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National Abjection: The Asian American Body Onstage, Karen Shimakawa


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Автор: Karen Shimakawa
Название:  National Abjection: The Asian American Body Onstage
ISBN: 9780822329374
Издательство: Wiley EDC
Классификация:



ISBN-10: 0822329379
Обложка/Формат: Hardback
Страницы: 208
Вес: 0.59 кг.
Дата издания: 2002-12-05
Язык: English
Иллюстрации: 7 b&w photos
Размер: 247 x 155 x 21
Читательская аудитория: Professional & vocational
Основная тема: Hispanic & Latino studies,Literary studies: plays & playwrights,Literature: history & criticism,Social & cultural history, LITERARY CRITICISM / American / Asian American & Pacific Islander,LITERARY CRITICISM / Drama,SOCIAL SCIENCE / Ethnic Studies / Ameri
Подзаголовок: The asian american body onstage
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание:
National Abjection explores the vexed relationship between "Asian Americanness" and "Americanness” through a focus on drama and performance art. Karen Shimakawa argues that the forms of Asian Americanness that appear in U.S. culture are a function of national abjection—a process that demands that Americanness be defined by the exclusion of Asian Americans, who are either cast as symbolic foreigners incapable of integration or Americanization or distorted into an “honorary” whiteness. She examines how Asian Americans become culturally visible on and off stage, revealing the ways Asian American theater companies and artists respond to the cultural implications of this abjection.

Shimakawa looks at the origins of Asian American theater, particularly through the memories of some of its pioneers. Her examination of the emergence of Asian American theater companies illuminates their strategies for countering the stereotypes of Asian Americans and the lack of visibility of Asian American performers within the theater world. She shows how some plays—Wakako Yamauchi’s 12-1-A, Frank Chin’s Chickencoop Chinaman, and The Year of the Dragon—have both directly and indirectly addressed the displacement of Asian Americans. She analyzes works attempting to negate the process of abjection—such as the 1988 Broadway production of M. Butterfly as well as Miss Saigon, a mainstream production that enacted the process of cultural displacement both onstage and off. Finally, Shimakawa considers Asian Americanness in the context of globalization by meditating on the work of Ping Chong, particularly his East-West Quartet.


Дополнительное описание: Acknowledgments
Introduction: “It’s not right for a body to know his own origins”
1. “I should be -- American!” Abjection and the Asian (American) Body
2. “The dance that’s happening” Perfo



Powers of horror

Автор: Kristeva, Julia
Название: Powers of horror
ISBN: 023121457X ISBN-13(EAN): 9780231214575
Издательство: Wiley
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Цена: 21120.00 T
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Onstage and Offstage Worlds in Shakespeare`s Plays

Автор: Brennan, Anthony
Название: Onstage and Offstage Worlds in Shakespeare`s Plays
ISBN: 0367686031 ISBN-13(EAN): 9780367686031
Издательство: Taylor&Francis
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Цена: 33670.00 T
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Описание: First published in 1989, this book focuses on the handling of the relationship between the onstage world and the offstage world, between the world that Shakespeare shows us and the one he tells us about. It examines Shakespeare from a director`s viewpoint and explains why dramatists must explore the proportions and weighting of interactions.

Abjection, Melancholia and Love: The Work of Julia Kristeva

Автор: John Fletcher, Andrew Benjamin
Название: Abjection, Melancholia and Love: The Work of Julia Kristeva
ISBN: 0415522935 ISBN-13(EAN): 9780415522939
Издательство: Taylor&Francis
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Цена: 148010.00 T
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Описание: The essays in this volume offer insight into the workings of Kristeva`s thought, ranging from her analyses of sexual difference, female temporality and the perceptions of the body to the mental states of abjection and melancholia, and their representation in painting and literature.

Onstage Violence in Sixteenth-Century French Tragedy: Performance, Ethics, Poetics

Автор: Meere Michael
Название: Onstage Violence in Sixteenth-Century French Tragedy: Performance, Ethics, Poetics
ISBN: 019284413X ISBN-13(EAN): 9780192844132
Издательство: Oxford Academ
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Цена: 152890.00 T
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Описание: Studies the representation of violence in tragedies written for the French stage during the sixteenth century, and explores its connection with issues such as politics, religion, gender, and militantism to place the plays within their historical, cultural, and theatrical contexts.

National Abjection: The Asian American Body Onstage

Автор: Karen Shimakawa
Название: National Abjection: The Asian American Body Onstage
ISBN: 0822328232 ISBN-13(EAN): 9780822328230
Издательство: Wiley EDC
Рейтинг:
Цена: 22870.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

National Abjection explores the vexed relationship between "Asian Americanness" and "Americanness” through a focus on drama and performance art. Karen Shimakawa argues that the forms of Asian Americanness that appear in U.S. culture are a function of national abjection—a process that demands that Americanness be defined by the exclusion of Asian Americans, who are either cast as symbolic foreigners incapable of integration or Americanization or distorted into an “honorary” whiteness. She examines how Asian Americans become culturally visible on and off stage, revealing the ways Asian American theater companies and artists respond to the cultural implications of this abjection.

Shimakawa looks at the origins of Asian American theater, particularly through the memories of some of its pioneers. Her examination of the emergence of Asian American theater companies illuminates their strategies for countering the stereotypes of Asian Americans and the lack of visibility of Asian American performers within the theater world. She shows how some plays—Wakako Yamauchi’s 12-1-A, Frank Chin’s Chickencoop Chinaman, and The Year of the Dragon—have both directly and indirectly addressed the displacement of Asian Americans. She analyzes works attempting to negate the process of abjection—such as the 1988 Broadway production of M. Butterfly as well as Miss Saigon, a mainstream production that enacted the process of cultural displacement both onstage and off. Finally, Shimakawa considers Asian Americanness in the context of globalization by meditating on the work of Ping Chong, particularly his East-West Quartet.



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