Featuring essays written by the influential historian Antoinette Burton since the mid-1990s, Empire in Question traces the development of a particular, contentious strand of modern British history, the “new imperial history,” through the eyes of a scholar who helped to shape the field. In her teaching and writing, Burton has insisted that the vectors of imperial power run in multiple directions, argued that race must be incorporated into history writing, and emphasized that gender and sexuality are critical dimensions of imperial history. Empire in Question includes Burton’s groundbreaking critiques of British historiography, as well as essays in which she brings theory to bear on topics from Jane Eyre to nostalgia for colonial India. Burton’s autobiographical introduction describes how her early encounters with feminist and postcolonial critique led to her convictions that we must ask who counts as a subject of imperial history, and that we should maintain a healthy skepticism regarding the claims to objectivity that shape much modern history writing. In the coda, she candidly reflects on shortcomings in her own thinking and in the new imperial history, and she argues that British history must be repositioned in relation to world history. Much of Burton’s writing emerged from her teaching; Empire in Question is meant to engage students and teachers in debates about how to think about British imperialism in light of contemporary events.
Featuring essays written by the influential historian Antoinette Burton since the mid-1990s, Empire in Question traces the development of a particular, contentious strand of modern British history, the “new imperial history,” through the eyes of a scholar who helped to shape the field. In her teaching and writing, Burton has insisted that the vectors of imperial power run in multiple directions, argued that race must be incorporated into history writing, and emphasized that gender and sexuality are critical dimensions of imperial history. Empire in Question includes Burton’s groundbreaking critiques of British historiography, as well as essays in which she brings theory to bear on topics from Jane Eyre to nostalgia for colonial India. Burton’s autobiographical introduction describes how her early encounters with feminist and postcolonial critique led to her convictions that we must ask who counts as a subject of imperial history, and that we should maintain a healthy skepticism regarding the claims to objectivity that shape much modern history writing. In the coda, she candidly reflects on shortcomings in her own thinking and in the new imperial history, and she argues that British history must be repositioned in relation to world history. Much of Burton’s writing emerged from her teaching; Empire in Question is meant to engage students and teachers in debates about how to think about British imperialism in light of contemporary events.
In 1569 the Spanish viceroy Francisco de Toledo ordered more than one million native people of the central Andes to move to newly founded Spanish-style towns called reducciones. This campaign, known as the General Resettlement of Indians, represented a turning point in the history of European colonialism: a state forcing an entire conquered society to change its way of life overnight. But while this radical restructuring destroyed certain aspects of indigenous society, Jeremy Ravi Mumford's Vertical Empire reveals the ways that it preserved others. The campaign drew on colonial ethnographic inquiries into indigenous culture and strengthened the place of native lords in colonial society. In the end, rather than destroying the web of Andean communities, the General Resettlement added another layer to indigenous culture, a culture that the Spaniards glimpsed and that Andeans defended fiercely.
In 1569 the Spanish viceroy Francisco de Toledo ordered more than one million native people of the central Andes to move to newly founded Spanish-style towns called reducciones. This campaign, known as the General Resettlement of Indians, represented a turning point in the history of European colonialism: a state forcing an entire conquered society to change its way of life overnight. But while this radical restructuring destroyed certain aspects of indigenous society, Jeremy Ravi Mumford's Vertical Empire reveals the ways that it preserved others. The campaign drew on colonial ethnographic inquiries into indigenous culture and strengthened the place of native lords in colonial society. In the end, rather than destroying the web of Andean communities, the General Resettlement added another layer to indigenous culture, a culture that the Spaniards glimpsed and that Andeans defended fiercely.
The first Protestant mission was established in New Zealand in 1814, initiating complex political, cultural, and economic entanglements with M?ori. Tony Ballantyne shows how interest in missionary Christianity among influential M?ori chiefs had far-reaching consequences for both groups. Deftly reconstructing cross-cultural translations and struggles over such concepts and practices as civilization, work, time and space, and gender, he identifies the physical body as the most contentious site of cultural engagement, with M?ori and missionaries struggling over hygiene, tattooing, clothing, and sexual morality. Entanglements of Empire is particularly concerned with how, as a result of their encounters in the classroom, chapel, kitchen, and farmyard, M?ori and the English mutually influenced each other’s worldviews. Concluding in 1840 with New Zealand’s formal colonization, this book offers an important contribution to debates over religion and empire.
The first Protestant mission was established in New Zealand in 1814, initiating complex political, cultural, and economic entanglements with M?ori. Tony Ballantyne shows how interest in missionary Christianity among influential M?ori chiefs had far-reaching consequences for both groups. Deftly reconstructing cross-cultural translations and struggles over such concepts and practices as civilization, work, time and space, and gender, he identifies the physical body as the most contentious site of cultural engagement, with M?ori and missionaries struggling over hygiene, tattooing, clothing, and sexual morality. Entanglements of Empire is particularly concerned with how, as a result of their encounters in the classroom, chapel, kitchen, and farmyard, M?ori and the English mutually influenced each other’s worldviews. Concluding in 1840 with New Zealand’s formal colonization, this book offers an important contribution to debates over religion and empire.
In Libreville, the capital of the African nation of Gabon, the colonial past has evolved into a present indelibly marked by colonial rule and ongoing French influence. This is especially evident in areas as essential to life as food. In this complex, hybrid culinary culture of Libreville, croissants are as readily available as plantains. Yet this same culinary diversity is accompanied by high prices and a scarcity of locally made food that is bewildering to residents and visitors alike. A staggering two-thirds of the country’s food is imported from outside Gabon, making Libreville’s cost of living comparable to that of Tokyo and Paris. In this compelling study of food culture and colonialism, Jeremy Rich explores how colonial rule intimately shaped African life and how African townspeople developed creative ways of coping with colonialism as European expansion threatened African self-sufficiency.
From colonization in the 1840s through independence, Libreville struggled with problems of food scarcity resulting from the legacy of Atlantic slavery, the violence of colonial conquest, and the rise of the timber export industry. Marriage disputes, racial tensions, and worker unrest often centered on food, and townspeople employed varied tactics to combat its scarcity. Ultimately, imports emerged as the solution and have had a lasting impact on Gabon’s culinary culture and economy.
Fascinating and informative, A Workman Is Worthy of His Meat engages a new avenue of historical inquiry in examining the culture of food as part of the colonial experience and resonates with the questions of globalization dominating culinary economics today.
In Libreville, the capital of the African nation of Gabon, the colonial past has evolved into a present indelibly marked by colonial rule and ongoing French influence. This is especially evident in areas as essential to life as food. In this complex, hybrid culinary culture of Libreville, croissants are as readily available as plantains. Yet this same culinary diversity is accompanied by high prices and a scarcity of locally made food that is bewildering to residents and visitors alike. A staggering two-thirds of the country’s food is imported from outside Gabon, making Libreville’s cost of living comparable to that of Tokyo and Paris. In this compelling study of food culture and colonialism, Jeremy Rich explores how colonial rule intimately shaped African life and how African townspeople developed creative ways of coping with colonialism as European expansion threatened African self-sufficiency.
From colonization in the 1840s through independence, Libreville struggled with problems of food scarcity resulting from the legacy of Atlantic slavery, the violence of colonial conquest, and the rise of the timber export industry. Marriage disputes, racial tensions, and worker unrest often centered on food, and townspeople employed varied tactics to combat its scarcity. Ultimately, imports emerged as the solution and have had a lasting impact on Gabon’s culinary culture and economy.
Fascinating and informative, A Workman Is Worthy of His Meat engages a new avenue of historical inquiry in examining the culture of food as part of the colonial experience and resonates with the questions of globalization dominating culinary economics today.
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