Books, gods, and rituals in roman culture
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Поставляется из: Англии
Описание: Scholars have long separated a few privileged religions of the Book from faiths lacking sacred texts, including ancient Roman religion. Looking beyond this distinction, Duncan MacRae delves into Roman treatises on the nature of gods and rituals to grapple with a central question: what was the significance of books in a religion without scripture?

Motivation and Performance: A Research-Based Guide to Motivating a Diverse Workforce

Автор: Furnham Adrian, MacRae Ian
Название: Motivation and Performance: A Research-Based Guide to Motivating a Diverse Workforce
ISBN: 0749478136 ISBN-13(EAN): 9780749478131
Издательство: Неизвестно
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Цена: 56010.00 T
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Описание: Identify what really drives, unites and divides your workforce so you can improve satisfaction, boost productivity and reduce staff turnover.

Shakespeare`s tragedies reviewed

Автор: Richmond, Hugh Macrae
Название: Shakespeare`s tragedies reviewed
ISBN: 1433129191 ISBN-13(EAN): 9781433129193
Издательство: Peter Lang
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Цена: 92290.00 T
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Описание: Shakespeare’s Tragedies Reviewed explores how the recognition of spectator interests by the playwright has determined the detailed character of Shakespeare tragedies. Utilizing Shakespeare’s European models and contemporaries, including Cinthio and Lope de Vega, and following forms such as Aristotle’s second, more popular style of tragedy (a double ending of punishment for the evil and honor for the good), Hugh Macrae Richmond elicits radical revision of traditional interpretations of the scripts. The analysis includes a major shift in emphasis from conventionally tragic concerns to a more varied blend of tones, characterizations, and situations, designed to hold spectator interest rather than to meet neoclassical standards of coherence, focus, and progression. This reinterpretation also bears on modern staging and directorial emphasis, challenging the relevance of traditional norms of tragedy to production of Renaissance drama. The stress shifts to plays’ counter-movements to tragic tones, and to scripts’ contrasting positive factors to common downbeat interpretations – such as the role of humor in King Lear and the significance of residual leadership in the tragedies as seen in the roles of Malcolm, Edgar, Cassio, and Octavius, as well as the broader progressions in such continuities as those within Shakespeare’s Roman world from Julius Caesar and Antony and Cleopatra to Cymbeline. It becomes apparent that the authority of the spectator in such Shakespearean titles as What You Will and As You Like It may bear meaningfully on interpretation of more plays than just the comedies.


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