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Paris and the Art of Transposition: Early Twentieth Century Sino-French Encounters, Angie Chau


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Автор: Angie Chau
Название:  Paris and the Art of Transposition: Early Twentieth Century Sino-French Encounters
ISBN: 9780472056514
Издательство: Mare Nostrum (Eurospan)
Классификация:






ISBN-10: 0472056514
Обложка/Формат: Paperback
Страницы: 226
Вес: 0.48 кг.
Дата издания: 11.12.2023
Серия: China understandings today
Язык: English
Иллюстрации: 19 illustrations
Размер: 151 x 228 x 18
Ключевые слова: History of art / art & design styles,Literary studies: general,Literature: history & criticism, ART / Asian / Chinese,LITERARY CRITICISM / Asian / Chinese,LITERARY CRITICISM / Comparative Literature
Подзаголовок: Early twentieth century sino-french encounters
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Поставляется из: Англии
Описание: A brief stay in France was, for many Chinese workers and Chinese Communist Party leaders, a vital stepping stone for their careers during the cultural and political push to modernize China after World War I. For the Chinese students who went abroad specifically to study Western art and literature, these trips meant something else entirely. Set against the backdrop of interwar Paris, Paris and the Art of Transposition uncovers previously marginalized archives to reveal the artistic strategies employed by Chinese artists and writers in the early twentieth-century transnational imaginary and to explain why Paris played such a central role in the global reception of modern Chinese literature and art.

While previous studies of Chinese modernism have focused on how Western modernist aesthetics were adapted or translated to the Chinese context, Angie Chau does the opposite by turning to Paris in the Chinese imaginary and discussing the literary and visual artwork of five artists who moved between France and China: the painter Chang Yu, the poet Li Jinfa, art critic Fu Lei, the painter Pan Yuliang, and the writer Xu Xu. Chau draws the idea of transposition from music theory where it refers to shifting music from one key or clef to another, or to adapting a song originally composed for one instrument to be played by another. Transposing transposition to the study of art and literature, Chau uses the term to describe a fluid and strategic art practice that depends on the tension between foreign and familiar, new and old, celebrating both novelty and recognition—a process that occurs when a text gets placed into a fresh context.


Paris and the Art of Transposition: Early Twentieth Century Sino-French Encounters

Автор: Angie Chau
Название: Paris and the Art of Transposition: Early Twentieth Century Sino-French Encounters
ISBN: 0472076515 ISBN-13(EAN): 9780472076512
Издательство: Mare Nostrum (Eurospan)
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Цена: 63750.00 T
Наличие на складе: Нет в наличии.
Описание: A brief stay in France was, for many Chinese workers and Chinese Communist Party leaders, a vital stepping stone for their careers during the cultural and political push to modernize China after World War I. For the Chinese students who went abroad specifically to study Western art and literature, these trips meant something else entirely. Set against the backdrop of interwar Paris, Paris and the Art of Transposition uncovers previously marginalized archives to reveal the artistic strategies employed by Chinese artists and writers in the early twentieth-century transnational imaginary and to explain why Paris played such a central role in the global reception of modern Chinese literature and art.

While previous studies of Chinese modernism have focused on how Western modernist aesthetics were adapted or translated to the Chinese context, Angie Chau does the opposite by turning to Paris in the Chinese imaginary and discussing the literary and visual artwork of five artists who moved between France and China: the painter Chang Yu, the poet Li Jinfa, art critic Fu Lei, the painter Pan Yuliang, and the writer Xu Xu. Chau draws the idea of transposition from music theory where it refers to shifting music from one key or clef to another, or to adapting a song originally composed for one instrument to be played by another. Transposing transposition to the study of art and literature, Chau uses the term to describe a fluid and strategic art practice that depends on the tension between foreign and familiar, new and old, celebrating both novelty and recognition—a process that occurs when a text gets placed into a fresh context.

Nineteenth and Twentieth-Century Readings of the Medieval Orient: Other Encounters

Автор: Liliana Sikorska
Название: Nineteenth and Twentieth-Century Readings of the Medieval Orient: Other Encounters
ISBN: 1501517910 ISBN-13(EAN): 9781501517914
Издательство: Walter de Gruyter
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Цена: 111510.00 T
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Описание:

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Travel narratives and historical works shaped the perception of Muslims and the East in the Victorian and post-Victorian periods. Analyzing the discourses on Muslims which originated in the European Middle Ages, the first part of the book discusses the troubled legacy of the encounters between the East and the West and locates the nineteenth-century texts concerning the Saracens and their lands in the liminal space between history and fiction.

Drawing on the nineteenth-century models, the second part of the book looks at fictional and non-fictional works of the late twentieth and early twenty-first century which re-established the "Oriental obsession," stimulating dread and resentment, and even more strongly setting the Civilized West against the Barbaric East. Here medieval metaphorical enemies of Mankind – the World, the Flesh and the Devil – reappear in different contexts: the world of immigration, of white women desiring Muslim men, and the present-day "freedom fighters."


Dostoevskii`s Overcoat: Influence, Comparison, and Transposition

Название: Dostoevskii`s Overcoat: Influence, Comparison, and Transposition
ISBN: 9042037938 ISBN-13(EAN): 9789042037939
Издательство: Brill
Цена: 134150.00 T
Наличие на складе: Невозможна поставка.
Описание: One of the most famous quotations in the history of Russian literature is Fedor Dostoevskii’s alleged assertion that ‘We have all come out from underneath Gogol’s Overcoat’. Even if Dostoevskii never said this, there is a great deal of truth in the comment. Gogol certainly was a profound influence on his work, as were many others. Part of this book’s project is to locate Dostoevskii in relationship to his predecessors and contemporaries. However, the primary aim is to turn the oft-quoted apocryphal comment on its head, to see the profound influence Dostoevskii had on the lives, work and thought of his contemporaries and successors. This influence extends far beyond Russia and beyond literature. Dostoevskii may be seen as the single greatest influence on the sensibilities of the twentieth and twenty-first centuries. To a greater or lesser extent those concerned with the creative arts in the twentieth and twenty-first centuries have all come out from under Dostoevskii’s ‘Overcoat’.

The French in Macao in the Nineteenth and Early Twentieth Centuries: Literary, Cultural, and Historical Perspectives

Автор: Xie Jingzhen
Название: The French in Macao in the Nineteenth and Early Twentieth Centuries: Literary, Cultural, and Historical Perspectives
ISBN: 3030946649 ISBN-13(EAN): 9783030946647
Издательство: Springer
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Цена: 111790.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The French in Macao in the Nineteenth and Early Twentieth Centuries: Literary, Cultural, and Historical Perspectives investigates the role that Macao played as a meeting place of the East and the West during this period of time and its decline as a Portuguese colony in the eyes of the Europeans.


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