Woman with a Movie Camera: My Life as a Russian Filmmaker, Marina Goldovskaya
Автор: Mihaela Mihailova Название: Coraline: A Closer Look at Studio LAIKA`s Stop-Motion Witchcraft ISBN: 1501381431 ISBN-13(EAN): 9781501381430 Издательство: Bloomsbury Academic Рейтинг: Цена: 30610.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Coraline (Henry Selick, 2009) is stop-motion studio LAIKA's feature-length debut based on the popular children's novel by British author Neil Gaiman. Heralding a revival in global interest in stop-motion animation, the film is both an international cultural phenomenon and a breakthrough moment in the technological evolution of the craft. This open access collection brings together an international group of practitioners and scholars to examine Coraline's place in animation history and culture, dissect its politics, and unpack its role in the technological and aesthetic development of its medium.
More broadly, it celebrates stop motion as a unique and enduring artform while embracing its capacity to evolve in response to cultural, political, and technological changes, as well as shifting critical and audience demands. Divided into three sections, this volume's chapters situate Coraline within an interconnected network of historical, industrial, discursive, theoretical, and cultural contexts. They place the film in conversation with the medium's aesthetic and technological history, broader global intellectual and political traditions, and questions of animation reception and spectatorship.
In doing so, they invite recognition - and appreciation - of the fact that Coraline occupies many liminal spaces at once. It straddles the boundary between children's entertainment and traditional 'adult' genres, such as horror and thriller. It complicates a seemingly straight(forward) depiction of normative family life with gestures of queer resistance.
Finally, it marks a pivotal point in stop-motion animation's digital turn. Following the film's recent tenth anniversary, the time is right to revisit its production history, evaluate its cultural and industry impact, and celebrate its legacy as contemporary stop-motion cinema's gifted child. As the first book-length academic study of this contemporary animation classic, this volume serves as an authoritative introduction and a primary reference on the film for scholars, students, practitioners, and animation fans.
The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com.
Автор: Alyssa DeBlasio Название: The Filmmaker`s Philosopher: Merab Mamardashvili and Russian Cinema ISBN: 1474444482 ISBN-13(EAN): 9781474444484 Издательство: Bloomsbury Academic Рейтинг: Цена: 84480.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Traces the influence of Soviet philosopher Merab Mamardashvili on a generation of Soviet and Russian filmmakers
The first study of Mamardashvili's significant influence on cinema, culture and philosophy in Russia
Offers a compelling analysis of contemporary Russian filmmakers, including Alexander Sokurov, Andrey Zvyagintsev and Alexei Balabanov
Provides a carefully researched study of Mamardashvili's philosophy and intellectual biography, written for scholars from all disciplines
Known as the 'Georgian Socrates' of Soviet philosophy, Merab Mamardashvili was a defining personality of the late-Soviet intelligentsia. In the 1970s and 1980s, he taught required courses in philosophy at Russia's two leading film schools, helping to educate a generation of internationally prolific directors.
Exploring Mamardashvili's extensive philosophical output, as well as a range of recent Russian films, Alyssa DeBlasio reveals the intellectual affinities amongst directors of the Mamardashvili generation - including Alexander Sokurov, Andrey Zvyagintsev and Alexei Balabanov. This multidisciplinary study offers an innovative way to think about film, philosophy and the philosophical potential of the moving image.
Narrative comprehension, memory, motion, depth perception, synesthesia, hallucination, and dreaming have long been objects of fascination for cognitive psychologists. They have also been among the most potent sources of creative inspiration for experimental filmmakers. Lessons in Perception melds film theory and cognitive science in a stimulating investigation of the work of iconic experimental artists such as Stan Brakhage, Robert Breer, Maya Deren, and Jordan Belson. In illustrating how avant-garde filmmakers draw from their own mental and perceptual capacities, author Paul Taberham offers a compelling account of how their works expand the spectator’s range of aesthetic sensitivities and open creative vistas uncharted by commercial cinema.
MEMOIR 2017 SILVER WINNER OF IBPA BENJAMIN FRANKLIN AWARD - For readers of Cheryl Strayed, Martha Beck, and Elizabeth Gilbert - In this adventurous spiritual memoir, Melissa Burch discovers that by facing her near death, living outside her comfort zone and trusting her intuition, she could find herself and set a new course for her life.
"My Journey Through War and Peace: Explorations of a Young Filmmaker, Feminist and Spiritual Seeker" is based on Melissa Burch's experiences as a war journalist for BBC, CBS, and other networks. Her team was one of the first documentary crews allowed in the Soviet Union at the height of the Cold War, and she was featured in a New York Times story about her time in Afghanistan. She was just in her twenties when she traveled with the mujahideen, filmed an attack on a Soviet convoy, slept with an Afghan commander, and climbed 14,000-foot mountains in the Hindu Kush.
"My Journey Through War and Peace" examines how, through outward action and inward exploration, life can unfold in mysterious ways, far beyond cultural and family expectations. In looking back at this momentous decade, Burch shares why she pursued such dangerous and difficult circumstances at such a young age and continued to live on the edge. She now understands that she was seeking self-discovery, a connection to something greater, and ultimately inner peace. This exciting adventurous spiritual memoir will resonate with fans of "Eat Pray Love," "Wild," and other popular memoirs that describe extraordinary inner and outer journeys.
Praise for My Journey Through War and Peace
"Grittier than Eat Pray Love."
Amazon Reviewer
"Burch's memoir recounts her remarkable experiences over eight years as a photographer covering the war in Soviet-occupied Afghanistan in the 1980s and as a filmmaker, and also her own personal and spiritual journey as a young woman.... Her accounts provide revealing glimpses into the conflict, Afghan culture, and the dangers of war reporting, particularly for a woman."
Publishers Weekly
"In this memoir, a documentary filmmaker describes her dramatic journeys, both outward and inward... An absorbing, well-written memoir by a brave adventurer who discovered her own life."
Kirkus Reviews
"At twenty-two, Melissa Burch headed to Afghanistan with a camera... determined to film a war for CBS and to find herself. MY JOURNEY THROUGH WAR AND PEACE is the dizzying and dazzling account of that journey."
Foreword Reviews
Автор: Richard Eldridge Название: Werner Herzog: Filmmaker and Philosopher ISBN: 1350091677 ISBN-13(EAN): 9781350091672 Издательство: Bloomsbury Academic Рейтинг: Цена: 84480.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Werner Herzog has produced some of the most powerful, haunting, and memorable images ever captured on film. Both his fiction films and his documentaries address fundamental issues about nature, selfhood, and history in ways that engage with but also criticize and qualify the best philosophical thinking about these topics. In focusing on figures from Aguirre, Kasper Hauser, and Stroszek to Timothy Treadwell, Graham Dorrington, Dieter Dengler, and Walter Steiner, among many others, Herzog investigates the nature of human life in time and the possibilities of meaning that might be available within it. His films demonstrate the importance of the image in coming to terms with the plights of contemporary industrial and commercial culture. Eldridge unpacks and develops Herzog's achievement by bringing his work into engagement with the thinking of Freud, Merleau-Ponty, Nietzsche, Hegel, Cavell, and Benjamin, but more importantly also by attending closely to the logic and development of the films themselves and to Herzog's own extensive writings about filmmaking.
Автор: William Egginton Название: Alejandro Jodorowsky: Filmmaker and Philosopher ISBN: 1350144762 ISBN-13(EAN): 9781350144767 Издательство: Bloomsbury Academic Рейтинг: Цена: 68640.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Alejandro Jodorowsky is a force of nature. At 90 years old he is still making films and is a cultural phenomenon who has influenced other artists as disparate as John Waters and Yoko Ono. Although his body of work has long been considered disjointed and random, William Egginton claims that Jodorowsky’s writings, theatre work and mime, and his films, along with the therapeutic practice he calls psychomagic, can all be tied together to form the philosophical programme that underpins his films. Incorporating surrealism and thinkers including Lacan, Kant, Hegel, and Zizek into his interpretation of Jodorowsky's work, Egginton shows how his diverse films are connected by interpretive practices with a fundamental similarity to Lacanian psychoanalysis. Using case studies of Jodorowsky's cult films, El Topo, Fando y Lis and Holy Mountain and more, this book provides a unique perspective on a filmmaker whose work has been notoriously difficult to analyse.
Автор: Robert B. Pippin Название: Douglas Sirk: Filmmaker and Philosopher ISBN: 1350195677 ISBN-13(EAN): 9781350195677 Издательство: Bloomsbury Academic Рейтинг: Цена: 24280.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: It would be easy to dismiss the films of Douglas Sirk (1897-1987) as brilliant examples of mid-century melodrama with little to say to the contemporary world. Yet Robert Pippin argues that, far from being marginal pieces of sentimentality, Sirk's films are rich with irony, insight and depth. Indeed Sirk's films, often celebrated as classics of the genre, are attempts to subvert rather than conform to rules of conventional melodrama.
The visual style, story and characters of films like All That Heaven Allows, Written on the Wind and Imitation of Life are explored to argue for Sirk as an incredibly nuanced moral thinker. Instead of imposing moralising judgements on his characters, Sirk presents them as people who do 'wrong' things often without understanding why or how, creating a complex and unsettling ethics. Pippin argues that it this moral ambiguity and ironic richness enables Sirk to produce films that grapple with important themes such as race, class and gender with real force and political urgency.
Douglas Sirk: Filmmaker and Philosopher argues for a filmmaker who was a 'disruptive not restorative' auteur and one who broke the rules in the most interesting and subtle of ways.
Автор: Todd May Название: Kenneth Lonergan: Filmmaker and Philosopher ISBN: 1350112062 ISBN-13(EAN): 9781350112063 Издательство: Bloomsbury Academic Рейтинг: Цена: 84480.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Kenneth Lonergan's three films-You Can Count on Me (2000), Margaret (2011), and Manchester by the Sea (2016)-are rife with philosophical complexities. They challenge simple philosophical approaches to central issues of human behaviour. In particular, they ask questions about how to cope with suffering that one cannot overcome, the role that self- deception plays in people's lives and how to think about characters who do not embody simplistic moral ideas of virtue and vice. By philosophically engaging with these themes as they unfold in Lonergan's films, we are then able to formulate a more nuanced answer to the questions they pose. Kenneth Lonergan: Philosophical Filmmaker will draw from Lonergan's films and plays, along with the philosophical literature on the topics that they explore. The rich history of philosophical reflection surrounding these areas enables the reader to determine how the themes central to Lonergan's work have combined to create a rich cinematic oeuvre.
Автор: Mark William Roche Название: Alfred Hitchcock: Filmmaker and Philosopher ISBN: 1474221319 ISBN-13(EAN): 9781474221313 Издательство: Bloomsbury Academic Рейтинг: Цена: 73920.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Hitchcock was a masterful director, popular with audiences of all ages and critically acclaimed both during and after his unusually long career. What may have been sensed by many viewers but not fully articulated until now is the extent to which his works subtly engage philosophical themes: What is evil, and how does it shield and reveal itself? Can we know what is inside the mind of another person? What is at stake when one knows the truth but cannot speak of it or cannot persuade others? How is Hitchcock’s loving critique of humanity manifested in his films? Why are Hitchcock’s works so often ambiguous? What is the hidden purpose and theory behind his use of humor?
Hitchcock employs cinematic techniques–from camera angles and use of light to editing and sound–partly to convey suspense and drama but also to engage and advance philosophical issues, ranging from identity crises to moral ugliness.
Roche unlocks Hitchcock’s engagement with philosophical themes, and he does so in a way that appeals to both the novice and the seasoned philosopher, as well as enthusiastic admirers of Hitchcock’s films.
Автор: Vittorio H?sle Название: Eric Rohmer: Filmmaker and Philosopher ISBN: 1474221130 ISBN-13(EAN): 9781474221139 Издательство: Bloomsbury Academic Рейтинг: Цена: 126720.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Rohmer is one of the most popular French directors of the second half of the 20th century, one of the members of the famous Nouvelle Vague that reconstituted French cinema based on the theoretical principles articulated in the Cahiers du Cinema – from whose editorship he was fired when the conservative Catholic opposed its turn toward politicization. Like some of his colleagues, Rohmer is extremely interested in both the history and the philosophy of film: Brother of the noted French philosopher Rene Scherer, he begins his career as a film critic In his films, deep moral conflicts as well as the search for one’s own identity emerge from the intricacies of seemingly superficial everyday life interactions, particularly between a man and a woman. Hosle’s book puts Rohmer in the context of a long French tradition of reflected eroticism, with Marivaux, Musset, Stendhal, and Jean Renoir as crucial figures, and shows how Rohmer both recognizes the inner logic of eroticism and subjects it to moral demands that he inherits from his Catholic background. For Rohmer, the tension between the two can usually only be solved by some unexpected event that can be interpreted as an equivalent of grace.
Автор: Robert B. Pippin Название: Douglas Sirk: Filmmaker and Philosopher ISBN: 1350195669 ISBN-13(EAN): 9781350195660 Издательство: Bloomsbury Academic Рейтинг: Цена: 79200.00 T Наличие на складе: Поставка под заказ. Описание: It would be easy to dismiss the films of Douglas Sirk (1897-1987) as brilliant examples of mid-century melodrama with little to say to the contemporary world. Yet Robert Pippin argues that, far from being marginal pieces of sentimentality, Sirk's films are rich with irony, insight and depth. Indeed Sirk's films, often celebrated as classics of the genre, are attempts to subvert rather than conform to rules of conventional melodrama.
The visual style, story and characters of films like All That Heaven Allows, Written on the Wind and Imitation of Life are explored to argue for Sirk as an incredibly nuanced moral thinker. Instead of imposing moralising judgements on his characters, Sirk presents them as people who do 'wrong' things often without understanding why or how, creating a complex and unsettling ethics. Pippin argues that it this moral ambiguity and ironic richness enables Sirk to produce films that grapple with important themes such as race, class and gender with real force and political urgency.
Douglas Sirk: Filmmaker and Philosopher argues for a filmmaker who was a 'disruptive not restorative' auteur and one who broke the rules in the most interesting and subtle of ways.
Автор: Robert Sinnerbrink Название: Terrence Malick: Filmmaker and Philosopher ISBN: 1350063649 ISBN-13(EAN): 9781350063648 Издательство: Bloomsbury Academic Рейтинг: Цена: 25330.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Many critics have approached Terrence Malick's work from a philosophical perspective, arguing that his films express philosophy through cinema. With their remarkable images of nature, poetic voiceovers, and meditative reflections, Malick's cinema certainly invites philosophical engagement.
In Terrence Malick: Filmmaker and Philosopher, Robert Sinnerbrink takes a different approach, exploring Malick's work as a case of cinematic ethics: films that evoke varieties of ethical experience, encompassing existential, metaphysical, and religious perspectives. Malick's films are not reducible to a particular moral position or philosophical doctrine; rather, they solicit ethically significant forms of experience, encompassing anxiety and doubt, wonder and awe, to questioning and acknowledgment, through aesthetic engagement and poetic reflection.
Drawing on a range of thinkers and approaches from Heidegger and Cavell, Nietzsche and Kierkegaard, to phenomenology and moral psychology Sinnerbrink explores how Malick's films respond to the problem of nihilism the loss of conviction or belief in prevailing forms of value and meaning and the possibility of ethical transformation through cinema: from self-transformation in our relations with others to cultural transformation via our attitudes towards towards nature and the world. Sinnerbrink shows how Malick's later films, from The Tree of Life to Voyage of Time, provide unique opportunities to explore cinematic ethics in relation to the crisis of belief, the phenomenology of love, and film's potential to invite moral transformation.
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