Автор: Crawford Evelyn Louise, Patterson Marylouise, Hugh Название: Letters from Langston: From the Harlem Renaissance to the Red Scare and Beyond ISBN: 0520285344 ISBN-13(EAN): 9780520285347 Издательство: Wiley Рейтинг: Цена: 26400.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Langston Hughes, one of America`s greatest writers, was an innovator of jazz poetry and a leader of the Harlem Renaissance whose poems and plays resonate widely today. This indispensable volume of letters between Hughes and four leftist confidants sheds light on his life and politics.
Автор: Krasner Название: A Beautiful Pageant ISBN: 0312295901 ISBN-13(EAN): 9780312295905 Издательство: Springer Рейтинг: Цена: 74530.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Looking at events as diverse as the prizefight between Jack Johnson and Jim `White Hope` Jeffries, the choreography of Aida Walker and Ethel Waters, the writing of Zora Neale Hurston and the musicals of the period, Krasner paints a vibrant portrait of those years.
Автор: Wall Cheryl A. Название: The Harlem Renaissance: A Very Short Introduction ISBN: 0199335559 ISBN-13(EAN): 9780199335558 Издательство: Oxford Academ Рейтинг: Цена: 10550.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This Very Short Introduction offers an overview of the Harlem Renaissance, a cultural awakening among African Americans between the two world wars. Cheryl A. Wall brings readers to the Harlem of 1920s to identify the cultural themes and issues that engaged writers, musicians, and visual artists alike.
Автор: Haidarali Laila Название: Brown Beauty: Color, Sex, and Race from the Harlem Renaissance to World War II ISBN: 1479875104 ISBN-13(EAN): 9781479875108 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 82770.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Examines how the media influenced ideas of race and beauty among African American women from the Harlem Renaissance to World War II.
Between the Harlem Renaissance and the end of World War II, a complicated discourse emerged surrounding considerations of appearance of African American women and expressions of race, class, and status. Brown Beauty considers how the media created a beauty ideal for these women, emphasizing different representations and expressions of brown skin.
Haidarali contends that the idea of brown as a "respectable shade" was carefully constructed through print and visual media in the interwar era. Throughout this period, brownness of skin came to be idealized as the real, representational, and respectable complexion of African American middle class women. Shades of brown became channels that facilitated discussions of race, class, and gender in a way that would develop lasting cultural effects for an ever-modernizing world.
Building on an impressive range of visual and media sources--from newspapers, journals, magazines, and newsletters to commercial advertising--Haidarali locates a complex, and sometimes contradictory, set of cultural values at the core of representations of women, envisioned as "brown-skin." She explores how brownness affected socially-mobile New Negro women in the urban environment during the interwar years, showing how the majority of messages on brownness were directed at an aspirant middle-class. By tracing brown's changing meanings across this period, and showing how a visual language of brown grew into a dynamic racial shorthand used to denote modern African American womanhood, Brown Beauty demonstrates the myriad values and judgments, compromises and contradictions involved in the social evaluation of women. This book is an eye-opening account of the intense dynamics between racial identity and the influence mass media has on what, and who we consider beautiful.
Автор: Haidarali Laila Название: Brown Beauty: Color, Sex, and Race from the Harlem Renaissance to World War II ISBN: 1479802085 ISBN-13(EAN): 9781479802081 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 33440.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Examines how the media influenced ideas of race and beauty among African American women from the Harlem Renaissance to World War II.
Between the Harlem Renaissance and the end of World War II, a complicated discourse emerged surrounding considerations of appearance of African American women and expressions of race, class, and status. Brown Beauty considers how the media created a beauty ideal for these women, emphasizing different representations and expressions of brown skin.
Haidarali contends that the idea of brown as a "respectable shade" was carefully constructed through print and visual media in the interwar era. Throughout this period, brownness of skin came to be idealized as the real, representational, and respectable complexion of African American middle class women. Shades of brown became channels that facilitated discussions of race, class, and gender in a way that would develop lasting cultural effects for an ever-modernizing world.
Building on an impressive range of visual and media sources--from newspapers, journals, magazines, and newsletters to commercial advertising--Haidarali locates a complex, and sometimes contradictory, set of cultural values at the core of representations of women, envisioned as "brown-skin." She explores how brownness affected socially-mobile New Negro women in the urban environment during the interwar years, showing how the majority of messages on brownness were directed at an aspirant middle-class. By tracing brown's changing meanings across this period, and showing how a visual language of brown grew into a dynamic racial shorthand used to denote modern African American womanhood, Brown Beauty demonstrates the myriad values and judgments, compromises and contradictions involved in the social evaluation of women. This book is an eye-opening account of the intense dynamics between racial identity and the influence mass media has on what, and who we consider beautiful.
Автор: Dickson-Carr Название: Spoofing The Modern ISBN: 1611174929 ISBN-13(EAN): 9781611174922 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 37610.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Spoofing the Modern is the first book devoted solely to studying the role satire played in the movement known as the “New Negro,” or Harlem, Renaissance from 1919 to 1940. As the first era in which African American writers and artists enjoyed frequent access to and publicity from major New York–based presses, the Harlem Renaissance helped the talents, concerns, and criticisms of African Americans to reach a wider audience in the 1920s and 1930s. These writers and artists joined a growing chorus of modernity that frequently resonated in the caustic timbre of biting satire and parody.The Harlem Renaissance was simultaneously the first major African American literary movement of the twentieth century and the first major blooming of satire by African Americans. Such authors as folklorist and anthropologist Zora Neale Hurston, poet Langston Hughes, journalist George S. Schuyler, writer-editor-poet Wallace Thurman, physician Rudolph Fisher, and artist Richard Bruce Nugent found satire an attractive means to criticize not only American racism, but also the trials of American culture careening toward modernity. Frequently, they directed their satiric barbs toward each other, lampooning the painful processes through which African American artists struggled with modernity, often defined by fads and superficial understandings of culture.Dickson-Carr argues that these satirists provided the Harlem Renaissance with much of its most incisive cultural criticism. The book opens by analyzing the historical, political, and cultural circumstances that allowed for the “New Negro” in general and African American satire in particular to flourish in the 1920s. Each subsequent chapter then introduces the major satirists within the larger movement by placing each author’s career in a broader cultural context, including those authors who shared similar views. Spoofing the Modern concludes with an overview that demonstrates how Harlem Renaissance authors influenced later cultural and literary movements.
Автор: Banks Название: Diversity and Philanthropy at African American Museums ISBN: 0815349645 ISBN-13(EAN): 9780815349648 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This is the first scholarly book to analyse contemporary African American museums from a multifaceted perspective. It examines the issues and challenges related to racial politics that black museums, and considers how they intersect with corporate culture, youth culture, and the broader art world.
Автор: Chapman, Matthieu (university Of California, San Diego, Usa) Название: Anti-black racism in early modern english drama ISBN: 0367140306 ISBN-13(EAN): 9780367140304 Издательство: Taylor&Francis Рейтинг: Цена: 47970.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This is the first book to deploy the methods and ensemble of questions from Afro-pessimism to engage and interrogate the methods of Early Modern English studies. Using contemporary Afro-pessimist theories to provide a foundation for structural analyses of race in the Early Modern Period, it engages the arguments for race as a fluid construction of human identity by addressing how race in Early Modern England functioned not only as a marker of human identity, but also as an a priori constituent of human subjectivity. Chapman argues that Blackness is the marker of social death that allows for constructions of human identity to become transmutable based on the impossibility of recognition and incorporation for Blackness into humanity. Using dramatic texts such as Othello, Titus Andronicus, and other Early Modern English plays both popular and lesser known, the book shifts the binary away from the currently accepted standard of white/non-white that defines "otherness" in the period and examines race in Early Modern England from the prospective of a non-black/black antagonism. The volume corrects the Afro-pessimist assumption that the Triangle Slave Trade caused a rupture between Blackness and humanity. By locating notions of Black inhumanity in England prior to chattel slavery, the book positions the Triangle Trade as a result of, rather than the cause of, Black inhumanity. It also challenges the common scholarly assumption that all varying types of human identity in Early Modern England were equally fluid by arguing that Blackness functioned as an immutable constant. Through the use of structural analysis, this volume works to simplify and demystify notions of race in Renaissance England by arguing that race is not only a marker of human identity, but a structural antagonism between those engaged in human civil society opposed to those who are socially dead. It will be an essential volume for those with interest in Renaissance Literature and Culture, Shakespeare, Contemporary Performance Theory, Black Studies, and Ethnic Studies.
Автор: Christopher Varlack Название: Harlem Renaissance ISBN: 1619258226 ISBN-13(EAN): 9781619258228 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 87780.00 T Наличие на складе: Невозможна поставка. Описание: Outstanding, in-depth scholarship by renowned literary critics; great starting point for students seeking an introduction to the theme and the critical discussions surrounding it.Critical Insights: Harlem Renaissance presents the period of unparallel growth in art and literature from the African American Community, also known as the Harlem Renaissance. With its production of key authors, from Langston Hughes to Claude McKay, among others, the Harlem Renaissance saw the rise in creative endeavors by black artists and writers eager to celebrate the unique characteristics of black life and to challenge the institutionalized racial hierarchy pervasive within twentieth-century American society. These creative thinkers, certainly intellectuals in their own right, used their poetry, short stories, novels, and plays as a vehicle to critique the longstanding issues within society that limited socioeconomic mobility for blacks, while perpetuating startling stereotypes about a community too long oppressed. Because of its undeniable impact in shaping the American cultural imagination regarding blacks and on the larger American literary canon, the Harlem Renaissance has since been heavily studied as the most significant period of artistic as well as cultural development the African American community has ever experienced.This title seeks to offer not only expanded readings of the central themes that have long captivated the attention of scholars across time, but also providing valuable insight into the texts, authors, and critical perspectives too often overlooked.Each essay is 2,500 to 5,000 words in length, and all essays conclude with a list of ""Works Cited,"" along with endnotes. Finally, the volume's appendixes offer a section of useful reference resources: About This Volume; Critical Context: Original Introductory Essays; Critical Readings: Original In-Depth Essays; Further Readings; Detailed Bibliography; Detailed Bio of the Editor; General Subject Index.
The Black Chicago Renaissance emerged from a foundational stage that stretched from the 1893 World's Columbian Exposition to the start of the Great Depression. During this time, African American innovators working across the landscape of the arts set the stage for an intellectual flowering that redefined black cultural life.
Richard A. Courage and Christopher Robert Reed have brought together essays that explore the intersections in the backgrounds, education, professional affiliations, and public lives and achievements of black writers, journalists, visual artists, dance instructors, and other creators working in the late nineteenth and early twentieth centuries. Organized chronologically, the chapters unearth transformative forces that supported the emergence of individuals and social networks dedicated to work in arts and letters. The result is an illuminating scholarly collaboration that remaps African American intellectual and cultural geography and reframes the concept of urban black renaissance.
Contributors: Richard A. Courage, Mary Jo Deegan, Brenda Ellis Fredericks, James C. Hall, Bonnie Claudia Harrison, Darlene Clark Hine, John McCluskey Jr., Amy M. Mooney, Christopher Robert Reed, Clovis E. Semmes, Margaret Rose Vendryes, and Richard Yarborough
Автор: Peter Kerry Powers Название: Goodbye Christ?: Christianity, Masculinity, and the New Negro Renaissance ISBN: 1621905187 ISBN-13(EAN): 9781621905189 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 29220.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Despite the proliferation of criticism on the cultural work of the Harlem Renaissance over the course of the past two decades, surprisingly few critics have focused on the ways in which religious contexts shaped the works of New Negro writers and artists during that time. In Goodbye Christ? Peter Kerry Powers fills this scholarly void, exploring how the intersection of race, religion, and gender during the Harlem Renaissance impacted the rhetoric and imagination of prominent African-American writers of the early twentieth century. In order to best understand the secular academic thought that arose during the Harlem Renaissance period, Powers emphasises that readers must first understand the religious contexts from which it grew. By illustrating how religion informed the New Negro movement, and through his analysis of a range of texts, Powers delineates the ways in which New Negro writers of the early twentieth century sought to loosen the grip of Christianity on the racial imagination, thereby clearing a space for their own cultural work - and for the development of a secular African American intelligentsia generally. In addition to his examination of well-known authors, including W.E.B. Du Bois, Langston Hughes, and Zora Neale Hurston, Powers also offers an illuminating perspective on lesser-known figures, including Reverdy Ransom and Frederick Cullen. In his exploration of the role of race and religion at the time, Powers employs an intersectional approach to religion and gender, and especially masculinity, in his discussion. Goodbye Christ? answers the call for a body of work that considers religion as a relevant precursor to the secular intelligentsia that grew during the Harlem Renaissance in the early 1900s. By offering a complete look at the tensions that arose between churches and Harlem Renaissance writers and artists, readers can gain a better understanding of the work that Harlem Renaissance writers undertook during the early decades of the twentieth century.
Автор: Farebrother, Rachel Название: History of the harlem renaissance ISBN: 1108493572 ISBN-13(EAN): 9781108493574 Издательство: Cambridge Academ Рейтинг: Цена: 44350.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book presents original essays that provide comprehensive analysis of the dynamism of Harlem Renaissance literature and culture. An authoritative collection on the major writers and issues of the period, it takes stock of nearly a hundred years of Harlem Renaissance studies.
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