Ann Marie Rasmussen, Jutta Eming Visuality and Materiality in the Story of Tristan and Isolde 9780268204778

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Автор: Ann Marie Rasmussen, Jutta Eming
Название: Visuality and Materiality in the Story of Tristan and Isolde
ISBN: 9780268204778
Издательство: Mare Nostrum (Eurospan)
Классификация:

История искусства: византийское и средневековое искусство: с 500 до 1400 г.

Литературоведение: Классическое, раннего, высокого и позднего средневековья до 1500 г.

ISBN-10: 0268204772
Обложка/Формат: Hardback
Страницы: 372
Вес: 0.67 кг.
Дата издания: 2022-01-15
Язык: English
Иллюстрации: 81 color photos, 1 line drawing, 1 map - 81 halftones, color - 1 line drawings, black and white - 1 maps
Размер: 229 x 152 x 22
Основная тема: European history,History of art / art & design styles,Literary studies: classical, early & medieval,Literature: history & criticism,Medieval history, ART / History / Medieval,LITERARY CRITICISM / European / General,LITERARY CRITICISM / Medieval
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание:

More than any other secular story of the Middle Ages, the tale of Tristan and Isolde fascinated its audience. Adaptations in poetry, prose, and drama were widespread in western European vernacular languages. Visual portrayals of the story appear not only in manuscripts and printed books but in individual pictures and pictorial narratives, and on an amazing array of objects including stained glass, wall paintings, tiles, tapestries, ivory boxes, combs, mirrors, shoes, and misericords.

The pan-European and cross-media nature of the surviving medieval evidence is not adequately reflected in current Tristan scholarship, which largely follows disciplinary and linguistic lines. The contributors to Visuality and Materiality in the Story of Tristan and Isolde seek to address this problem by opening a cross-disciplinary dialogue and by proposing a new set of intellectual coordinates—the concepts of materiality and visuality—without losing sight of the historical specificity or the aesthetic character of individual works of art and literature. Their theoretical paradigm allows them to survey the richness of the surviving evidence from a variety of disciplinary approaches, while offering new perspectives on the nature of representation in medieval culture. Enriched by numerous illustrations, this volume is an important examination of the story of Tristan and Isolde in the European context of its visual and textual transmission.

Visuality and Materiality in the Story of Tristan and Isolde, Ann Marie Rasmussen, Jutta Eming