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The Selling Sound: The Rise of the Country Music Industry, Diane Pecknold


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Автор: Diane Pecknold
Название:  The Selling Sound: The Rise of the Country Music Industry
ISBN: 9780822340805
Издательство: Wiley EDC
Классификация:


ISBN-10: 0822340801
Обложка/Формат: Paperback
Страницы: 306
Вес: 0.44 кг.
Дата издания: 2007-11-07
Серия: Refiguring american music
Язык: English
Иллюстрации: 10 b&w photographs, 1 table
Размер: 234 x 154 x 18
Читательская аудитория: Professional & vocational
Основная тема: Country & Western music,Folk & traditional music, MUSIC / Genres & Styles / Country & Bluegrass
Подзаголовок: The rise of the country music industry
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание:
Few expressions of popular culture have been shaped as profoundly by the relationship between commercialism and authenticity as country music has. While its apparent realism, sincerity, and frank depictions of everyday life are country’s most obvious stylistic hallmarks, Diane Pecknold demonstrates that commercialism has been just as powerful a cultural narrative in its development. Listeners have long been deeply invested in the “business side” of country. When fans complained in the mid-1950s about elite control of the mass media, or when they expressed their gratitude that the Country Music Hall of Fame served as a physical symbol of the industry’s power, they engaged directly with the commercial apparatus surrounding country music, not with particular songs or stars. In The Selling Sound, Pecknold explores how country music’s commercialism, widely acknowledged but largely unexamined, has affected the way it is produced, the way it is received by fans and critics, and the way it is valued within the American cultural hierarchy.

Pecknold draws on sources as diverse as radio advertising journals, fan magazines, Hollywood films, and interviews with industry insiders. Her sweeping social history encompasses the genre’s early days as an adjunct of radio advertising in the 1920s, the friction between Billboard and more genre-oriented trade papers over generating the rankings that shaped radio play lists, the establishment of the Country Music Association, and the influence of rock ‘n’ roll on the trend toward single-genre radio stations. Tracing the rise of a large and influential network of country fan clubs, Pecknold highlights the significant promotional responsibilities assumed by club organizers until the early 1970s, when many of their tasks were taken over by professional publicists.


Дополнительное описание: Acknowledgments vii
Introduction: Commercialism as a Cultural Text 1
1. Commercialism and the Cultural Value of Country Music, 1920-1947 13
2. Country Music Becomes Mass Culture, 1940-1958 53
3. Country Audiences and the Politics of Ma



Owning the Masters: A History of Sound Recording Copyright

Автор: Richard Osborne
Название: Owning the Masters: A History of Sound Recording Copyright
ISBN: 1501345907 ISBN-13(EAN): 9781501345906
Издательство: Bloomsbury Academic
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Цена: 24280.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Owning the Masters provides the first in-depth history of sound recording copyright. It is this form of intellectual property that underpins the workings of the recording industry. Rather than being focused on the manufacture of goods, this industry is centred on the creation, exploitation and protection of rights. The development and control of these rights has not been straightforward. This book explores the lobbying activities of record companies: the principal creators, owners and defenders of sound recording copyright. It addresses the counter-activity of recording artists, in particular those who have fought against the legislative and contractual practices of record companies to claim these master rights for themselves. In addition, this book looks at the activities of the listening public, large numbers of whom have been labelled ‘pirates’ for trespassing on these rights. The public has played its own part in shaping copyright legislation. This is an essential subject for an understanding of the economic, artistic and political value of recorded sound.

Selling Out: Culture, Commerce and Popular Music

Автор: Bethany Klein
Название: Selling Out: Culture, Commerce and Popular Music
ISBN: 1501339303 ISBN-13(EAN): 9781501339301
Издательство: Bloomsbury Academic
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Цена: 116160.00 T
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Описание:

The relationship between popular music and consumer brands has never been so cosy. Product placement abounds in music videos, popular music provides the soundtrack to countless commercials, social media platforms offer musicians tools for perpetual promotion, and corporate-sponsored competitions lure aspiring musicians to vie for exposure. Activities that once attracted charges of 'selling out' are now considered savvy, or even ordinary, strategies for artists to be heard and make a living. What forces have encouraged musicians to become willing partners of consumer brands? At what cost? And how do changes in popular music culture reflect broader trends of commercialization?

Selling Out traces the evolution of 'selling out' debates in popular music culture and considers what might be lost when the boundary between culture and commerce is dismissed as a relic.


Selling Out: Culture, Commerce and Popular Music

Автор: Bethany Klein
Название: Selling Out: Culture, Commerce and Popular Music
ISBN: 1501339311 ISBN-13(EAN): 9781501339318
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 26390.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

The relationship between popular music and consumer brands has never been so cosy. Product placement abounds in music videos, popular music provides the soundtrack to countless commercials, social media platforms offer musicians tools for perpetual promotion, and corporate-sponsored competitions lure aspiring musicians to vie for exposure. Activities that once attracted charges of 'selling out' are now considered savvy, or even ordinary, strategies for artists to be heard and make a living. What forces have encouraged musicians to become willing partners of consumer brands? At what cost? And how do changes in popular music culture reflect broader trends of commercialization?

Selling Out traces the evolution of 'selling out' debates in popular music culture and considers what might be lost when the boundary between culture and commerce is dismissed as a relic.


Making Music in Music City: Conversations with Nashville Music Industry Professionals

Автор: Markert John
Название: Making Music in Music City: Conversations with Nashville Music Industry Professionals
ISBN: 1621906442 ISBN-13(EAN): 9781621906445
Издательство: Mare Nostrum (Eurospan)
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Цена: 29220.00 T
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Описание: At least since the rise of the “Nashville sound” in the 1950s, Tennessee’s capital city has attracted numerous books and articles offering insight into the celebrity machine known as Music City. But behind the artist in the limelight are a host of support personnel and contributors who shape the artist’s music. Of these myriad occupations within the music industry, only two have received significant attention: executives at the major labels and elite songwriters who have forged a path to the top of the charts. In Making Music in Music City, sociologist John Markert compiles and assesses more than one hundred interviews with industry professionals whose roles have been less often examined: producers, publishers, songwriters, management, studio musicians, and more.The book naturally pivots around the country music industry but also discusses Nashville’s role in other forms of modern music, such as rock, Christian, and rap. Markert’s in-depth interviews with key music professionals provide a fresh perspective on the roles of critical players in Nashville’s music industry. This book sheds light not only on the complexities of the industry and the occupational changes taking place but on the critical role of those who work behind the scenes to shape the music that ultimately reaches the public.Through firsthand accounts, Making Music in Music City analyzes just what it takes to create, produce, and disseminate the Nashville sound.

Making it in country music

Автор: Redmond, Rich
Название: Making it in country music
ISBN: 1538172518 ISBN-13(EAN): 9781538172513
Издательство: Rowman & Littlefield Publishers
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Цена: 28150.00 T
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The Politics of Post-9/11 Music: Sound, Trauma, and the Music Industry in the Time of Terror

Автор: Flota Brian, Fisher Joseph P.
Название: The Politics of Post-9/11 Music: Sound, Trauma, and the Music Industry in the Time of Terror
ISBN: 1409427846 ISBN-13(EAN): 9781409427841
Издательство: Taylor&Francis
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Цена: 163330.00 T
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Описание: Seeking to extend discussions of 9/11 music beyond the acts typically associated with the September 11th attacks - U2, Toby Keith, The Dixie Chicks, Bruce Springsteen - this title interrogates the politics of a variety of post-9/11 music scenes.

Half Sound, Half Philosophy: Aesthetics, Politics, and History of China`s Sound Art

Автор: Jing Wang
Название: Half Sound, Half Philosophy: Aesthetics, Politics, and History of China`s Sound Art
ISBN: 1501333488 ISBN-13(EAN): 9781501333484
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 100320.00 T
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Описание: From the late 1990s until today, China’s sound practice has been developing in an increasingly globalized socio-political-aesthetic milieu, receiving attentions and investments from the art world, music industry and cultural institutes, with nevertheless, its unique acoustic philosophy remaining silent. This book traces the history of sound practice from contemporary Chinese visual art back in the 1980s, to electronic music, which was introduced as a target of critique in the 1950s, to electronic instrument building fever in the late 1970s and early 1980s, and to the origins of both academic and nonacademic electronic and experimental music activities. This expansive tracing of sound in the arts resonates with another goal of this book, to understand sound and its artistic practice through notions informed by Chinese qi-cosmology and qi-philosophy, including notions of resonance, shanshui (mountains-waters), huanghu (elusiveness and evasiveness), and distributed monumentality and anti-monumentality. By turning back to deep history to learn about the meaning and function of sound and listening in ancient China, the book offers a refreshing understanding of the British sinologist Joseph Needham’s statement that “Chinese acoustics is acoustics of qi.” and expands existing conceptualization of sound art and contemporary music at large.

She`s at the controls

Автор: Reddington, Helen
Название: She`s at the controls
ISBN: 1781796513 ISBN-13(EAN): 9781781796511
Издательство: Неизвестно
Рейтинг:
Цена: 49050.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: She`s at the Controls gives a socio-historical examination of the roles of women studio professionals in the UK music industry based on interviews conducted over six years with 30 female studio practitioners at different stages of their careers and working in different genres of popular music including reggae, hip hop and pop.

Half Sound, Half Philosophy: Aesthetics, Politics, and History of China`s Sound Art

Автор: Jing Wang
Название: Half Sound, Half Philosophy: Aesthetics, Politics, and History of China`s Sound Art
ISBN: 150137477X ISBN-13(EAN): 9781501374777
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 31670.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: From the late 1990s until today, China’s sound practice has been developing in an increasingly globalized socio-political-aesthetic milieu, receiving attentions and investments from the art world, music industry and cultural institutes, with nevertheless, its unique acoustic philosophy remaining silent. This book traces the history of sound practice from contemporary Chinese visual art back in the 1980s, to electronic music, which was introduced as a target of critique in the 1950s, to electronic instrument building fever in the late 1970s and early 1980s, and to the origins of both academic and nonacademic electronic and experimental music activities. This expansive tracing of sound in the arts resonates with another goal of this book, to understand sound and its artistic practice through notions informed by Chinese qi-cosmology and qi-philosophy, including notions of resonance, shanshui (mountains-waters), huanghu (elusiveness and evasiveness), and distributed monumentality and anti-monumentality. By turning back to deep history to learn about the meaning and function of sound and listening in ancient China, the book offers a refreshing understanding of the British sinologist Joseph Needham’s statement that “Chinese acoustics is acoustics of qi.” and expands existing conceptualization of sound art and contemporary music at large.

Owning the Masters: A History of Sound Recording Copyright

Автор: Richard Osborne
Название: Owning the Masters: A History of Sound Recording Copyright
ISBN: 1501345915 ISBN-13(EAN): 9781501345913
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 76030.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Owning the Masters provides the first in-depth history of sound recording copyright. It is this form of intellectual property that underpins the workings of the recording industry. Rather than being focused on the manufacture of goods, this industry is centred on the creation, exploitation and protection of rights. The development and control of these rights has not been straightforward. This book explores the lobbying activities of record companies: the principal creators, owners and defenders of sound recording copyright. It addresses the counter-activity of recording artists, in particular those who have fought against the legislative and contractual practices of record companies to claim these master rights for themselves. In addition, this book looks at the activities of the listening public, large numbers of whom have been labelled ‘pirates’ for trespassing on these rights. The public has played its own part in shaping copyright legislation. This is an essential subject for an understanding of the economic, artistic and political value of recorded sound.

More Than Illustrated Music: Aesthetics of Hybrid Media between Pop, Art and Video

Автор: Elfi Vomberg, Kathrin Dreckmann
Название: More Than Illustrated Music: Aesthetics of Hybrid Media between Pop, Art and Video
ISBN: 1501381237 ISBN-13(EAN): 9781501381232
Издательство: Bloomsbury Academic
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Цена: 95040.00 T
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Описание: The genre of the video clip has been established for more than thirty years, mainly served by the sub genres of video art and music video. This book explores processes of hybridization between music video, film, and video art by presenting current theoretical discourses and engaging them through interviews with well-known artists and directors, bringing to the surface the crucial questions of art practice. The collection discusses topics including postcolonialism, posthumanism, gender, race and class and addresses questions regarding the hybrid media structure of video, the diffusion between content and form, art and commerce as well as pop culture and counterculture. Through the diversity of the areas and interviews included, the book builds on and moves beyond earlier aesthetics-driven perspectives on music video.

Remediating Sound: Repeatable Culture, YouTube and Music

Автор: Holly Rogers, Joana Freitas, Joao Francisco Porfirio
Название: Remediating Sound: Repeatable Culture, YouTube and Music
ISBN: 1501387324 ISBN-13(EAN): 9781501387326
Издательство: Bloomsbury Academic
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Цена: 68640.00 T
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Описание: Remediating Sound studies the phenomena of remixing, mashup and recomposition: forms of reuse and sampling that have come to characterise much of YouTube's audiovisual content. Through collaborative composition, collage and cover songs to reaction videos and political activism , users from diverse backgrounds have embraced the democratised space of YouTube to open up new and innovative forms of sonic creativity and push the boundaries of audiovisual possibilities. Observing the reciprocal flow of influence that runs between various online platforms, 12 chapters position YouTube as a central hub for the exploration of digital sound, music and the moving image. With special focus on aspects of networked creativity that remain overlooked in contemporary scholarship, including library music, memetic media, artificial intelligence, the sonic arts and music fandom, this volume offers interdisciplinary insight into contemporary audiovisual culture.


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