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Jean Dubuffet, Bricoleur: Portraits, Pastiche, Performativity, Stephanie Chadwick


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Автор: Stephanie Chadwick
Название:  Jean Dubuffet, Bricoleur: Portraits, Pastiche, Performativity
ISBN: 9781350430525
Издательство: Bloomsbury Academic
Классификация:


ISBN-10: 1350430528
Обложка/Формат: Paperback
Страницы: 264
Вес: 0.69 кг.
Дата издания: 21.09.2023
Язык: English
Иллюстрации: 8 color and 60 bw illus
Размер: 234 x 156
Ключевые слова: Art & design styles: Surrealism & Dada,Individual artists, art monographs,Portraits in art, ART / History / Contemporary (1945-),ART / Individual Artists / Monographs,ART / Subjects & Themes / Portraits
Подзаголовок: Portraits, pastiche, performativity
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Поставляется из: Англии
Описание: One of the most prolific and influential artists of the 20th century, Jean Dubuffet has featured in a multitude of exhibitions and catalogues. Yet his work remains some of the most misunderstood—and least interrogated—post-war French art. In Jean Dubuffet, Bricoleur: Portraits, Pastiche, Performativity, Stephanie Chadwick re-examines his portraits (a veritable who’s who of the Parisian art and intellectual scene) through the lens of his writings and in tandem with the art and literature of his Surrealist sitters.Dubuffet, while posing as an outsider himself, mingled with many great artists and theorists. He also celebrated Art Brut (the art of ostensible outsiders), developing an elaborate and nuanced stream of conceptual resources to reconfigure painting and reframe post-war anticultural discourses. This book investigates Dubuffet’s painting as bricolage, uncovering his reliance on a culture of anticulture and the appropriation of motifs from Surrealism to the South Pacific, to explore themes of multivalence, performativity, and multifaceted identity in his portraits.

Название: Jean dubuffet: anticultural positions
ISBN: 0847858510 ISBN-13(EAN): 9780847858514
Издательство: Rizzoli
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Цена: 49500.00 T
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Where Is Ana Mendieta?: Identity, Performativity, and Exile

Автор: Jane Blocker
Название: Where Is Ana Mendieta?: Identity, Performativity, and Exile
ISBN: 0822323044 ISBN-13(EAN): 9780822323044
Издательство: Wiley EDC
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Цена: 94950.00 T
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Ana Mendieta, a Cuban-born artist who lived in exile in the United States, was one of the most provocative and complex personalities of the 1970s’ artworld. In Where Is Ana Mendieta? art historian Jane Blocker provides an in-depth critical analysis of Mendieta’s diverse body of work. Although her untimely death in 1985 remains shrouded in controversy, her life and artistic legacy provide a unique vantage point from which to consider the history of performance art, installation, and earth works, as well as feminism, multiculturalism, and postmodernism.
Taken from banners carried in a 1992 protest outside the Guggenheim Museum in New York, the title phrase “Where is Ana Mendieta?” evokes not only the suspicious and tragic circumstances surrounding her death but also the conspicuous absence of women artists from high-profile exhibitions. Drawing on the work of such theorists as Judith Butler, Joseph Roach, Edward Said, and Homi Bhabha, Blocker discusses the power of Mendieta’s earth-and-body art to alter, unsettle, and broaden the terms of identity itself. She shows how Mendieta used exile as a discursive position from which to disrupt dominant categories, analyzing as well Mendieta’s use of mythology and anthropology, the ephemeral nature of her media, and the debates over her ethnic, gender, and national identities.
As the first major critical examination of this enigmatic artist’s work, Where Is Ana Mendieta? will interest a broad audience, particularly those involved with the production, criticism, theory, and history of contemporary art.


Where Is Ana Mendieta?: Identity, Performativity, and Exile

Автор: Jane Blocker
Название: Where Is Ana Mendieta?: Identity, Performativity, and Exile
ISBN: 0822323249 ISBN-13(EAN): 9780822323242
Издательство: Wiley EDC
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Цена: 25150.00 T
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Описание:

Ana Mendieta, a Cuban-born artist who lived in exile in the United States, was one of the most provocative and complex personalities of the 1970s’ artworld. In Where Is Ana Mendieta? art historian Jane Blocker provides an in-depth critical analysis of Mendieta’s diverse body of work. Although her untimely death in 1985 remains shrouded in controversy, her life and artistic legacy provide a unique vantage point from which to consider the history of performance art, installation, and earth works, as well as feminism, multiculturalism, and postmodernism.
Taken from banners carried in a 1992 protest outside the Guggenheim Museum in New York, the title phrase “Where is Ana Mendieta?” evokes not only the suspicious and tragic circumstances surrounding her death but also the conspicuous absence of women artists from high-profile exhibitions. Drawing on the work of such theorists as Judith Butler, Joseph Roach, Edward Said, and Homi Bhabha, Blocker discusses the power of Mendieta’s earth-and-body art to alter, unsettle, and broaden the terms of identity itself. She shows how Mendieta used exile as a discursive position from which to disrupt dominant categories, analyzing as well Mendieta’s use of mythology and anthropology, the ephemeral nature of her media, and the debates over her ethnic, gender, and national identities.
As the first major critical examination of this enigmatic artist’s work, Where Is Ana Mendieta? will interest a broad audience, particularly those involved with the production, criticism, theory, and history of contemporary art.



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