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Medium Cool: Music Videos from Soundies to Cellphones, Jason Middleton, Roger Beebe


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Автор: Jason Middleton, Roger Beebe
Название:  Medium Cool: Music Videos from Soundies to Cellphones
ISBN: 9780822341390
Издательство: Wiley EDC
Классификация:

ISBN-10: 0822341395
Обложка/Формат: Hardback
Страницы: 360
Вес: 0.64 кг.
Дата издания: 2007-09-26
Язык: English
Иллюстрации: 51 b&w photos, 4 tables
Размер: 236 x 160 x 28
Читательская аудитория: Professional & vocational
Основная тема: Music,Television, MUSIC / General,PERFORMING ARTS / Television / General
Подзаголовок: Music videos from soundies to cellphones
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание:
Music videos are available on more channels, in more formats, and in more countries than ever before. While MTV—the network that introduced music video to most viewers—is moving away from music video programming, other media developments signal the longevity and dynamism of the form. Among these are the proliferation of niche-based cable and satellite channels, the globalization of music video production and programming, and the availability of videos not just on television but also via cell phones, DVDs, enhanced CDs, PDAs, and the Internet. In the context of this transformed media landscape, Medium Cool showcases a new generation of scholarship on music video. Scholars of film, media, and music revisit and revise existing research as they provide historically and theoretically expansive new perspectives on music video as a cultural form.

The essays take on a range of topics, including questions of authenticity, the tension between high-art influences and mass-cultural appeal, the prehistory of music video, and the production and dissemination of music videos outside the United States. Among the thirteen essays are a consideration of how the rapper Jay-Z uses music video as the primary site for performing, solidifying, and discarding his various personas; an examination of the recent emergence of indigenous music video production in Papua New Guinea; and an analysis of the cultural issues being negotiated within Finland’s developing music video industry. Contributors explore precursors to contemporary music videos, including 1950s music television programs such as American Bandstand, Elvis’s internationally broadcast 1973 Aloha from Hawaii concert, and different types of short musical films that could be viewed in “musical jukeboxes” of the 1940s and 1960s. Whether theorizing music video in connection to postmodernism or rethinking the relation between sound and the visual image, the essays in Medium Cool reveal music video as rich terrain for further scholarly investigation.

Contributors. Roger Beebe, Norma Coates, Kay Dickinson, Cynthia Fuchs, Philip Hayward, Amy Herzog, Antti-Ville Kärjä, Melissa McCartney, Jason Middleton, Lisa Parks, Kip Pegley, Maureen Turim, Carol Vernallis, Warren Zanes


Дополнительное описание: Index 345
Introduction / Jason Middleton and Roger Beebe 1
Music Video and Synaesthetic Possibility / Kay Dickinson 13
Illustrating Music: The Impossible Embodiments of the Jukebox Film / Amy Herzog 30
The Audio-Vision of Found-Footage



Medium Cool: Music Videos from Soundies to Cellphones

Автор: Jason Middleton, Roger Beebe
Название: Medium Cool: Music Videos from Soundies to Cellphones
ISBN: 082234162X ISBN-13(EAN): 9780822341628
Издательство: Wiley EDC
Рейтинг:
Цена: 27450.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

Music videos are available on more channels, in more formats, and in more countries than ever before. While MTV—the network that introduced music video to most viewers—is moving away from music video programming, other media developments signal the longevity and dynamism of the form. Among these are the proliferation of niche-based cable and satellite channels, the globalization of music video production and programming, and the availability of videos not just on television but also via cell phones, DVDs, enhanced CDs, PDAs, and the Internet. In the context of this transformed media landscape, Medium Cool showcases a new generation of scholarship on music video. Scholars of film, media, and music revisit and revise existing research as they provide historically and theoretically expansive new perspectives on music video as a cultural form.

The essays take on a range of topics, including questions of authenticity, the tension between high-art influences and mass-cultural appeal, the prehistory of music video, and the production and dissemination of music videos outside the United States. Among the thirteen essays are a consideration of how the rapper Jay-Z uses music video as the primary site for performing, solidifying, and discarding his various personas; an examination of the recent emergence of indigenous music video production in Papua New Guinea; and an analysis of the cultural issues being negotiated within Finland’s developing music video industry. Contributors explore precursors to contemporary music videos, including 1950s music television programs such as American Bandstand, Elvis’s internationally broadcast 1973 Aloha from Hawaii concert, and different types of short musical films that could be viewed in “musical jukeboxes” of the 1940s and 1960s. Whether theorizing music video in connection to postmodernism or rethinking the relation between sound and the visual image, the essays in Medium Cool reveal music video as rich terrain for further scholarly investigation.

Contributors. Roger Beebe, Norma Coates, Kay Dickinson, Cynthia Fuchs, Philip Hayward, Amy Herzog, Antti-Ville Kärjä, Melissa McCartney, Jason Middleton, Lisa Parks, Kip Pegley, Maureen Turim, Carol Vernallis, Warren Zanes


Soundies and the Changing Image of Black Americans on Screen: One Dime at a Time

Автор: Delson Susan
Название: Soundies and the Changing Image of Black Americans on Screen: One Dime at a Time
ISBN: 0253058538 ISBN-13(EAN): 9780253058539
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 71060.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In the 1940s, folks at bars and restaurants would gather around a Panoram movie machine to watch three-minute films called Soundies, precursors to today's music videos. This history was all but forgotten until the digital era brought Soundies to phones and computer screens—including a YouTube clip starring a 102-year-old Harlem dancer watching her younger self perform in Soundies.
In Soundies and the Changing Image of Black Americans on Screen: One Dime at a Time, Susan Delson takes a deeper look at these fascinating films by focusing on the role of Black performers in this little-known genre. She highlights the women performers, like Dorothy Dandridge, who helped shape Soundies, while offering an intimate look at icons of the age, such as Duke Ellington and Nat King Cole. Using previously unknown archival materials—including letters, corporate memos, and courtroom testimony—to trace the precarious path of Soundies, Delson presents an incisive pop-culture snapshot of race relations during and just after World War II.
Perfect for readers interested in film, American history, the World War II era, and Black entertainment history, Soundies and the Changing Image of Black Americans on Screen and its companion video website (susandelson.com) bring the important contributions of these Black artists into the spotlight once again.

Soundies Jukebox Films and the Shift to Small-Screen Culture

Автор: Andrea J. Kelley
Название: Soundies Jukebox Films and the Shift to Small-Screen Culture
ISBN: 0813586348 ISBN-13(EAN): 9780813586342
Издательство: Mare Nostrum (Eurospan)
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Цена: 125400.00 T
Наличие на складе: Невозможна поставка.
Описание: Soundies Jukebox Films and the Shift to Small-Screen Culture is the first and only book to position what are called "Soundies" within the broader cultural and technological milieu of the 1940s. From 1940 to 1946, these musical films circulated in everyday venues, including bars, bowling alleys, train stations, hospitals, and even military bases. Viewers would pay a dime to watch them playing on the small screens of the Panoram jukebox. This book expands U.S. film history beyond both Hollywood and institutional film practices. Examining the dynamics between Soundies' short musical films, the Panoram's film-jukebox technology, their screening spaces and their popular discourse, Andrea J. Kelley provides an integrative approach to historic media exhibition. She situates the material conditions of Soundies' screening sites alongside formal considerations of the films and their unique politics of representation to illuminate a formative moment in the history of the small screen.  

British music videos 1966 - 2016

Автор: Caston Emily
Название: British music videos 1966 - 2016
ISBN: 1474435351 ISBN-13(EAN): 9781474435352
Издательство: Bloomsbury Academic
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Цена: 23220.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Based on new archival evidence and interviews, and setting out a new theoretical framework for music video analysis, Emily Caston presents a major new analysis of music videos from 1966-2016, identifying not only their distinctive British traits, but their parallels with British film genres and styles.

British Music Videos 1966 - 2016: Genre, Authenticity and Art

Автор: Emily Caston
Название: British Music Videos 1966 - 2016: Genre, Authenticity and Art
ISBN: 1474435327 ISBN-13(EAN): 9781474435321
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 100320.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Based on new archival evidence and interviews, and setting out a new theoretical framework for music video analysis, Emily Caston presents a major new analysis of music videos from 1966-2016, identifying not only their distinctive British traits, but their parallels with British film genres and styles.

Traveling Music Videos

Автор: Mathias Bonde Korsgaard, Tomas Jirsa
Название: Traveling Music Videos
ISBN: 1501397990 ISBN-13(EAN): 9781501397998
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 95040.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Traveling Music Videos offers a new interdisciplinary perspective on how contemporary music videos travel across, shape, and transform various media, online platforms, art institutions, and cultural industries worldwide. With the onset of digital technologies and the proliferation of global video-sharing websites at the beginning of the 21st century, music video migrated from TV screens to turn instead to the internet, galleries, concert stages, and social media. As a result, its aesthetics, technological groundings, and politics have been radically transformed. From the kinaesthetic experience of TikTok to the recent reimaginations of maps and navigation tools through music video cartographies, from the ecofeminist voices mediated by live-stream concerts to the transmedia logic of video games and VR, from the videos’ role in contemporary art galleries to their political interventions —the chapters map the ways music video is continually reconfiguring itself. The volume tracks music video’s audiovisual itineraries across different geographies, maps its transmedia routes, and tackles the cultural impact that it has on our current media ecosystem.


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