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Nothing Happens: Chantal Akerman`s Hyperrealist Everyday, Ivone Margulies


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Автор: Ivone Margulies
Название:  Nothing Happens: Chantal Akerman`s Hyperrealist Everyday
ISBN: 9780822317234
Издательство: Wiley EDC
Классификация:

ISBN-10: 0822317230
Обложка/Формат: Paperback
Страницы: 288
Вес: 0.39 кг.
Дата издания: 1996-02-09
Язык: English
Иллюстрации: 26 b&w photographs
Размер: 230 x 156 x 19
Читательская аудитория: Professional & vocational
Основная тема: Film production: technical & background skills,History of science, PERFORMING ARTS / Film / Direction & Production,SCIENCE / History
Подзаголовок: Chantal akerman`s hyperrealist everyday
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание:
Through films that alternate between containment, order, and symmetry on the one hand, and obsession, explosiveness, and a lack of control on the other, Chantal Akerman has gained a reputation as one of the most significant filmmakers working today. Her 1975 film Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles is widely regarded as the most important feminist film of that decade. In Nothing Happens, Ivone Margulies presents the first comprehensive study of this influential avant-garde Belgian filmmaker.
Margulies grounds her critical analysis in detailed discussions of Akerman’s work—from Saute ma ville, a 13-minute black-and-white film made in 1968, through Jeanne Dielman and Je tu il elle to the present. Focusing on the real-time representation of a woman’s everyday experience in Jeanne Dielman, Margulies brings the history of social and progressive realism and the filmmaker’s work into perspective. Pursuing two different but related lines of inquiry, she investigates an interest in the everyday that stretches from postwar neorealist cinema to the feminist rewriting of women’s history in the seventies. She then shows how Akerman’s “corporeal cinema” is informed by both American experiments with performance and duration and the layerings present in works by European modernists Bresson, Rohmer, and Dreyer. This analysis revises the tired opposition between realism and modernism in the cinema, defines Akerman’s minimal-hyperrealist aesthetics in contrast to Godard’s anti-illusionism, and reveals the inadequacies of popular characterizations of Akerman’s films as either simply modernist or feminist.
An essential book for students of Chantal Akerman’s work, Nothing Happens will also interest international film critics and scholars, filmmakers, art historians, and all readers concerned with feminist film theory.

Дополнительное описание: Acknowledgments ix
Chantal Akerman's Films: The Politics of the Singular 1
1. Nothing Happens: Time for the Everyday in Postwar Realist Cinema 21
Charting the Everyday in Postwar Europe 24
A Realism of Surfaces: Bazin and Neorealist Fi



Автор: Ivone Margulies
Название: Nothing Happens: Chantal Akerman`s Hyperrealist Everyday
ISBN: 0822317265 ISBN-13(EAN): 9780822317265
Издательство: Wiley EDC
Рейтинг:
Цена: 105250.00 T
Наличие на складе: Поставка под заказ.
Описание:

Through films that alternate between containment, order, and symmetry on the one hand, and obsession, explosiveness, and a lack of control on the other, Chantal Akerman has gained a reputation as one of the most significant filmmakers working today. Her 1975 film Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles is widely regarded as the most important feminist film of that decade. In Nothing Happens, Ivone Margulies presents the first comprehensive study of this influential avant-garde Belgian filmmaker.
Margulies grounds her critical analysis in detailed discussions of Akerman’s work—from Saute ma ville, a 13-minute black-and-white film made in 1968, through Jeanne Dielman and Je tu il elle to the present. Focusing on the real-time representation of a woman’s everyday experience in Jeanne Dielman, Margulies brings the history of social and progressive realism and the filmmaker’s work into perspective. Pursuing two different but related lines of inquiry, she investigates an interest in the everyday that stretches from postwar neorealist cinema to the feminist rewriting of women’s history in the seventies. She then shows how Akerman’s “corporeal cinema” is informed by both American experiments with performance and duration and the layerings present in works by European modernists Bresson, Rohmer, and Dreyer. This analysis revises the tired opposition between realism and modernism in the cinema, defines Akerman’s minimal-hyperrealist aesthetics in contrast to Godard’s anti-illusionism, and reveals the inadequacies of popular characterizations of Akerman’s films as either simply modernist or feminist.
An essential book for students of Chantal Akerman’s work, Nothing Happens will also interest international film critics and scholars, filmmakers, art historians, and all readers concerned with feminist film theory.

Gender in Learning and Teaching

Автор: Amade-Escot, Chantal
Название: Gender in Learning and Teaching
ISBN: 0367730642 ISBN-13(EAN): 9780367730642
Издательство: Taylor&Francis
Рейтинг:
Цена: 42870.00 T
Наличие на складе: Нет в наличии.

Gender in Learning and Teaching: Feminist Dialogues Across International Boundaries

Автор: Carol A. Taylor, Andrea Abbas, Chantal Amade-Escot
Название: Gender in Learning and Teaching: Feminist Dialogues Across International Boundaries
ISBN: 1138479152 ISBN-13(EAN): 9781138479159
Издательство: Taylor&Francis
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Цена: 148010.00 T
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Описание: Gender in Learning and Teaching brings together leading gender and feminist scholars to provide a unique collection of international research into learning and teaching.

Chantal akerman retrospective handbook

Автор: Roberts, Adam Hogg, Joanna
Название: Chantal akerman retrospective handbook
ISBN: 1916153704 ISBN-13(EAN): 9781916153707
Издательство: Неизвестно
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Цена: 29120.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

Between 2013 and 2015, A Nos Amours presented in London a complete retrospective of the films of the celebrated film-maker Chantal Akerman, the only complete retrospective given to date. Rights and screening copies turn out to be widely scattered and incredibly difficult to access. The research needed to present this retrospective is offered in this book so that others may more easily follow suit.

Also included are the texts, journalism and blogging that was offered to the audience as a means to engage with film-works that are at once radical, wildly varied in style and content, and surprisingly often, on account of their rarity, little known. The book aims to be accurate and a reliable source of detailed information about the films. The book is intended to serve as an Akerman companion and a key reference work.

Many texts are included to provide invaluable insights, from the likes of Raymond Bellour, Richard Brody, Ivone Margulies, Marion Schmid and Ginette Vincendeau.

Laura Mulvey (whose phrase 'the male gaze' has revolutionised film theory) has written the foreword, surveying Akerman's achievement, making use of this book as an aide-m moire for what stands as one of the astonishing bodies of work in all cinema:

"As a collage of writing of many different kinds, the Handbook crucially bears witness to the effect that Akerman has had on the film community, from her earliest movies until her last... The high quality of the texts included in the book are all a reminder of the way that her 'cinematic' qualities have advanced our understanding of film."

A Nos Amours was founded in London by Joanna Hogg and Adam Roberts, to present screenings, events and art shows.



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