Much-at-Once: Music, Science, Ecstasy, the Body, Bruce W. Wilshire

Автор: Wilshire Bruce W.
Название: The Much-At-Once: Music, Science, Ecstasy, the Body
ISBN: 0823268330 ISBN-13(EAN): 9780823268337
Издательство: Mare Nostrum (Eurospan)
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Цена: 79420.00 T
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Описание:

In this capstone work, the late Bruce Wilshire seeks to rediscover the fullness of life in the world by way of a more complete activation of the body’s potentials. Appealing to our powers of hearing and feeling, with a special emphasis on music, he engages a rich array of composers, writers, and thinkers ranging from Beethoven and Mahler to Emerson and William James.
Wilshire builds on James’s concept of the much-at-once to name the superabundance of the world that surrounds, nourishes, holds, and stimulates us; that pummels and provokes us; that responds to our deepest need—to feel ecstatically real.

Автор: J. Marsden
Название: After Nietzsche
ISBN: 1349423718 ISBN-13(EAN): 9781349423712
Издательство: Springer
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Цена: 74530.00 T
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Описание: From "The Birth of Tragedy" to his experimental "physiology of art", Nietzsche examines the aesthetic, erotic and sacred dimensions of rapture, hinting at how an ecstatic philosophy is realized in his elusive doctrine of Eternal Return. Jill Marsden pursues the implications of this legacy.

Автор: Skorin-kapov, Jadranka
Название: Intertwining of aesthetics and ethics
ISBN: 1498524567 ISBN-13(EAN): 9781498524568
Издательство: Bloomsbury
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Цена: 87120.00 T
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Описание: The Intertwining of Aesthetics and Ethics: Exceeding of Expectations, Ecstasy, Sublimity analyzes the common experiential ground for both aesthetics and ethics by considering experiential environment (both nature and art), the precedents to desire, the notion of experience incorporating a break, and the reverberations of surprise leading to the intertwining of aesthetics and ethics. Jadranka Skorin-Kapov discusses different philosophical positions on the relationship between nature and art, in conversation with Kant, Hegel, Goethe, Gadamer, and Adorno. She argues that Kantian sublimity can carry over from nature to art. As part of the discussions of expectations and authenticity, the author interprets Husserl's view on expectations, Heidegger's view on death and authenticity, Blanchot's view on death, and Arendt's view on natality. As for understanding the aesthetic experience as the paradigmatic experience, Skorin-Kapov is informed by Dewey's work on art as experience, Gadamer's work on experience of art, and Jauss's work on the aesthetics of reception and the horizon of expectations. After our sensibility and representational capability are broken, recuperation then leads to sublimity and the subsequent feelings of admiration and/or responsibility, allowing for the intertwining of aesthetics and ethics. Additionally, elements of Kantian morality, Foucault's ethics, and Kierkegaard's work on interactions between aesthetics and ethics together help to characterize the relation between aesthetics and ethics. Since we often encounter surprise due to unexpectedness in comedy, Skorin-Kapov also interprets philosophical views on the comedy and laughter (including Aristotle, Kierkegaard, Meredith, and Bergson), using the theatrical work of Dario Fo as an example. The novel analysis in The Intertwining of Aesthetics and Ethics will be of particular interest to students and scholars working or teaching in aesthetics, phenomenology, art history, cultural studies, and ethics.

Автор: Karmen MacKendrick
Название: Matter of Voice: Sensual Soundings
ISBN: 0823270009 ISBN-13(EAN): 9780823270002
Издательство: Mare Nostrum (Eurospan)
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Цена: 23410.00 T
Наличие на складе: Нет в наличии.
Описание: Philosophers for millennia have tried to silence the physical musicality of voice in favor of the purity of ideas without matter, souls without bodies. Nevertheless, voices resonate among bodies, among texts, and across denotation and sound; they are singular, as unique as fingerprints, but irreducibly collective too. They are material, somatic, and musical. But voices are also meaningful—they give body to concepts that cannot exist in abstractions, essential to sense yet in excess of it. They can be neither reduced to neurology nor silenced in abstraction. They complicate the logos of the beginning and emphasize the enfleshing of all words. Through explorations of theology and philosophy, pedagogy, translation, and semiotics, all interwoven with song, The Matter of Voice works toward reintegrating our thinking about both speaking and authorial voice as fleshy combinings of meaning and music.

Автор: Karmen MacKendrick
Название: Matter of Voice: Sensual Soundings
ISBN: 082326999X ISBN-13(EAN): 9780823269990
Издательство: Mare Nostrum (Eurospan)
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Цена: 71060.00 T
Наличие на складе: Нет в наличии.
Описание: Philosophers for millennia have tried to silence the physical musicality of voice in favor of the purity of ideas without matter, souls without bodies. Nevertheless, voices resonate among bodies, among texts, and across denotation and sound; they are singular, as unique as fingerprints, but irreducibly collective too. They are material, somatic, and musical. But voices are also meaningful—they give body to concepts that cannot exist in abstractions, essential to sense yet in excess of it. They can be neither reduced to neurology nor silenced in abstraction. They complicate the logos of the beginning and emphasize the enfleshing of all words. Through explorations of theology and philosophy, pedagogy, translation, and semiotics, all interwoven with song, The Matter of Voice works toward reintegrating our thinking about both speaking and authorial voice as fleshy combinings of meaning and music.

Автор: Jeffery Alex
Название: Donna Summer`s Once Upon a Time
ISBN: 1501355465 ISBN-13(EAN): 9781501355462
Издательство: Bloomsbury Academic
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Цена: 10550.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Contradicting assumptions that disco albums are shallow and packed with filler, Donna Summer’s double album Once Upon A Time stands out as a piece that delivers on its promise of an immaculately crafted journey from start to finish. A new interpretation of the Cinderella story, it is set in the then contemporary world of New York disco and takes the listener on a journey from urban isolation and deep despair to joy and vindication, all filtered through the mind of its naive and fantasy-prone protagonist. As well as charting the production of the album within the legendary Munich Machine in Germany, this book digs deep into the album’s rich themes and subtexts. Approaching the book from inventive angles, the four essays within the book act as a prism connecting the reader to the classical aspirations of Eurodisco, the history of the black fairy tale and a queer knowledge that reads Summer’s Cinderella tale in some surprising ways.

Автор: Peter Szendy
Название: Phantom Limbs: On Musical Bodies
ISBN: 0823267067 ISBN-13(EAN): 9780823267064
Издательство: Mare Nostrum (Eurospan)
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Цена: 25910.00 T
Наличие на складе: Невозможна поставка.
Описание:

The prostheses Peter Szendy explores—those peculiar artifacts known as musical instruments—are not only technical devices but also bodies that live a strange phantom life, as uncanny as a sixth finger or a third lung.
The musicological impulse to inventory those bodies that produce sound is called into question here. In Szendy’s hands, its respectable corpus of scholarship is read aslant, so as to tease out what it usually prefers to hide: hybrids and grafts produced by active fictions, monsters, and chimera awaiting the opportunity to be embodied. Beyond these singular bodies that music composes and disposes there lies the figure of a collective “social” body ready to emerge amid an innervated apparatus that operates at a distance, telepathically.
Phantom Limbs touches on bodies of all shapes and sizes that haunt the edges of music’s conceptualizations. Music continually reinvents such bodies and reconvenes them in new collective formations. It is their dynamics and crystallizations that Szendy auscultates on a motley corpus that includes Bach, Diderot, Berlioz, Eisenstein, Disney, and Monk.

Автор: Peter Szendy
Название: Phantom Limbs: On Musical Bodies
ISBN: 0823267059 ISBN-13(EAN): 9780823267057
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 71060.00 T
Наличие на складе: Нет в наличии.
Описание:

The prostheses Peter Szendy explores—those peculiar artifacts known as musical instruments—are not only technical devices but also bodies that live a strange phantom life, as uncanny as a sixth finger or a third lung.
The musicological impulse to inventory those bodies that produce sound is called into question here. In Szendy’s hands, its respectable corpus of scholarship is read aslant, so as to tease out what it usually prefers to hide: hybrids and grafts produced by active fictions, monsters, and chimera awaiting the opportunity to be embodied. Beyond these singular bodies that music composes and disposes there lies the figure of a collective “social” body ready to emerge amid an innervated apparatus that operates at a distance, telepathically.
Phantom Limbs touches on bodies of all shapes and sizes that haunt the edges of music’s conceptualizations. Music continually reinvents such bodies and reconvenes them in new collective formations. It is their dynamics and crystallizations that Szendy auscultates on a motley corpus that includes Bach, Diderot, Berlioz, Eisenstein, Disney, and Monk.

Автор: Ben Apatoff
Название: Body Count`s Body Count
ISBN: 1501389076 ISBN-13(EAN): 9781501389078
Издательство: Bloomsbury Academic
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Цена: 10550.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: On Ice-T’s 1991 classic O.G. Original Gangster, he introduced his all-Black hardcore band Body Count with lead guitarist Ernie C, bringing them on the first-ever Lollapalooza tour that summer. The next year, Body Count’s self-titled debut album, rounded out by rhythm guitarist D-Roc the Executioner, bassist Mooseman, and drummer Beatmaster V, made them the most incendiary band in the world, confronting white supremacy and police brutality with pulverizing songs that shattered musical boundaries. Body Count’s rage and shock humor sparked nationwide protests and boycotts, including death threats, censure from the federal government, a spot on the FBI National Threat list, and a denunciation by the President of the United States. The album was removed from stores and remains banned to this day, but decades later Body Count are performing to theirbiggest audiences and greatest acclaim, pulling off one of the most remarkable comebacks in punk or metal history.Drawn from years of research and dozens of new interviews, this is the story of a band of high school friends who revolutionized modern music, brought explosive live performances, and raised questions America’s lawmakers didn’t want to answer, overcoming some of the country’s most powerful forces to reshape the world’s cultural conversation.

Автор: Isenhour Jack
Название: He Stopped Loving Her Today: George Jones, Billy Sherrill, and the Pretty-Much Totally True Story of the Making of the Greatest Country Record of A
ISBN: 1628461667 ISBN-13(EAN): 9781628461664
Издательство: Mare Nostrum (Eurospan)
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Цена: 25870.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: When George Jones recorded ""He Stopped Loving Her Today"" more than thirty years ago, he was a walking disaster. Twin addictions to drugs and alcohol had him drinking Jim Beam by the case and snorting cocaine as long as he was awake. Before it was over, Jones would be bankrupt, homeless, and an unwilling patient at an Alabama mental institution. In the midst of all this chaos, über producer Billy Sherrill--the man who discovered Tammy Wynette and co-wrote ""Stand by Your Man""--would somehow coax the performance of a lifetime out of the mercurial Jones. The result was a country masterpiece.In He Stopped Loving Her Today, the story behind the making of the song often voted the best country song ever by both critics and fans, offers an overview of country music's origins and a search for the music's illusive Holy Grail: authenticity. The schizoid bottom line--even though country music is undeniably a branch of the make-believe world of show biz, to fans and scholars alike, authenticity remains the ultimate measure of the music's power.