Tusk Love (Critical Role), Guanzon Thea, Critical Role
Автор: Thea Guanzon Название: The Hurricane Wars HB ISBN: 0008555834 ISBN-13(EAN): 9780008555832 Издательство: HarperCollins UK Рейтинг: Цена: 16710.00 T Наличие на складе: Есть
Автор: Guanzon, Thea Название: Monsoon rising HB ISBN: 0008555885 ISBN-13(EAN): 9780008555887 Издательство: HarperCollins UK Рейтинг: Цена: 16710.00 T Наличие на складе: Заказано в издательстве.
Автор: Thea Guanzon Название: The Hurricane Wars ISBN: 0008555842 ISBN-13(EAN): 9780008555849 Издательство: HarperCollins UK Рейтинг: Цена: 12310.00 T Наличие на складе: Есть
Автор: Thea Guanzon Название: The hurricane wars ISBN: 0063277271 ISBN-13(EAN): 9780063277274 Издательство: HarperCollins USA Рейтинг: Цена: 27590.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Guanzon, Thea Название: Hurricane Wars ISBN: 0063344807 ISBN-13(EAN): 9780063344808 Издательство: HarperCollins USA Рейтинг: Цена: 20580.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Guanzon, Thea Название: Hurricane wars ISBN: 0008555877 ISBN-13(EAN): 9780008555870 Издательство: HarperCollins UK Рейтинг: Цена: 8790.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Guanzon, Thea Название: Monsoon rising ISBN: 0063414600 ISBN-13(EAN): 9780063414600 Издательство: HarperCollins USA Рейтинг: Цена: 20580.00 T Наличие на складе: Поставка под заказ.
Автор: Guanzon, Thea Название: Monsoon rising ISBN: 0008555893 ISBN-13(EAN): 9780008555894 Издательство: HarperCollins UK Рейтинг: Цена: 13190.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Thea Brejzek, Lawrence Wallen Название: The Model as Performance: Staging Space in Theatre and Architecture ISBN: 1474271383 ISBN-13(EAN): 9781474271387 Издательство: Bloomsbury Academic Рейтинг: Цена: 105600.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The Model as Performance investigates the history and development of the scale model from the Renaissance to the present from a scenographic perspective and a performative paradigm that explores what the model can do and how it is used in theatre and architecture. It provides a comprehensive historical context and theoretical framework for theatre scholars, scenographers, artists and architects interested in the model’s reality-producing capacity and its recent emergence in contemporary art practice and exhibition. For the undergraduate student, it provides a historical survey of the model, and to the postgraduate student, it opens up a new methodological approach. Introducing a typology of the scale model beyond the iterative and the representative model, the authors identify the autonomous model as a provocative construction between past and present, idea and reality that challenges and redefines the relationship between object, viewer and environment. Case studies include Brunelleschi’s dome models and Bel Geddes’ Futurama, Mies van der Rohe’s mock ups and Zumthor’s atmospheric models, Anna Viebrock’s life size boxes and Herzog & de Meuron’s miniature styrofoam exhibits.
Автор: Paul Menzer Название: Shakespeare in the Theatre: The American Shakespeare Center ISBN: 1472584988 ISBN-13(EAN): 9781472584984 Издательство: Bloomsbury Academic Рейтинг: Цена: 89760.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The original Blackfriars closed its doors in the 1640s, ending over half-a-century of performances by men and boys. In 2001, in the Shenandoah Valley of Virginia, it opened once again. The reconstructed Blackfriars, home to the American Shakespeare Center, represents an old playhouse for the new millennium and therefore symbolically registers the permanent revolution in the performance of Shakespeare. Time and again, the industry refreshes its practices by rediscovering its own history. This book assesses how one American company has capitalised on history and in so doing has forged one of its own to become a major influence in contemporary Shakespearean theatre.
Автор: Brejzek, Thea (university Of Technology, Sydney, Australia) Wallen, Lawrence (university Of Technology, Sydney, Australia) Название: Model as performance ISBN: 1350095907 ISBN-13(EAN): 9781350095908 Издательство: Bloomsbury Academic Рейтинг: Цена: 29560.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
The Model as Performance investigates the history and development of the scale model from the Renaissance to the present from a scenographic perspective and a performative paradigm that explores what the model can do and how it is used in theatre and architecture. It provides a comprehensive historical context and theoretical framework for theatre scholars, scenographers, artists and architects interested in the model's reality-producing capacity and its recent emergence in contemporary art practice and exhibition. For the undergraduate student, it provides a historical survey of the model, and to the postgraduate student, it opens up a new methodological approach.
Introducing a typology of the scale model beyond the iterative and the representative model, the authors identify the autonomous model as a provocative construction between past and present, idea and reality that challenges and redefines the relationship between object, viewer and environment. Case studies include Brunelleschi's dome models and Bel Geddes' Futurama, Mies van der Rohe's mock ups and Zumthor's atmospheric models, Anna Viebrock's life size boxes and Herzog & de Meuron's miniature styrofoam exhibits.
Applied Practice: Evidence and Impact in Theatre, Music and Art engages with a diversity of contexts, locations and arts forms - including theatre, music and fine art - and brings together theoretical, political and practice-based perspectives on the question of 'evidence' in relation to participatory arts practice in social contexts. This collection is a unique contribution to the field, focusing on one of the vital concerns for a growing and developing set of arts and research practices. It asks us to consider evidence not only in terms of methodology but also in the light of the ideological, political and pragmatic implications of that methodology. In Part One, Matthew Reason and Nick Rowe reflect on evidence and impact in the participatory arts in relation to recurring conceptual and methodological motifs. These include issues of purpose and obliquity; the relationship between evidence and knowledge; intrinsic and instrumental impacts, and the value of participatory research. Part Two explores the diversity of perspectives, contexts and methodologies in examining what it is possible to know, say and evidence about the often complex and intimate impact of participatory arts. Part Three brings together case studies in which practitioners and practice-based researchers consider the frustrations, opportunities and successes they face in addressing the challenge to produce evidence for the impact of their practice.
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