Fictions of Authority: Women Writers and Narrative Voice, Susan Sniader Lanser
Автор: Jameson, Fredric Название: Political unconscious ISBN: 0415287510 ISBN-13(EAN): 9780415287517 Издательство: Taylor&Francis Рейтинг: Цена: 18370.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This ground-breaking and influential study explores the complex place and function of literature within culture. It takes its place as one of the most meaningful works of the twentieth century.
Автор: Chown, Linda E. Название: Narrative Authority and Homeostasis in the Novels of Doris Lessing and Carmen Marti?n Gaite ISBN: 0367334356 ISBN-13(EAN): 9780367334352 Издательство: Taylor&Francis Рейтинг: Цена: 137810.00 T Наличие на складе: Невозможна поставка. Описание: First published in 1990, this book assesses a shift in the presentation of self-consciousness in 2 pairs of novels by Doris Lessing and Carmen Martin Gaite: 1) The Summer Before the Dark (1973) and Retahilas (1974) and 2) The Memoirs of a Survivor (1974) and The Back Room (1978).
Автор: Chown Linda E. Название: Narrative Authority and Homeostasis in the Novels of Doris Lessing and Carmen Martín Gaite ISBN: 0367334585 ISBN-13(EAN): 9780367334581 Издательство: Taylor&Francis Рейтинг: Цена: 35720.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: First published in 1990, this book assesses a shift in the presentation of self-consciousness in 2 pairs of novels by Doris Lessing and Carmen Martin Gaite: 1) The Summer Before the Dark (1973) and Retahilas (1974) and 2) The Memoirs of a Survivor (1974) and The Back Room (1978).
Автор: Alison Gibbons, Elizabeth King Название: Reading the Contemporary Author: Narrative, Authority, Fictionality ISBN: 1496234618 ISBN-13(EAN): 9781496234612 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 54340.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Readers, literary critics, and theorists alike have long demonstrated an abiding fascination with the author, both as a real person—an artist and creator—and as a theoretical concept that shapes the way we read literary works. Whether anonymous, pseudonymous, or trending on social media, authors continue to be an object of critical and readerly interest. Yet theories surrounding authorship have yet to be satisfactorily updated to register the changes wrought on the literary sphere by the advent of the digital age, the recent turn to autofiction, and the current literary climate more generally. In Reading the Contemporary Author the contributors look back on the long history of theorizing the author and offer innovative new approaches for understanding this elusive figure.
Mapping the contours of the vast territory that is contemporary authorship, this collection investigates authorship in the context of narrative genres ranging from memoir and autobiographically informed texts to biofiction and novels featuring novelist narrators and characters. Bringing together the perspectives of leading scholars in narratology, cultural theory, literary criticism, stylistics, comparative literature, and autobiography studies, Reading the Contemporary Author demonstrates that a variety of interdisciplinary viewpoints and critical stances are necessary to capture the multifaceted nature of contemporary authorship.
After The Tale of Genji (c. 1000), the greatest work of classical Japanese literature is the historical narrative The Tale of the Heike (13th-14th centuries). In addition to opening up fresh perspectives on the Heike narratives, this study also draws attention to a range of problems centered on the interrelationship between narrative, ritual space, and Japan's changing views of China as they bear on depictions of the emperor's authority, warriors, and marginal population going all the way back to the Nara period. By situating the Heike in this long temporal framework, the author sheds light on a hidden history of royal authority that was entangled in Daoist and yin-yang ideas in the Nara period, practices centered on defilement in the Heian period, and Buddhist doctrines pertaining to original enlightenment in the medieval period, all of which resurface and combine in Heike's narrative world. In introducing for the first time the full range of Heike narrative to students and scholars of Japanese literature, the author argues that we must also reexamine our understanding of the literature, ritual, and culture of the Heian and Nara periods.
Автор: T. Wallace Название: Jane Austen and Narrative Authority ISBN: 0333607279 ISBN-13(EAN): 9780333607275 Издательство: Springer Рейтинг: Цена: 139750.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Arguing that Austen`s novels articulate a range of anxieties about authorship and authority, this book points to how the novels experiment in different ways with possible sources and the ultimate failures of authority, always returning to the compromised figure of the narrator.
Автор: Anderson Cordell Sigrid Название: Fictions of Dissent: Reclaiming Authority in Transatlantic Women`s Writing of the Late Nineteenth Century ISBN: 1138661244 ISBN-13(EAN): 9781138661240 Издательство: Taylor&Francis Рейтинг: Цена: 51030.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Fin-de-siecle fiction by British female aesthetes and American women regionalists stages moments of rebellion when female characters rise up and insist on the right to maintain control of their creations. Cordell asserts that these revolutionary acts constitute a transatlantic conversation about aesthetic practice and creative ownership.
Автор: Anderson Cordell, Sigrid Название: Fictions of Dissent ISBN: 1848930232 ISBN-13(EAN): 9781848930230 Издательство: Taylor&Francis Рейтинг: Цена: 163330.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Megan Cole Paustian Название: Humanitarian Fictions: Africa, Altruism, and the Narrative Imagination ISBN: 1531505481 ISBN-13(EAN): 9781531505486 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 29260.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Humanitarianism has a narrative problem. Far too often, aid to Africa is envisioned through a tale of Western heroes saving African sufferers. While labeling white savior narratives has become a familiar gesture, it doesn’t tell us much about the story as story. Humanitarian Fictions aims to understand the workings of humanitarian literature, as they engage with and critique narratives of Africa. Overlapping with but distinct from human rights, humanitarianism centers on a relationship of assistance, focusing less on rights than on needs, less on legal frameworks than moral ones, less on the problem than on the nonstate solution. Tracing the white savior narrative back to religious missionaries of the nineteenth century, Humanitarian Fiction reveals the influence of religious thought on seemingly secular institutions and uncovers a spiritual, collectivist streak in the discourse of humanity. Because the humanitarian model of care transcends the boundaries of the state, and its networks touch much of the globe, Humanitarian Fictions redraws the boundaries of literary classification based on a shared problem space rather than a shared national space. The book maps a transnational vein of Anglophone literature about Africa that features missionaries, humanitarians, and their so-called beneficiaries. Putting humanitarian thought in conversation with postcolonial critique, this book brings together African, British, and U.S. writers typically read within separate traditions. Paustian shows how the novel—with its profound sensitivity to narrative—can enrich the critique of white saviorism while also imagining alternatives that give African agency its due.
Автор: Megan Cole Paustian Название: Humanitarian Fictions: Africa, Altruism, and the Narrative Imagination ISBN: 1531505473 ISBN-13(EAN): 9781531505479 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 104500.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Humanitarianism has a narrative problem. Far too often, aid to Africa is envisioned through a tale of Western heroes saving African sufferers. While labeling white savior narratives has become a familiar gesture, it doesn’t tell us much about the story as story. Humanitarian Fictions aims to understand the workings of humanitarian literature, as they engage with and critique narratives of Africa. Overlapping with but distinct from human rights, humanitarianism centers on a relationship of assistance, focusing less on rights than on needs, less on legal frameworks than moral ones, less on the problem than on the nonstate solution. Tracing the white savior narrative back to religious missionaries of the nineteenth century, Humanitarian Fiction reveals the influence of religious thought on seemingly secular institutions and uncovers a spiritual, collectivist streak in the discourse of humanity. Because the humanitarian model of care transcends the boundaries of the state, and its networks touch much of the globe, Humanitarian Fictions redraws the boundaries of literary classification based on a shared problem space rather than a shared national space. The book maps a transnational vein of Anglophone literature about Africa that features missionaries, humanitarians, and their so-called beneficiaries. Putting humanitarian thought in conversation with postcolonial critique, this book brings together African, British, and U.S. writers typically read within separate traditions. Paustian shows how the novel—with its profound sensitivity to narrative—can enrich the critique of white saviorism while also imagining alternatives that give African agency its due.
“We tell ourselves stories in order to live,” Joan Didion observed in The White Album. Why is this? Michael Austin asks, in Useful Fictions. Why, in particular, are human beings, whose very survival depends on obtaining true information, so drawn to fictional narratives? After all, virtually every human culture reveres some form of storytelling. Might there be an evolutionary reason behind our species’ need for stories?
Drawing on evolutionary biology, anthropology, narrative theory, cognitive psychology, game theory, and evolutionary aesthetics, Austin develops the concept of a “useful fiction,” a simple narrative that serves an adaptive function unrelated to its factual one. In his work we see how these useful fictions play a key role in neutralizing the overwhelming anxiety that humans can experience as their minds gather and process information. Rudimentary narratives constructed for this purpose, Austin suggests, provided a cognitive scaffold that might have become the basis for our well-documented love of fictional stories. Written in clear, jargon-free prose and employing abundant literary examples—from the Bible to One Thousand and One Arabian Nights and Don Quixote to No Exit—Austin’s work offers a new way of understanding the relationship between fiction and evolutionary processes—and, perhaps, the very origins of literature.
Автор: Denning Название: Cover Stories (Routledge Revivals) ISBN: 1138796255 ISBN-13(EAN): 9781138796256 Издательство: Taylor&Francis Рейтинг: Цена: 51030.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: First published in 1987, this title tracks the spy thriller from John Buchanan to Eric Ambler, Ian Fleming and John Le Carre, and shows how these tales of spies, moles, and the secret service tell a history of modern society, translating the political and cultural transformations of the twentieth century into the intrigues of a shadow world of secret agents. Combining cultural history with narrative analysis, Cover Stories explores the two main traditions of the thriller: the thriller of the work, in which bureaucratic routines are invested with political meaning; and the thriller of leisure, in which the sports and games that kill time become a time of dangerous political contests. Examining the characteristic narrative structures of the spy novel – the adventure formulas and the plots of betrayal, disguise and doubles – Denning shows how they attempt to resolve crises and contradictions in ideologies of nation and empire, and of class and gender.
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