Central American Counterpoetics: Diaspora and Rememory, Karina Alma

Автор: Karina Alma
Название: Central American Counterpoetics: Diaspora and Rememory
ISBN: 0816552568 ISBN-13(EAN): 9780816552566
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 34190.00 T
Наличие на складе: Нет в наличии.
Описание: Connecting past and present, Central American Counterpoetics proposes the concepts of rememory and counterpoetics as decolonial tools for studying the art, popular culture, literature music, and healing practices of Central America and the diaspora in the United States.

Author Karina Alma offers a systemic method and artistic mode for unpacking social and political memory formation that resists dominant histories. Central American Counterpoetics responds to political repression through acts of creativity that prioritize the well-being of anticolonial communities. Building on Toni Morrison’s theory of rememory, the volume examines the concept as an embodied experience of a sensory place and time lived in the here and now. By employing primary sources of image and word, interviews of creatives, and a critical self-reflection as a Salvadoran immigrant woman in academia, Alma’s research breaks ground in subject matter and methods by considering cultural and historical ties across countries, regions, and traditions. The diverse creatives included explore critical perspectives on topics such as immigration, forced assimilation, maternal love, gender violence, community arts, and decolonization.

Автор: Lloyd, David
Название: Counterpoetics of modernity
ISBN: 1474489818 ISBN-13(EAN): 9781474489812
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 21110.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

This study puts contemporary Irish poetry in dialogue with major debates and concerns of European and American poetics. David Lloyd tracks the traits of Irish poetic modernism, from fragmentation to the suspicion of representation, to nineteenth-century responses to the rapid and unsettling effects of Ireland’s precocious colonial modernity, such as language loss and political violence. He argues that Irish poetry’s inventiveness is driven by the need to find formal means to engage with historical conditions that take from the writer the customary certainties of cultural continuity, identity and aesthetic or personal autonomy, rather than by poetic innovation for its own sake. This reading of Irish poetry understands the innovative impetus that persists through Irish poetry since the nineteenth century as a counterpoetics of modernity. Opening with chapters on Mangan and Yeats, the book then turns to detailed discussions of Trevor Joyce, Maurice Scully, and Catherine Walsh; major Irish contemporary poets never before the focus of a book-length study.