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Poetics of Perspective, James Elkins


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Автор: James Elkins
Название:  Poetics of Perspective
ISBN: 9780801483790
Издательство: Wiley EDC
Классификация:
ISBN-10: 0801483794
Обложка/Формат: Paperback
Страницы: 344
Вес: 0.51 кг.
Дата издания: 1996-12-12
Язык: English
Размер: 235 x 156 x 22
Читательская аудитория: Undergraduate
Основная тема: Renaissance art, ART / History / Renaissance,HISTORY / Europe / Renaissance,LITERARY CRITICISM / Renaissance
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание:

Perspective has been a divided subject, orphaned among various disciplines from philosophy to gardening. In the first book to bring together recent thinking on perspective from such fields as art history, literary theory, aesthetics, psychology, and the history of mathematics, James Elkins leads us to a new understanding of how we talk about pictures. Elkins provides an abundantly illustrated history of the theory and practice of perspective. Looking at key texts from the Renaissance to the present, he traces a fundamental historical change that took place in the way in which perspective was conceptualized; first a technique for constructing pictures, it slowly became a metaphor for subjectivity. That gradual transformation, he observes, has led to the rifts that today separate those who understand perspective as a historical or formal property of pictures from those who see it as a linguistic, cognitive, or epistemological metaphor. Elkins considers how the principal concepts of perspective have been rewritten in work by Erwin Panofsky, Hubert Damisch, Martin Jay, Paul Ricoeur, Jacques Lacan, Maurice Merleau-Ponty, and E. H. Gombrich. The Poetics of Perspective illustrates that perspective is an unusual kind of subject: it exists as a coherent idea, but no one discipline offers an adequate exposition of it. Rather than presenting perspective as a resonant metaphor for subjectivity, a painters tool without meaning, a disused historical practice, or a model for vision and representation, Elkins proposes a comprehensive revaluation. The perspective he describes is at once a series of specific pictorial decisions and a powerful figure for our knowledge of the world.



Art, Literature and Culture from a Marxist Perspective

Автор: McKenna
Название: Art, Literature and Culture from a Marxist Perspective
ISBN: 1137526602 ISBN-13(EAN): 9781137526601
Издательство: Springer
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Цена: 74530.00 T
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Описание: This title offers a Marxist take on a selection of artistic and cultural achievements from the rap music of Tupac Shakur to the painting of Van Gogh, from HBO`s Breaking Bad to Balzac`s Cousin Bette, from the magical realm of Harry Potter to the apocalyptic landscape of The Walking Dead, from The Hunger Games to Game of Thrones.

Visuality and Virtuality: Images and Pictures from Prehistory to Perspective

Автор: Davis Whitney
Название: Visuality and Virtuality: Images and Pictures from Prehistory to Perspective
ISBN: 0691171947 ISBN-13(EAN): 9780691171944
Издательство: Wiley
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Цена: 58080.00 T
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Описание:

A provocative and challenging new conceptual framework for the study of images

This book builds on the groundbreaking theoretical framework established in Whitney Davis's acclaimed previous book, A General Theory of Visual Culture, in which he shows how certain culturally constituted aspects of artifacts and pictures are visible to informed viewers. Here, Davis uses revealing archaeological and historical case studies to further develop his theory, presenting an exacting new account of the interaction that occurs when a viewer looks at a picture.

Davis argues that pictoriality--the depiction intended by its maker to be seen--emerges at a particular standpoint in space and time. Reconstruction of this standpoint is the first step of the art historian's craft. Because standpoints are inherently mutable and mobile, pictoriality constantly shifts in form and possible meaning. To capture this complexity, Davis develops new concepts of radical pictorial ambiguity, including "bivisibility" (the fact that pictures can always be seen in ways other than intended), pictorial naturalism, and the behavior of pictures under changing angles of view. He then applies these concepts to four cases--Paleolithic cave painting; ancient Egyptian tomb decoration; classical Greek architectural sculpture, with a focus on the Parthenon frieze; and Renaissance perspective as invented by Brunelleschi.

A profound new theory of the work of both makers and viewers by one of the discipline's most esteemed and engaged thinkers, Visuality and Virtuality is essential reading for art historians, architects, archaeologists, and philosophers of art and visual theory.


Perspective as Symbolic Form

Автор: Panofsky
Название: Perspective as Symbolic Form
ISBN: 0942299531 ISBN-13(EAN): 9780942299533
Издательство: MIT Press
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Цена: 0.00 T
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Описание:

Erwin Panofsky's Perspective as Symbolic Form is one of the great works of modern intellectual history, the legendary text that has dominated all art-historical and philosophical discussions on the topic of perspective in this century. Finally available in English, this unrivaled example of Panofsky's early method places him within broader developments in theories of knowledge and cultural change.

Here, drawing on a massive body of learning that ranges over ancient philosophy, theology, science, and optics as well as the history of art, Panofsky produces a type of "archaeology" of Western representation that far surpasses the usual scope of art historical studies.

Perspective in Panofsky's hands becomes a central component of a Western "will to form," the expression of a schema linking the social, cognitive, psychological, and especially technical practices of a given culture into harmonious and integrated wholes. He demonstrates how the perceptual schema of each historical culture or epoch is unique and how each gives rise to a different but equally full vision of the world.

Panofsky articulates these distinct spatial systems, explicating their particular coherence and compatibility with the modes of knowledge, belief, and exchange that characterized the cultures in which they arose. Our own modernity, Panofsky shows, is inseparable from its peculiarly mathematical expression of the concept of the infinite, within a space that is both continuous and homogenous.

-- "Artforum"
Poetics of decadence in fin-de-siecle italy

Название: Poetics of decadence in fin-de-siecle italy
ISBN: 3034322607 ISBN-13(EAN): 9783034322607
Издательство: Peter Lang
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Цена: 75540.00 T
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Описание:

In the 1880s and 1890s, materialism in art was counterbalanced by attention to the subjective individual experience, expressed in the new modes inaugurated by Symbolism, Decadence and Aestheticism. In particular, Decadent artists and writers inspired the lasting name of an age fascinated by the contemplation of luxury and decay: the fin de si?cle. Notions of decadence and degeneration were not limited to aesthetic experience but were regarded as sociological phenomena and attained pseudoscientific status.

This volume explores the themes of degeneration and regeneration in fin-de-si?cle Italian culture, collecting together essays by recognized experts as well as younger scholars. The book begins by reflecting on the poetics of decadence, before turning its focus to significant figures of the period and their literary, critical and artistic work, providing analysis from both national and comparative perspectives. Subjects examined include the turn towards idealism of Anna Zuccari, the mysticism and ethics of Fogazzaro, Pascoli and Tolstoy, the influence of German philosophy and European symbolism on Gabriele D’Annunzio’s literary works, the art criticism of Enrico Panzacchi, and the aesthetic regeneration of divas in early Italian cinema.


Poetics of Perspective

Автор: James Elkins
Название: Poetics of Perspective
ISBN: 0801427967 ISBN-13(EAN): 9780801427961
Издательство: Wiley EDC
Рейтинг:
Цена: 53770.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

Perspective has been a divided subject, orphaned among various disciplines from philosophy to gardening. In the first book to bring together recent thinking on perspective from such fields as art history, literary theory, aesthetics, psychology, and the history of mathematics, James Elkins leads us to a new understanding of how we talk about pictures. Elkins provides an abundantly illustrated history of the theory and practice of perspective. Looking at key texts from the Renaissance to the present, he traces a fundamental historical change that took place in the way in which perspective was conceptualized; first a technique for constructing pictures, it slowly became a metaphor for subjectivity. That gradual transformation, he observes, has led to the rifts that today separate those who understand perspective as a historical or formal property of pictures from those who see it as a linguistic, cognitive, or epistemological metaphor. Elkins considers how the principal concepts of perspective have been rewritten in work by Erwin Panofsky, Hubert Damisch, Martin Jay, Paul Ricoeur, Jacques Lacan, Maurice Merleau-Ponty, and E. H. Gombrich. The Poetics of Perspective illustrates that perspective is an unusual kind of subject: it exists as a coherent idea, but no one discipline offers an adequate exposition of it. Rather than presenting perspective as a resonant metaphor for subjectivity, a painter's tool without meaning, a disused historical practice, or a model for vision and representation, Elkins proposes a comprehensive revaluation. The perspective he describes is at once a series of specific pictorial decisions and a powerful figure for our knowledge of the world.


From stem to steam

Автор: Snider, Arthur David
Название: From stem to steam
ISBN: 3031573153 ISBN-13(EAN): 9783031573156
Издательство: Springer
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Цена: 37260.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.

Using Art for Social Transformation

Автор: Maoz, Zeev
Название: Using Art for Social Transformation
ISBN: 0367615231 ISBN-13(EAN): 9780367615239
Издательство: Taylor&Francis
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Цена: 132710.00 T
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Описание: Social arts are manifold and are initiated by multiple actors, spaces, and direction from many directions and intentions, but generally aim to generate personal, familial, group, community or general social transformation which can maintain and enhance personal and community resilience, communication, negotiation and transitions.

Using art for social transformation

Название: Using art for social transformation
ISBN: 0367615185 ISBN-13(EAN): 9780367615185
Издательство: Taylor&Francis
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Цена: 30610.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Social arts are manifold and are initiated by multiple actors, spaces, and direction from many directions and intentions, but generally aim to generate personal, familial, group, community or general social transformation which can maintain and enhance personal and community resilience, communication, negotiation and transitions.

Rhetoric of perspective

Автор: Grootenboer, Hanneke
Название: Rhetoric of perspective
ISBN: 0226309681 ISBN-13(EAN): 9780226309682
Издательство: Wiley
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Цена: 84480.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Offering an original theory of perspective`s impact on pictorial representation, the act of looking, and the understanding of truth in painting, Grootenboer, shows how these paintings both question the status of representation and explore the limits and credibility of perception.

Ungovernable Spaces

Автор: Kristen Kreider and James O`Leary
Название: Ungovernable Spaces
ISBN: 1350409081 ISBN-13(EAN): 9781350409088
Издательство: Bloomsbury Academic
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Цена: 89760.00 T
Наличие на складе: Нет в наличии.

Material Poetics in Hemispheric America: Words and Objects 1950-2010

Автор: Kosick Rebecca
Название: Material Poetics in Hemispheric America: Words and Objects 1950-2010
ISBN: 1474474608 ISBN-13(EAN): 9781474474603
Издательство: Bloomsbury Academic
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Цена: 100320.00 T
Наличие на складе: Нет в наличии.
Описание:

Reconsiders the lyrical norm that predominates in Anglophone accounts of poetry through a multilingual and transnational lens

  • A bold project that departs from a tradition heavily dominated by the lyric to question the very nature of what counts as poetry.
  • A visually exciting text that draws on poetry and art from a wide array of late twentieth and early twenty-first century practitioners.
  • An interdisciplinary approach to poetry and poetics that opens new avenues for understanding how poetry intersects with philosophies of the object, media theory, and visual studies.
  • A transnational frame that responds to a growing scholarly push to situate American studies within the broader context of the American hemisphere.

This book examines poets and artists in the Americas during the late twentieth and early twenty-first centuries to show how they worked to make language into material objects and material objects into language. It builds a theory of ‘material poetics’ that provides an alternative account of poetry in hemispheric America. Rebecca Kosick argues that by reframing American poetry to prominently include object-oriented practices within and beyond the United States, material poetry can be seen as representing a significant branch of the American poetic tradition.


New Nonfiction Film

Автор: Waldron Dara
Название: New Nonfiction Film
ISBN: 150136216X ISBN-13(EAN): 9781501362163
Издательство: Bloomsbury Academic
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Цена: 34840.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: New Nonfiction Film: Art, Poetics and Documentary Theory is the first book to offer a lengthy examination of the relationship between fiction and documentary from the perspective of art and poetics. The premise of the book is to propose a new category of nonfiction film that is distinguished from – as opposed to being conflated with – the documentary film in its multiple historical guises; a premise explored in case-studies of films by distinguished artists and filmmakers (Abbas Kiarostami, Ben Rivers, Chantal Akerman, Ben Russell Pat Collins and Gideon Koppel). The book builds a case for this new category of film, calling it the ‘new nonfiction film,’ and argues, in the process, that this kind of film works to dismantle the old distinctions between fiction and documentary film and therefore the axioms of Film and Cinema Studies as a discipline of study.


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