An inkstone, a piece of polished stone no bigger than an outstretched hand, is an instrument for grinding ink, an object of art, a token of exchange between friends or sovereign states, and a surface on which texts and images are carved. As such, the inkstone has been entangled with elite masculinity and the values of wen (culture, literature, civility) in China, Korea, and Japan for more than a millennium. However, for such a ubiquitous object in East Asia, it is virtually unknown in the Western world.
Examining imperial workshops in the Forbidden City, the Duan quarries in Guangdong, the commercial workshops in Suzhou, and collectors’ homes in Fujian, The Social Life of Inkstones traces inkstones between court and society and shows how collaboration between craftsmen and scholars created a new social order in which the traditional hierarchy of “head over hand” no longer predominated. Dorothy Ko also highlights the craftswoman Gu Erniang, through whose work the artistry of inkstone-making achieved unprecedented refinement between the 1680s and 1730s
The Social Life of Inkstones explores the hidden history and cultural significance of the inkstone and puts the stonecutters and artisans on center stage.
Автор: Barbieri-Low Anthony J. Название: Artisans in Early Imperial China ISBN: 0295749385 ISBN-13(EAN): 9780295749389 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 33440.00 T Наличие на складе: Нет в наличии. Описание:
Early China is best known for the dazzling material artifacts it has left behind. These terracotta figures, gilt-bronze lamps, and other material remnants of the Chinese past unearthed by archaeological excavations are often viewed without regard to the social context of their creation, yet they were made by individuals who contributed greatly to the foundations of early Chinese culture. With Artisans in Early Imperial China, Anthony Barbieri-Low combines historical, epigraphic, and archaeological analysis to refocus our gaze from the glittering objects and monuments of China onto the men and women who made them.
Taking readers inside the private workshops, crowded marketplaces, and great palaces, temples, and tombs of early China, Barbieri-Low explores the lives and working conditions of artisans, meticulously documenting their role in early Chinese society and the economy. First published in 2007, winner of top prizes from the Association for Asian Studies, American Historical Association, College Art Association, and the International Convention of Asia Scholars, and now back in print, Artisans in Early Imperial China will appeal to anyone interested in Chinese history, as well as to scholars of comparative social history, labor history, and Asian art history.
Автор: Hailian Chen Название: Zinc for Coin and Brass: Bureaucrats, Merchants, Artisans, and Mining Laborers in Qing China, ca. 1680s–1830s ISBN: 900438300X ISBN-13(EAN): 9789004383005 Издательство: Brill Цена: 285570.00 T Наличие на складе: Невозможна поставка. Описание: Hailian Chen’s pioneering study presents the first comprehensive history of Chinese zinc—an essential base metal used to produce brass and coin and a global commodity—over the long eighteenth century. Zinc, she argues, played a far greater role in the Qing economy and in integrating China into an emerging global economy, than has previously been recognized. Using commodity chain analysis and exploring over 5,800 items of archival documents, Chen demonstrates how this metal was produced, transported, traded, and consumed by human agents. Situating the zinc story within the human-environment framework, this book covers a broad and interdisciplinary range of political economy, material culture, environment, technology, and society, which casts new light on our understanding of early modern China.
Автор: Iorwerth Prothero Название: Artisans and Politics in Early Nineteenth-Century London (Routledge Revivals): John Gast and his Times ISBN: 0415639107 ISBN-13(EAN): 9780415639101 Издательство: Taylor&Francis Рейтинг: Цена: 183750.00 T Наличие на складе: Невозможна поставка. Описание: First published in 1979, this book was the first, full-length study of working-class movements in London between 1800 and the beginnings of Chartism in the later 1830s. Starting from the social ideals, outlook and the experience of the London artisan, Dr Prothero describes trade union, political, co-operative, educational and intellectual movements in the first forty years of the century.
Автор: Settar, S Название: Early Buddhist Artisans and Their Architectural Vocabulary ISBN: 1032548592 ISBN-13(EAN): 9781032548593 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Cooper, Terry L Название: The Artisans and Entrepreneurs of Dongyang County ISBN: 0765603225 ISBN-13(EAN): 9780765603227 Издательство: Taylor&Francis Рейтинг: Цена: 46950.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Cooper, Terry L Название: The Artisans and Entrepreneurs of Dongyang County ISBN: 0765603217 ISBN-13(EAN): 9780765603210 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Bensimon, Fabrice (historian Of The Nineteenth Century, Professor In British History, Sorbonne Universite) Название: Artisans abroad ISBN: 0198835841 ISBN-13(EAN): 9780198835844 Издательство: Oxford Academ Рейтинг: Цена: 87650.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
After Mexico’s revolution of 1910–1920, intellectuals sought to forge a unified cultural nation out of the country’s diverse populace. Their efforts resulted in an “ethnicized” interpretation of Mexicanness that intentionally incorporated elements of folk and indigenous culture. In this rich history, Rick A. López explains how thinkers and artists, including the anthropologist Manuel Gamio, the composer Carlos Chávez, the educator Moisés Sáenz, the painter Diego Rivera, and many less-known figures, formulated and promoted a notion of nationhood in which previously denigrated vernacular arts—dance, music, and handicrafts such as textiles, basketry, ceramics, wooden toys, and ritual masks—came to be seen as symbolic of Mexico’s modernity and national distinctiveness. López examines how the nationalist project intersected with transnational intellectual and artistic currents, as well as how it was adapted in rural communities. He provides an in-depth account of artisanal practices in the village of Olinalá, located in the mountainous southern state of Guerrero. Since the 1920s, Olinalá has been renowned for its lacquered boxes and gourds, which have been considered to be among the “most Mexican” of the nation’s arts. Crafting Mexico illuminates the role of cultural politics and visual production in Mexico’s transformation from a regionally and culturally fragmented country into a modern nation-state with an inclusive and compelling national identity.
After Mexico’s revolution of 1910–1920, intellectuals sought to forge a unified cultural nation out of the country’s diverse populace. Their efforts resulted in an “ethnicized” interpretation of Mexicanness that intentionally incorporated elements of folk and indigenous culture. In this rich history, Rick A. López explains how thinkers and artists, including the anthropologist Manuel Gamio, the composer Carlos Chávez, the educator Moisés Sáenz, the painter Diego Rivera, and many less-known figures, formulated and promoted a notion of nationhood in which previously denigrated vernacular arts—dance, music, and handicrafts such as textiles, basketry, ceramics, wooden toys, and ritual masks—came to be seen as symbolic of Mexico’s modernity and national distinctiveness. López examines how the nationalist project intersected with transnational intellectual and artistic currents, as well as how it was adapted in rural communities. He provides an in-depth account of artisanal practices in the village of Olinalá, located in the mountainous southern state of Guerrero. Since the 1920s, Olinalá has been renowned for its lacquered boxes and gourds, which have been considered to be among the “most Mexican” of the nation’s arts. Crafting Mexico illuminates the role of cultural politics and visual production in Mexico’s transformation from a regionally and culturally fragmented country into a modern nation-state with an inclusive and compelling national identity.
Автор: Hawkins Cameron Название: Roman Artisans and the Urban Economy ISBN: 1107535735 ISBN-13(EAN): 9781107535732 Издательство: Cambridge University Press Рейтинг: Цена: 58630.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book offers the first comprehensive study of economic conditions and economic life in Roman cities during the late Republic and early Empire. Inspired by comparative historical evidence and contemporary economic theory, it explores the performance of the Roman economy and the economic importance of key institutions like slavery, manumission, reputation and gender.
Автор: Hussain Ahmad Khan Название: Artisans, Sufis, Shrines: Colonial Architecture in Nineteenth-Century Punjab ISBN: 1350155357 ISBN-13(EAN): 9781350155350 Издательство: Bloomsbury Academic Рейтинг: Цена: 34840.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In nineteenth-century Punjab, a cultural tug-of-war ensued as both Sufi mystics and British officials aimed to engage the local artisans as a means of realizing their ideological ambitions. When it came to influence and impact, the Sufi shrines had a huge advantage over the colonial art institutions, such as the Mayo School of Arts in Lahore. The mystically-inspired shrines, built as a statement of Muslim ruling ambitions, were better suited to the task of appealing to local art traditions. By contrast the colonial institutions, rooted in the Positivist Romanticism of the Victorian West, found assimilation to be more of a challenge. In questioning their relative success and failures at influencing local culture, the book explores the extent to which political control translates into cultural influence. Folktales, Sufi shrines, colonial architecture, institutional education methods and museum exhibitions all provide a wealth of sources for revealing the complex dynamic between the Punjabi artisans, the Sufi community and the colonial British.In this unique look at a little-explored aspect of India's history, Hussain Ahmad Khan explores this evidence in order to illuminate this web of cultural influences. Examining the Sufi-artisan relationship within the various contexts of political revolt, the decline of the Mughals and the struggle of the Sufis to establish an Islamic state, this book argues that Sufi shrines were initially constructed with the aim of affirming a distinct 'Muslim' identity. At the same time, art institutions established by colonial officials attempted to promote eclectic architecture representing the 'British Indian empire', as well as to revive the pre-colonial traditions with which they had previously seemed out of touch. This important book sheds new light on the dynamics of power and culture in the British Empire.
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