Masculine, feminine, neuter and other writings on literature, Barthes, Roland Turner, Chris

Автор: D`Souza, Erika
Название: Private Honour and Noble Masculine Image in Early Modern England
ISBN: 1032189266 ISBN-13(EAN): 9781032189260
Издательство: Taylor&Francis
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Цена: 132710.00 T
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Автор: Johnson Allan
Название: Masculine Identity in Modernist Literature: Castration, Narration, and a Sense of the Beginning, 1919-1945
ISBN: 3319880462 ISBN-13(EAN): 9783319880464
Издательство: Springer
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Цена: 83850.00 T
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Описание: This book is about the modernist narrative voice and its correlation to medical, mythological, and psychoanalytic images of emasculation between 1919 and 1945.

Автор: Washington Teresa N.
Название: Manifestations of Masculine Magnificence: Divinity in Africana Life, Lyrics, and Literature
ISBN: 0991073002 ISBN-13(EAN): 9780991073009
Издательство: Неизвестно
Цена: 71330.00 T
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Автор: Washington Teresa N.
Название: Manifestations of Masculine Magnificence: Divinity in Africana Life, Lyrics, and Literature
ISBN: 0991073029 ISBN-13(EAN): 9780991073023
Издательство: Неизвестно
Цена: 125210.00 T
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Автор: Saint-Aubin Arthur F.
Название: The Memoirs of Toussaint and Isaac Louverture: Representing the Black Masculine Subject in Narratives of Mourning and Loss
ISBN: 1611461952 ISBN-13(EAN): 9781611461954
Издательство: Неизвестно
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Цена: 174730.00 T
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Описание: This book examines the memoir of Toussaint Louverture-a former slave, general in the French army, and leader of the Haitian Revolution-and the memoir of his son, Isaac.

Автор: Harry Robert Wilson, Will Daddario
Название: Rethinking Roland Barthes Through Performance: A Desire for Neutral Dramaturgy
ISBN: 1350330841 ISBN-13(EAN): 9781350330849
Издательство: Bloomsbury Academic
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Цена: 89760.00 T
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Описание: Through a series of reflections from internationally renowned performance-makers and contextualising essays from leading theatre and performance scholars, this is the first book to map the influence of Roland Barthes on performance. The contributions are framed through Barthes’s notion of The Neutral – the suspension of binary choice that offers a welcome antidote to the political deadlock of our present moment. They cover the breadth of Barthes’s work from Mythologies (1957) to ‘The Death of the Author’ (1967), A Lover’s Discourse (1977), Camera Lucida (1980), to the more recently available lecture courses at the College de France. Together, they capture and rethink a range of Barthes’s preoccupations, from his early writing on myths and meaning to personal reflections on love, loss and desire, and interrogate the intersections between Barthes’s work and contemporary theatre and performance. This book invites readers to approach Barthes’s writing from a breadth of creative-critical perspectives, to become more aware of the importance of his late thought for thinking through a range of dramaturgical forms, and to become more familiar with the work of internationally significant performance practitioners.