Passing and the Rise of the African American Novel, M. Giulia Fabi
Автор: Pochmara Anna Название: The Nadir and the Zenith: Temperance and Excess in the Early African American Novel ISBN: 0820358916 ISBN-13(EAN): 9780820358918 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 194570.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Examines the centrality of girlhood in shaping women`s lives. Scholars study how age and gender, along with a multitude of other identities, work together to influence the historical experience. Spanning a broad time frame from 1750 to the present, thematically-arranged essays and case studies illuminate the various continuities and differences in girls` lives across culture and region.
In his cogent and groundbreaking book, From Slave Ship to Supermax, Patrick Elliot Alexander argues that the disciplinary logic and violence of slavery haunt depictions of the contemporary U.S. prison in late twentieth-century Black fiction. Alexander links representations of prison life in James Baldwin’s novel If Beale Street Could Talk to his engagements with imprisoned intellectuals like George Jackson, who exposed historical continuities between slavery and mass incarceration. Likewise, Alexander reveals how Toni Morrison’s Beloved was informed by Angela Y. Davis’s jail writings on slavery-reminiscent practices in contemporary women’s facilities. Alexander also examines recurring associations between slave ships and prisons in Charles Johnson’s Middle Passage, and connects slavery’s logic of racialized premature death to scenes of death row imprisonment in Ernest Gaines’ A Lesson Before Dying.
Alexander ultimately makes the case that contemporary Black novelists depict racial terror as a centuries-spanning social control practice that structured carceral life on slave ships and slave plantations—and that mass-produces prisoners and prisoner abuse in post–Civil Rights America. These authors expand free society’s view of torment confronted and combated in the prison industrial complex, where discriminatory laws and the institutionalization of secrecy have reinstated slavery’s system of dehumanization.
Автор: Poyner Jane Название: The Worlding of the South African Novel: Spaces of Transition ISBN: 3030419398 ISBN-13(EAN): 9783030419394 Издательство: Springer Рейтинг: Цена: 46570.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The Worlding of the South African Novel develops from something of a paradox: that despite momentous political transition from apartheid to democracy, little in South Africa`s socio-economic reality has actually changed.
Автор: Ngugi Mukoma Wa Название: The Rise of the African Novel: Politics of Language, Identity, and Ownership ISBN: 0472073680 ISBN-13(EAN): 9780472073689 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 61910.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Situates South African and African-language literature of the late 1880s through the early 1940s in relation to the literature of decolonization that spanned the 1950s through the 1980s, and the contemporary generation of established and emerging continental and diaspora African writers of international renown.
Автор: Demirturk Emine Lale Название: Contemporary African-American Novel ISBN: 1611475309 ISBN-13(EAN): 9781611475302 Издательство: Неизвестно Рейтинг: Цена: 183920.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Multiple Cities, Multiple Subjectivities in the Contemporary African American Novel: Discursive Practices of Whiteness in Everyday Urban Encounters examines the post-1990s African American novels, namely the "neo-urban novel," developing a new urban discourse for the 21st century on how the city as a social formation impacts black characters through everyday discursive practices of whiteness. The critique of everyday life in a racial context is o important in considering diverse forms of the lived reality of black everyday life in the novelistic representations of the white dominant urban order. Even if the African American novels, studied in this book, are not all published in post-9/11, they help us see where the lack of interactional social relations has led Americans to where they are, namely the culture of fear, seeing all people of color as an ominous threat. African American fictional representations of the city have political significance in that the "neo-urban novel" explores the nature, indeed the very possibility of a dialogic communication with the American society at large. The book explores the need to understand how whiteness works, what it forecloses, and what it occasionally opens up in everyday life in American society. The book consists of seven chapters on Walter Mosley s Devil in a Blue Dress (1990) and Little Scarlet (2004), John Edgar Wideman s Two Cities (1998), Percival Everett s I am Not Sidney Poitier (2009), Martha Southgate s The Fall of Rome (2002), Asha Bandele s Daughter (2003), and Michael Thomas Man Gone Down (2007) that explore how the strategic employment of blackness can offer ways of subverting the discursive power of the white embodied self. These novels also probe how the relationship of a white person to his/her own self changes, once s/he is undone, and becomes, to a certain extent unknowable. All in all, it is impossible to erase the color-lines by all means in the US as much as across the globe, but this book may contribute to finding new ways/strategies of deconstructing, hopefully unconstructing in the long run, racial hierarchies in an attempt to expand the boundaries of the ongoing critique of racism, neocolonialism, and globalization (built upon the white supremacist vision) in the 20th and 21st centuries.
Автор: Garnier Xavier Название: Swahili Novel ISBN: 1847010792 ISBN-13(EAN): 9781847010797 Издательство: Boydell & Brewer Рейтинг: Цена: 84480.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: An overview of the Swahili novel, its place in a globalized world and a reflection on the status and dynamism of Kafka`s concept of `minor literature`.
Название: The Contemporary African-American Novel: Multiple Cities, Multiple Subjectivities, and Discursive Practices of Whiteness in Everyday Urban Encounters ISBN: 161147700X ISBN-13(EAN): 9781611477009 Издательство: Неизвестно Рейтинг: Цена: 90410.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book examines how African American novels explore instances of racialization that are generated through discursive practices of whiteness in the interracial social encounters of everyday life. These fictional representations have political significance that explore the possibility of a dialogic communication with the American society at large.
Автор: Babb Valerie Название: History of the African American Novel ISBN: 1107061725 ISBN-13(EAN): 9781107061729 Издательство: Cambridge Academ Рейтинг: Цена: 49630.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This History is intended for a broad audience seeking knowledge of how novels interact with and influence their cultural landscape. Its interdisciplinary approach will appeal to those interested in novels and film, graphic novels, novels and popular culture, transatlantic blackness, and the interfacing of race, class, gender, and aesthetics.
In his cogent and groundbreaking book, From Slave Ship to Supermax, Patrick Elliot Alexander argues that the disciplinary logic and violence of slavery haunt depictions of the contemporary U.S. prison in late twentieth-century Black fiction. Alexander links representations of prison life in James Baldwin’s novel If Beale Street Could Talk to his engagements with imprisoned intellectuals like George Jackson, who exposed historical continuities between slavery and mass incarceration. Likewise, Alexander reveals how Toni Morrison’s Beloved was informed by Angela Y. Davis’s jail writings on slavery-reminiscent practices in contemporary women’s facilities. Alexander also examines recurring associations between slave ships and prisons in Charles Johnson’s Middle Passage, and connects slavery’s logic of racialized premature death to scenes of death row imprisonment in Ernest Gaines’ A Lesson Before Dying.
Alexander ultimately makes the case that contemporary Black novelists depict racial terror as a centuries-spanning social control practice that structured carceral life on slave ships and slave plantations—and that mass-produces prisoners and prisoner abuse in post–Civil Rights America. These authors expand free society’s view of torment confronted and combated in the prison industrial complex, where discriminatory laws and the institutionalization of secrecy have reinstated slavery’s system of dehumanization.
How often does a novel earn its author both the Presidential Medal of Freedom, awarded to Harper Lee by George W. Bush in 2007, and a spot on a list of "100 best gay and lesbian novels"? Clearly, To Kill a Mockingbird, Lee's Pulitzer Prize-winning tale of race relations and coming of age in Depression-era Alabama, means many different things to many different people. In Mockingbird Passing, Holly Blackford invites the reader to view Lee's beloved novel in parallel with works by other iconic American writers--from Emerson, Whitman, Stowe, and Twain to James, Wharton, McCullers, Capote, and others. In the process, she locates the book amid contesting literary traditions while simultaneously exploring the rich ambiguities that define its characters.
Blackford finds the basis of Mockingbird's broad appeal in its ability to embody the mainstream culture of romantics like Emerson and social reform writers like Stowe, even as alternative canons--southern gothic, deadpan humor, queer literatures, regional women's novels--lurk in its subtexts. Central to her argument is the notion of "passing" establishing an identity that conceals the inner self so that one can function within a closed social order. For example, the novel's narrator, Scout, must suppress her natural tomboyishness to become a "lady." Meanwhile, Scout's father, Atticus Finch, must contend with competing demands of thoughtfulness, self-reliance, and masculinity that ultimately stunt his effectiveness within an unjust society. Blackford charts the identity dilemmas of other key characters--the mysterious Boo Radley, the young outsider Dill (modeled on Lee's lifelong friend Truman Capote), the oppressed victim Tom Robinson-- in similarly intriguing ways. Queer characters cannot pass unless, like the narrator, Miss Maudie, and Cal, they split into the "modest double life." In uncovering To Kill a Mockingbird's lively conversation with a diversity of nineteenth- and twentieth-century writers and tracing the equally diverse journeys of its characters, Blackford offers a myriad of fresh insights into why the novel has retained its appeal for so many readers for over fifty years. At once Victorian, modern, and postmodern, Mockingbird passes in many canons. Holly Blackford, an associate professor of English at Rutgers University-Camden, has published extensively in the fields of American literature and children's literature.
Название: Trauma, Memory, and Narrative in the Contemporary South African Novel: Essays ISBN: 9042035706 ISBN-13(EAN): 9789042035706 Издательство: Brill Рейтинг: Цена: 170010.00 T Наличие на складе: Невозможна поставка. Описание: The contributions to this volume probe the complex relationship of trauma, memory, and narrative. By looking at the South African situation through the lens of trauma, they make clear how the psychic deformations and injuries left behind by racism and colonialism cannot be mended by material reparation or by simply reversing economic and political power-structures. Western trauma theories – as developed by scholars such as Caruth, van der Kolk, Herman and others – are insufficient for analysing the more complex situation in a postcolony such as South Africa. This is because Western trauma concepts focus on the individual traumatized by a single identifiable event that causes PTSD (Post Traumatic Stress Disorder). What we need is an understanding of trauma that sees it not only as a result of an identifiable event but also as the consequence of an historical condition – in the case of South Africa, that of colonialism, and, more specifically, of apartheid. For most black and coloured South Africans, the structural violence of apartheid’s laws were the existential condition under which they had to exist. The living conditions in the townships, pass laws, relocation, and racial segregation affected great parts of the South African population and were responsible for the collective traumatization of several generations. This trauma, however, is not an unclaimed (and unclaimable) experience. Postcolonial thinkers who have been reflecting on the experience of violence and trauma in a colonial context, writing from within a Fanonian tradition, have, on the contrary, believed in the importance of reclaiming the past and of transcending mechanisms of victimization and resentment, so typical of traumatized consciousnesses. Narration and the novel have a decisive role to play here.
Автор: Charles John C. Название: Abandoning the Black Hero: Sympathy and Privacy in the Postwar African American White-Life Novel ISBN: 0813554322 ISBN-13(EAN): 9780813554327 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 25870.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Abandoning the Black Hero is the first book to examine the postwar African American white-life novel—novels with white protagonists written by African Americans. These fascinating works have been understudied despite having been written by such defining figures in the tradition as Richard Wright, Zora Neale Hurston, James Baldwin, Ann Petry, and Chester Himes, as well as lesser known but formerly best-selling authors Willard Motley and Frank Yerby.John C. Charles argues that these fictions have been overlooked because they deviate from two critical suppositions: that black literature is always about black life and that when it represents whiteness, it must attack white supremacy. The authors are, however, quite sympathetic in the treatment of their white protagonists, which Charles contends should be read not as a failure of racial pride but instead as a strategy for claiming creative freedom, expansive moral authority, and critical agency.In an era when “Negro writers” were expected to protest, their sympathetic treatment of white suffering grants these authors a degree of racial privacy previously unavailable to them. White writers, after all, have the privilege of racial privacy because they are never pressured to write only about white life. Charles reveals that the freedom to abandon the “Negro problem” encouraged these authors to explore a range of new genres and themes, generating a strikingly diverse body of novels that significantly revise our understanding of mid-twentieth-century black writing.
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