Politics and Poetics of Black Film: Nothing But a Man, David C. Wall, Michael T. Martin

Автор: David C. Wall, Michael T. Martin
Название: Politics and Poetics of Black Film: Nothing But a Man
ISBN: 0253018374 ISBN-13(EAN): 9780253018373
Издательство: Mare Nostrum (Eurospan)
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Цена: 66880.00 T
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Описание: Written and directed by two white men and performed by an all-black cast, Nothing But a Man (Michael Roemer, 1964) tells the story of a drifter turned family man who struggles with the pressures of small-town life and the limitations placed on him and his community in the Deep South, an area long fraught with racism. Though unmistakably about race and civil rights, the film makes no direct reference to the civil rights movement. Despite this intentional absence, contemporary audiences were acutely aware of the social context for the film's indictment of white prejudice in America. To help frame and situate the film in the context of black film studies, the book gathers primary and secondary resources, including the original screenplay, essays on the film, statements by the filmmakers, and interviews with Robert M. Young, the film's producer and cinematographer, and Khalil Gibran Muhammad, the Director of the Schomburg Center for Research in Black Culture.

Автор: Sim, Gerald
Название: Postcolonial hangups in southeast asian cinema
ISBN: 9463721932 ISBN-13(EAN): 9789463721936
Издательство: NBN International
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Цена: 166150.00 T
Наличие на складе: Нет в наличии.
Описание: Postcolonial Hangups in Southeast Asian Cinema: Poetics of Space, Sound, and Stability explores a geopolitically situated set of cultures negotiating unique relationships to colonial history. Singaporean, Malaysian, and Indonesian identities are discussed through a variety of commercial films, art cinema, and experimental work. The book discovers instances of postcoloniality that manifest stylistically through Singapore’s preoccupations with space, the importance of sound to Malay culture, and the Indonesian investment in genre.

Автор: Turner Lynn
Название: Poetics of Deconstruction: On the Threshold of Differences
ISBN: 1350185531 ISBN-13(EAN): 9781350185531
Издательство: Bloomsbury Academic
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Цена: 62760.00 T
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Описание: In Poetics of Deconstruction, Lynn Turner develops an intimate attention to independent films, art and the psychoanalyses by which they might make sense other than under continued license of the subject that calls himself man. Drawing extensively from Jacques Derrida's philosophy in precise dialogue with feminist thought, animal studies and posthumanism, this book explores the vulnerability of the living as rooted in non-oppositional differences. From abjection to mourning, to the speculative and the performative, it reposes concepts and buzzwords seemingly at home in feminist theory, visual culture and the humanities more broadly. Stepping away from the carno-phallogocentric legacies of the signifier and the dialectic, Poetics of Deconstruction asks you to welcome nonpower into politics, always sexual but no longer anchored in sacrifice.

Автор: Park, Josephine Nock-hee (university Of Pennsylvania)
Название: Theresa hak kyung cha in black and white
ISBN: 1009323431 ISBN-13(EAN): 9781009323437
Издательство: Cambridge Academ
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Цена: 17950.00 T
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Описание: Theresa Hak Kyung Cha in Black and White explores the relation between text, author, and reader – a nexus theorized as the 'apparatus' in Cha's study of cinema – by tracing two key literary intertexts in Dictee: Henry James's 'The Jolly Corner,' a submerged literary resonance in Apparatus, Cha's anthology of film theory, and the writing of Saint Therese of Lisieux, a primary intertext at the heart of Dictee. In Cha's film theory, black and white is the flicker of the cinematic apparatus, and the Elements readings consider this contrasting palette in self-reflexive portraits in black and white. This study reads flashes of identification, often in punishing self-encounters, and it dwells on the figure of the martyr to arrive at the death of Theresa Hak Kyung Cha, the patron saint of artists and scholars fascinated by her art and her suffering.

Автор: Roche David
Название: Quentin Tarantino: Poetics and Politics of Cinematic Metafiction
ISBN: 1496821157 ISBN-13(EAN): 9781496821157
Издательство: Mare Nostrum (Eurospan)
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Цена: 29260.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Quentin Tarantino's films beg to be considered metafiction: metacommentaries that engage with the history of cultural representations and exalt the aesthetic, ethical, and political potential of creation as re-re-creation and resignification. Covering all eight of Quentin Tarantino's films according to certain themes, David Roche combines cultural studies and neoformalist approaches to highlight how closely the films' poetics and politics are intertwined. Each in-depth chapter focuses on a salient feature, some which have drawn much attention (history, race, gender, violence), others less so (narrative structure, style, music, theatricality).Roche sets Tarantino's films firmly in the legacy of Howard Hawks, Jean-Luc Godard, Sergio Leone, and the New Hollywood, revising the image of a cool pop-culture purveyor that the American director cultivated at the beginning of his career. Roche emphasizes the breadth and depth of his films' engagement with culture, highbrow and lowbrow, screen and print, American, East Asian, and European.

Автор: Pick Anat
Название: Creaturely Poetics
ISBN: 0231147872 ISBN-13(EAN): 9780231147873
Издательство: Wiley
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Цена: 29570.00 T
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Описание:

Simone Weil once wrote that "the vulnerability of precious things is beautiful because vulnerability is a mark of existence," establishing a relationship between vulnerability, beauty, and existence transcending the separation of species. Her conception of a radical ethics and aesthetics could be characterized as a new poetics of species, forcing a rethinking of the body's significance, both human and animal. Exploring the "logic of flesh" and the use of the body to mark species identity, Anat Pick reimagines a poetics that begins with the vulnerability of bodies, not the omnipotence of thought. Pick proposes a "creaturely" approach based on the shared embodiedness of humans and animals and a postsecular perspective on human-animal relations. She turns to literature, film, and other cultural texts, challenging the familiar inventory of the human: consciousness, language, morality, and dignity. Reintroducing Weil's elaboration of such themes as witnessing, commemoration, and collective memory, Pick identifies the animal within all humans, emphasizing the corporeal and its issues of power and freedom. In her poetics of the creaturely, powerlessness is the point at which aesthetic and ethical thinking must begin.

Автор: Cavendish Phillip
Название: Men with the Movie Camera
ISBN: 1782380779 ISBN-13(EAN): 9781782380771
Издательство: Berghahn
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Цена: 122410.00 T
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Unlike previous studies of the Soviet avant-garde during the silent era, which have regarded the works of the period as manifestations of directorial vision, this study emphasizes the collaborative principle at the heart of avant-garde filmmaking units and draws attention to the crucial role of camera operators in creating the visual style of the films, especially on the poetics of composition and lighting. In the Soviet Union of the 1920s and early 1930s, owing to the fetishization of the camera as an embodiment of modern technology, the cameraman was an iconic figure whose creative contribution was encouraged and respected. Drawing upon the film literature of the period, Philip Cavendish describes the culture of the camera operator, charts developments in the art of camera operation, and studies the mechanics of key director-cameraman partnerships. He offers detailed analysis of Soviet avant-garde films and draws comparisons between the visual aesthetics of these works and the modernist experiments taking place in the other spheres of the visual arts.

Автор: David Roche
Название: Quentin Tarantino: Poetics and Politics of Cinematic Metafiction
ISBN: 1496819160 ISBN-13(EAN): 9781496819161
Издательство: Mare Nostrum (Eurospan)
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Цена: 91960.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Quentin Tarantino's films beg to be considered metafiction: metacommentaries that engage with the history of cultural representations and exalt the aesthetic, ethical, and political potential of creation as re-re-creation and resignification. Covering all eight of Quentin Tarantino's films according to certain themes, David Roche combines cultural studies and neoformalist approaches to highlight how closely the films' poetics and politics are intertwined. Each in-depth chapter focuses on a salient feature, some which have drawn much attention (history, race, gender, violence), others less so (narrative structure, style, music, theatricality).Roche sets Tarantino's films firmly in the legacy of Howard Hawks, Jean-Luc Godard, Sergio Leone, and the New Hollywood, revising the image of a cool pop-culture purveyor that the American director cultivated at the beginning of his career. Roche emphasizes the breadth and depth of his films' engagement with culture, highbrow and lowbrow, screen and print, American, East Asian, and European.

Автор: Laura Sava
Название: Theatre Through the Camera Eye: The Poetics of an Intermedial Encounter
ISBN: 0748697470 ISBN-13(EAN): 9780748697472
Издательство: Bloomsbury Academic
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Цена: 100320.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Closely examines instances of theatre-in-film, in dialogue with the theory of intermediality

How do we experience theatre through film? Laura Sava critically engages with the filmic representation of theatre, focusing on a selection of art house and independent films which provide a sophisticated commentary on the interaction between the two media.

• Provides a detailed study of the ways in which film can accommodate theatre
• Integrates the close reading of films with the theory of intermediality, with insights from both film and theatre theory
• Includes case studies of works by major directors, such as Pedro Almod var, John Cassavetes, Jacques Rivette, Eric Rohmer, Manoel de Oliveira, Theo Angelopoulos and Takeshi Kitano
Case studies include:
• The Double Life of V ronique (Krzysztof Kieślowski, 1991)
• Dolls (Takeshi Kitano, 2002)
• The Jester (Jos lvaro Morais, 1987)
• All About My Mother (Pedro Almod var, 1999)
• L'Amour fou (Jacques Rivette, 1969)
• Synecdoche, New York (Charlie Kaufman, 2008)
• Opening Night (John Cassavetes, 1977)
• A Tale of Winter (Eric Rohmer, 1992)
• I'm Going Home (Manoel de Oliveira, 2001)
• The Travelling Players (Theo Angelopoulos, 1975)
• My Dinner with Andr (Louis Malle, 1981)
• Swimming to Cambodia (Jonathan Demme, 1987)
• Monster in a Box (Nick Broomfield, 1992)
• The Arbor (Clio Barnard, 2010)

Автор: Ewa Wampuszyc
Название: Mapping Warsaw: The Spatial Poetics of a Postwar City
ISBN: 0810137909 ISBN-13(EAN): 9780810137905
Издательство: Mare Nostrum (Eurospan)
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Цена: 100320.00 T
Наличие на складе: Невозможна поставка.
Описание: Inspired by the spatial turn in the humanities and social sciences, Mapping Warsaw is an interdisciplinary study that combines urban studies, cinema studies, cultural studies, history, literature, and photography. It examines Warsaw's post-World War II reconstruction through images and language.Juxtaposing close readings of photo books, socialist-era newsreels called the Polska Kronika Filmowa, the comedies of Leonard Buczkowski and Jan Fethke, the writing and films of Tadeusz Konwicki, and a case study on the Palace of Culture and Science—a ""gift"" from none other than Stalin—this study investigates the rhetorical and visual, rather than physical, reconstruction of Warsaw in various medias and genres. Ewa Wampuszyc roots her analysis in the historical context of the postwar decade and shows how and why Poland's capital became an essential part of a propaganda program inspired by communist ideology and the needs of a newly established socialist People's Republic. Mapping Warsaw demonstrates how physical space manifests itself in culture, and how culture, history, and politics leave an indelible mark on places. It points out ways in which we take for granted our perception of space and the meanings we assign to it

Автор: Dara Waldron
Название: New Nonfiction Film: Art, Poetics, and Documentary Theory
ISBN: 1501322494 ISBN-13(EAN): 9781501322495
Издательство: Bloomsbury Academic
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Цена: 126720.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: New Nonfiction Film: Art, Poetics and Documentary Theory is the first book to offer a lengthy examination of the relationship between fiction and documentary from the perspective of art and poetics. The premise of the book is to propose a new category of nonfiction film that is distinguished from - as opposed to being conflated with - the documentary film in its multiple historical guises; a premise explored in case-studies of films by distinguished artists and filmmakers (Abbas Kiarostami, Ben Rivers, Chantal Akerman, Ben Russell Pat Collins and Gideon Koppel). The book builds a case for this new category of film, calling it the 'new nonfiction film, ' and argues, in the process, that this kind of film works to dismantle the old distinctions between fiction and documentary film and therefore the axioms of Film and Cinema Studies as a discipline of study.

Автор: Waldron Dara
Название: New Nonfiction Film
ISBN: 150136216X ISBN-13(EAN): 9781501362163
Издательство: Bloomsbury Academic
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Цена: 34840.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: New Nonfiction Film: Art, Poetics and Documentary Theory is the first book to offer a lengthy examination of the relationship between fiction and documentary from the perspective of art and poetics. The premise of the book is to propose a new category of nonfiction film that is distinguished from – as opposed to being conflated with – the documentary film in its multiple historical guises; a premise explored in case-studies of films by distinguished artists and filmmakers (Abbas Kiarostami, Ben Rivers, Chantal Akerman, Ben Russell Pat Collins and Gideon Koppel). The book builds a case for this new category of film, calling it the ‘new nonfiction film,’ and argues, in the process, that this kind of film works to dismantle the old distinctions between fiction and documentary film and therefore the axioms of Film and Cinema Studies as a discipline of study.