Walsh Durational Cinema 9783030760946

Варианты приобретения

Цена: 111790.00T
Кол-во:
Наличие: Поставка под заказ. Есть в наличии на складе поставщика.
Склад Америка: 267 шт.
При оформлении заказа до: 2025-07-28
Ориентировочная дата поставки: Август-начало Сентября
При условии наличия книги у поставщика.

Добавить в корзину

в Мои желания

Автор: Walsh
Название: Durational Cinema
ISBN: 9783030760946
Издательство: Springer
Классификация:

Теория и критика кино

Кино: стили и жанры

ISBN-10: 3030760944
Обложка/Формат: Soft cover
Страницы: 289
Вес: 0.00 кг.
Дата издания: 23.12.2023
Серия: Experimental film and artistsвђ™ moving image
Язык: English
Издание: 1st ed. 2022
Иллюстрации: Xiii, 289 p.
Размер: 210 x 148
Основная тема: Cultural and Media Studies
Подзаголовок: A short history of long films
Ссылка на Издательство: Link
Рейтинг:
Поставляется из: Германии
Описание: This book argues for a durational cinema that is distinct from slow cinema, and outlines the history of its three main waves: the New York avant-garde of the 1960s, the European art cinema in the years after 1968, and the international cinema of gallery spaces as well as film festivals since the 1990s. Figures studied include Andy Warhol, Ken Jacobs, Chantal Akerman, Marguerite Duras, Claude Lanzmann, James Benning, Kevin Jerome Everson, Lav Diaz, and Wang Bing.Durational cinema is predominantly minimal, but has from the beginning also included a more encompassing or encyclopedic kind of filmmaking. Durational cinema is characteristically representational, and converges on certain topics (the Holocaust, deindustrialization, the experience of the working class and other marginalized people), but has no one meaning, signifying differently at different moments and in different hands. Warhol’s durational cinema of subtraction is quite different from Jacobs’s durational cinema of social disgust, while Lav Diaz’ durational sublime is quite different from Kevin Jerome Everson’s unblinking studies of African-American working people.
Дополнительное описание: 1. Introduction.- 2. The New York Avant-Garde of the 1960s.- 3. European Art Cinema in the Years After 1968.- 4. Gallery and Museum Spaces Since the 1990s.- 5. Durational Documentary.

Durational Cinema, Walsh