Radical Theatrics: Put-Ons, Politics, and the Sixties, Craig J. Peariso
Автор: Sikes Alan Название: Sex, Class, and the Theatrical Archive: Erotic Economies ISBN: 3030231186 ISBN-13(EAN): 9783030231187 Издательство: Springer Рейтинг: Цена: 79190.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In Sex, Class and the Theatrical Archive: Erotic Economies, Alan Sikes explores the intersection of struggles over sex and class identities in politicized performances during key revolutionary moments in modern European history.
Автор: Sikes Alan Название: Sex, Class, and the Theatrical Archive: Erotic Economies ISBN: 3030231151 ISBN-13(EAN): 9783030231156 Издательство: Springer Рейтинг: Цена: 79190.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In Sex, Class and the Theatrical Archive: Erotic Economies, Alan Sikes explores the intersection of struggles over sex and class identities in politicized performances during key revolutionary moments in modern European history.
Автор: Machado Bernardo Fonseca Название: Discourses on American Musical Theatre between Sгo Paulo and New York: Theatrical Flows at the Beginning of the Twenty-First Century ISBN: 1793638179 ISBN-13(EAN): 9781793638175 Издательство: Bloomsbury Рейтинг: Цена: 72270.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In Discourses on American Musical Theater between Sao Paulo and New York: Theatrical Flows at the Beginning of the Twenty-First Century, Bernardo Fonseca Machado examines cultural exchange between musical theater production in the US and Brazil.
Название: Christoph Schlingensief: Staging Chaos, Performing Politics and Theatrical Phantasmagoria (Anna Teresa Scheer) ISBN: 1350001058 ISBN-13(EAN): 9781350001053 Издательство: Bloomsbury Academic Рейтинг: Цена: 105600.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The first book to focus specifically on the late German artist Christoph Schlingensief's theatre work, it subversively merges art, politics and everyday life to imbue his productions both inside and outside the theatre with a re-energized concept of the political in art.
Scheer traces Schlingensief's artistic lineage as a filmmaker with no formal training in theatre, whose work does not correspond to theoretical frameworks such as postdramatic theatre, Regietheater, or established categories of political theatre such as Brechtian, community, and agit-prop theatre. She explores how his work instead draws upon the highly performative gestures of the historical and post-Cold War avant-gardes as well the happenings and event-based practices of the sixties. Comprehensive case studies of six diverse theatrical and activist events are offered to demonstrate both the immediacy of Schlingensief's response to contemporary social and political events and his use of a range of artistic influences and different genres: Rocky Dutschke '68 (1996), Save Capitalism: Throw the Money Away (1999) The Berlin Republic - or the Ring in Africa (1999) Hamlet (2001), Atta Atta - Art Has Broken Out (2003) and the Church of Fear (2003).
Key questions such as how his theatre functions as a provocation, and how an artist can insert themselves into the powerful flows of imagery produced by the perpetual global news cycle, form a coherent line of enquiry throughout each of the chapters. The significance of Schlingensief's artistic legacy of politicized theatre-making that pioneers new modes of active, aesthetic and public engagement in the political realm remains pertinent to topical socio-political debates and is of relevance to an international audience across a diversity of disciplines.
Автор: Hohman V. Название: Russian Culture and Theatrical Performance in America, 1891-1933 ISBN: 1349295388 ISBN-13(EAN): 9781349295388 Издательство: Springer Рейтинг: Цена: 46570.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Examining the work of impresarios, financiers, and the press as well as the artists themselves, Hohman demonstrates how a variety of Russian theatrical styles were introduced and incorporated into American theatre and dance during the beginning of the twentieth century.
The first book to focus specifically on the late German artist Christoph Schlingensief's theatre work, it subversively merges art, politics and everyday life to imbue his productions both inside and outside the theatre with a re-energized concept of the political in art.
Scheer traces Schlingensief's artistic lineage as a filmmaker with no formal training in theatre, whose work does not correspond to theoretical frameworks such as postdramatic theatre, Regietheater, or established categories of political theatre such as Brechtian, community, and agit-prop theatre. She explores how his work instead draws upon the highly performative gestures of the historical and post-Cold War avant-gardes as well the happenings and event-based practices of the sixties. Comprehensive case studies of six diverse theatrical and activist events are offered to demonstrate both the immediacy of Schlingensief's response to contemporary social and political events and his use of a range of artistic influences and different genres: Rocky Dutschke '68 (1996), Save Capitalism: Throw the Money Away (1999) The Berlin Republic - or the Ring in Africa (1999) Hamlet (2001), Atta Atta - Art Has Broken Out (2003) and the Church of Fear (2003).
Key questions such as how his theatre functions as a provocation, and how an artist can insert themselves into the powerful flows of imagery produced by the perpetual global news cycle, form a coherent line of enquiry throughout each of the chapters. The significance of Schlingensief's artistic legacy of politicized theatre-making that pioneers new modes of active, aesthetic and public engagement in the political realm remains pertinent to topical socio-political debates and is of relevance to an international audience across a diversity of disciplines.
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