Shakespeare`s tragedies reviewed 9781433129193

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Автор: Richmond, Hugh Macrae
Название: Shakespeare`s tragedies reviewed
ISBN: 9781433129193
Издательство: Peter Lang
Классификация:

Театр: техническое и художественное сопровождение

Классические тексты

Литературоведение: с 1500 до 1800 г.

ISBN-10: 1433129191
Обложка/Формат: Hardback
Страницы: 221
Вес: 0.42 кг.
Дата издания: 31.08.2015
Серия: Studies in shakespeare
Язык: English
Издание: New ed
Размер: 157 x 230 x 17
Читательская аудитория: Professional & vocational
Ключевые слова: Theatre: technical & background skills,Classical texts,Literary studies: c 1500 to c 1800, DRAMA / General,LITERARY CRITICISM / European / English, Irish, Scottish, Welsh,LITERARY CRITICISM / European / Spanish & Portuguese,LITERARY CRITICISM / Semiotics
Подзаголовок: A spectator`s role
Рейтинг:
Поставляется из: Англии
Описание: Shakespeare’s Tragedies Reviewed explores how the recognition of spectator interests by the playwright has determined the detailed character of Shakespeare tragedies. Utilizing Shakespeare’s European models and contemporaries, including Cinthio and Lope de Vega, and following forms such as Aristotle’s second, more popular style of tragedy (a double ending of punishment for the evil and honor for the good), Hugh Macrae Richmond elicits radical revision of traditional interpretations of the scripts. The analysis includes a major shift in emphasis from conventionally tragic concerns to a more varied blend of tones, characterizations, and situations, designed to hold spectator interest rather than to meet neoclassical standards of coherence, focus, and progression. This reinterpretation also bears on modern staging and directorial emphasis, challenging the relevance of traditional norms of tragedy to production of Renaissance drama. The stress shifts to plays’ counter-movements to tragic tones, and to scripts’ contrasting positive factors to common downbeat interpretations – such as the role of humor in King Lear and the significance of residual leadership in the tragedies as seen in the roles of Malcolm, Edgar, Cassio, and Octavius, as well as the broader progressions in such continuities as those within Shakespeare’s Roman world from Julius Caesar and Antony and Cleopatra to Cymbeline. It becomes apparent that the authority of the spectator in such Shakespearean titles as What You Will and As You Like It may bear meaningfully on interpretation of more plays than just the comedies.
Дополнительное описание: Contents: The Spectator and the Dramatists – Renaissance Dramaturgy – Richard III as «a Tragedy with a Happy Ending» – A Spectator’s View of Shakespeare’s Romeo and Juliet and Lope de Vega’s Castelvines y Monteses – Interlude: Mixed Modes Throughout Shake

Shakespeare`s tragedies reviewed, Richmond, Hugh Macrae