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Faith by Aurality in China`s Ethnic Borderland: Media, Mobility, and Christianity at the Margins, Ying Diao


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Автор: Ying Diao
Название:  Faith by Aurality in China`s Ethnic Borderland: Media, Mobility, and Christianity at the Margins
ISBN: 9781648250743
Издательство: Boydell & Brewer
Классификация:

ISBN-10: 1648250742
Обложка/Формат: Hardback
Страницы: 268
Вес: 0.51 кг.
Дата издания: 19.12.2023
Серия: Eastman/rochester studies ethnomusicology
Язык: English
Иллюстрации: 1 maps
Размер: 237 x 159 x 20
Ключевые слова: Asian history,Religious groups: social & cultural aspects,Sacred & religious music,Social & cultural anthropology, ethnography,Theory of music & musicology,World music, MUSIC / Ethnomusicology,MUSIC / Religious / Christian,SOCIAL SCIENCE / Ethnic Studies / Asian Studies
Подзаголовок: Media, mobility, and christianity at the margins
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Поставляется из: Англии
Описание: Illuminates how voice, faith, and hearing become intertwined with technologies of sound reproduction and mobility amid the rapidly transforming religious landscape of Chinas ethnic borderland.The twentieth-century expansion of Protestantism among the upland peoples in the China-Southeast Asia borderlands has catalyzed a profound sociocultural change in the region. In Faith by Aurality in Chinas Ethnic Borderland, Ying Diao finds important sonic evidence for this religious revolution in the rapidly transforming region of northwest Yunnan, presenting a compelling account of the regions Christian minority and highlighting the importance of aurality in this groups response to Christianity and other modernizing projects. Diao documents a range of sounded religious practices by the Lisu, an indigenous yet historically migratory people, to examine how participatory music production, circulation, and consumption become integral to indigenous perception and experience of faith.Weaving together evidence from multisite fieldwork, archival records, and audiovisual media, Diao demonstrates a nuanced understanding of people of faith at the margins, one centered on the sensual and material dimensions of religion and on the intertwining of local agency and external hegemonic forces. The resulting book provides historical and contextual information that enriches anthropological, ethnomusicological, and historical scholarship on global Christianity while showing how sound can be an ambivalent but fruitful avenue through which ways of faith are constructed in a context where religion remains voiceless.

Creolized Aurality: Guadeloupean Gwoka and Postcolonial Politics

Автор: Camal Jerome
Название: Creolized Aurality: Guadeloupean Gwoka and Postcolonial Politics
ISBN: 022663177X ISBN-13(EAN): 9780226631776
Издательство: Wiley
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Цена: 27450.00 T
Наличие на складе: Невозможна поставка.
Описание: In the Caribbean island of Guadeloupe, the complex interplay between anticolonial resistance and accommodation resounds in its music. Guadeloupean gwoka music--a secular, drum-based tradition--captures the entangled histories of French colonization, movements against it, and the uneasy process of the island's decolonization as an overseas territory of France. In Creolized Aurality, J r me Camal demonstrates that musical sounds and practices express the multiple--and often seemingly contradictory--cultural belongings and political longings that characterize postcoloniality. While gwoka has been associated with anti-colonial activism since the 1960s, in more recent years it has provided a platform for a cohort of younger musicians to express pan-Caribbean and diasporic solidarities. This generation of musicians even worked through the French state to gain UNESCO heritage status for their art. These gwoka practices, Camal argues, are "creolized auralities"--expressions of a culture both of and against French coloniality and postcoloniality.

Автор: Camal Jerome
Название: Creolized Aurality: Guadeloupean Gwoka and Postcolonial Politics
ISBN: 022663163X ISBN-13(EAN): 9780226631639
Издательство: Wiley
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Цена: 82370.00 T
Наличие на складе: Невозможна поставка.
Описание: In the Caribbean island of Guadeloupe, the complex interplay between anticolonial resistance and accommodation resounds in its music. Guadeloupean gwoka music--a secular, drum-based tradition--captures the entangled histories of French colonization, movements against it, and the uneasy process of the island's decolonization as an overseas territory of France. In Creolized Aurality, J r me Camal demonstrates that musical sounds and practices express the multiple--and often seemingly contradictory--cultural belongings and political longings that characterize postcoloniality. While gwoka has been associated with anti-colonial activism since the 1960s, in more recent years it has provided a platform for a cohort of younger musicians to express pan-Caribbean and diasporic solidarities. This generation of musicians even worked through the French state to gain UNESCO heritage status for their art. These gwoka practices, Camal argues, are "creolized auralities"--expressions of a culture both of and against French coloniality and postcoloniality.

In the Borderland Between Song and Speech: Vocal Expressions in Oral Cultures

Название: In the Borderland Between Song and Speech: Vocal Expressions in Oral Cultures
ISBN: 9198557769 ISBN-13(EAN): 9789198557763
Издательство: Неизвестно
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Цена: 33980.00 T
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Описание: Vocal expressions in the borderland between song and speech in some Asian, and one Native American, cultures are studied through a new methodology which combines ethnomusicology and linguistics. -- .


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