Artist at Home: Studios, Practices and Identities 9781350379015

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Автор: Imogen Racz, Jill Journeaux
Название: Artist at Home: Studios, Practices and Identities
ISBN: 9781350379015
Издательство: Bloomsbury Academic
Классификация:

История художественных и оформительских стилей: с 1900 г.

История художественных и оформительских стилей, с 1960 г.

Архитектура

Социология: работа и рабочая сила

География человека

ISBN-10: 1350379018
Обложка/Формат: Hardback
Страницы: 272
Вес: 0.68 кг.
Дата издания: 11.01.2024
Язык: English
Иллюстрации: 35 bw illus
Размер: 162 x 241 x 20
Ключевые слова: Architecture,Art & design styles: from c 1960,Sociology: work & labour, ARCHITECTURE / History / Modern (late 19th Century to 1945),ART / History / Contemporary (1945-),SOCIAL SCIENCE / Anthropology / Cultural & Social,SOCIAL SCIENCE / Sociology / General
Подзаголовок: Studios, practices and identities
Рейтинг:
Поставляется из: Англии
Описание: Artists have worked from home for many reasons, including care duties, financial or political constraints, or availability and proximity to others.From the ‘home studios’ of Charles and Ray Eames, to the different photographic representations of Robert Rauschenberg’s studio, this book explores the home as a distinct site of artistic practice, and the traditions and developments of the home studio as concept and space throughout the 20th and into the 21st century.Using examples from across Europe and the Anglophone world between the mid-20th century and the present, each chapter considers the different circumstances for working at home, the impact on the creative lives of the artists, their identities as artists and on the work itself, and how, sometimes, these were projected and promoted through photographs and the media. Key themes include the gendered and performative aspects of women practising ‘at home’, collaborative studio communities of the 1970s – 90s including the appropriation of abandoned spaces in East London, and the effects of Covid on artistic practices and family life within the spaces of ‘home’. The book comprises full-length chapters by artists, architects, art and design historians, each of whom bring different perspectives to the issues, interwoven with short interviews with artists to enrich and broaden the debates. At a time when individual relationships to home environments have been radically altered, The Artist at Home considers why some artists in previous decades either needed to or chose to work from home, producing work of vitality and integrity. Tracing this long tradition into the present, the book will provide a deeper understanding of how the home studio has affected the practices and identity of artists working in different countries, and in different circumstances, from the mid-20th century to the present.

Artist at Home: Studios, Practices and Identities, Imogen Racz, Jill Journeaux