Автор: Strecher Matthew Carl Название: The Forbidden Worlds of Haruki Murakami ISBN: 0816691983 ISBN-13(EAN): 9780816691982 Издательство: Wiley Рейтинг: Цена: 19000.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
In an "other world" composed of language--it could be a fathomless Martian well, a labyrinthine hotel or forest--a narrative unfolds, and with it the experiences, memories, and dreams that constitute reality for Haruki Murakami's characters and readers alike. Memories and dreams in turn conjure their magical counterparts--people without names or pasts, fantastic animals, half-animals, and talking machines that traverse the dark psychic underworld of this writer's extraordinary fiction.
Fervently acclaimed worldwide, Murakami's wildly imaginative work in many ways remains a mystery, its worlds within worlds uncharted territory. Finally in this book readers will find a map to the strange realm that grounds virtually every aspect of Murakami's writing. A journey through the enigmatic and baffling innermost mind, a metaphysical dimension where Murakami's most bizarre scenes and characters lurk, The Forbidden Worlds of Haruki Murakami exposes the psychological and mythological underpinnings of this other world. Matthew Carl Strecher shows how these considerations color Murakami's depictions of the individual and collective soul, which constantly shift between the tangible and intangible but in this literary landscape are undeniably real.
Through these otherworldly depths The Forbidden Worlds of Haruki Murakami also charts the writer's vivid "inner world," whether unconscious or underworld (what some Japanese critics call achiragawa, or "over there"), and its connectivity to language. Strecher covers all of Murakami's work--including his efforts as a literary journalist--and concludes with the first full-length close reading of the writer's newest novel, Colorless Tsukuru Tazaki and His Years of Pilgrimage.
Автор: Dower, John W. Название: Embracing Defeat: Japan in the Wake of World War II ISBN: 0393320278 ISBN-13(EAN): 9780393320275 Издательство: Wiley Цена: 22060.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Drawing on a vast range of Japanese sources and illustrated with dozens of astonishing documentary photographs, Embracing Defeat is the fullest and most important history of the more than six years of American occupation, which affected every level of Japanese society, often in ways neither side could anticipate. Dower, whom Stephen E. Ambrose has called America's foremost historian of the Second World War in the Pacific, gives us the rich and turbulent interplay between West and East, the victor and the vanquished, in a way never before attempted, from top-level manipulations concerning the fate of Emperor Hirohito to the hopes and fears of men and women in every walk of life. Already regarded as the benchmark in its field, Embracing Defeat is a work of colossal scholarship and history of the very first order. John W. Dower is the Elting E. Morison Professor of History at the Massachusetts Institute of Technology. He is a winner of the National Book Critics Circle Award for War Without Mercy.
Автор: , Tsuji Nobuo Название: History of Art in Japan ISBN: 0231193416 ISBN-13(EAN): 9780231193412 Издательство: Wiley Рейтинг: Цена: 31420.00 T Наличие на складе: Есть Описание: In this book the leading authority on Japanese art history sheds light on how Japan has nurtured distinctive aesthetics, prominent artists, and movements that have achieved global influence and popularity. The History of Art in Japan discusses works ranging from earthenware figurines in 13,000 BCE to manga, anime, and modern subcultures.
Автор: Mary Dellenbaugh-Losse Название: Inventing Berlin ISBN: 3030297209 ISBN-13(EAN): 9783030297206 Издательство: Springer Рейтинг: Цена: 130430.00 T Наличие на складе: Поставка под заказ. Описание: This book comprehensively examines post-1989 changes to the symbolic landscape of Berlin - specifically, street names, architecture, urban planning and monuments - and links these changes to concepts of contested cultural memory and national identity in Berlin and Germany in the post-Wall period.
In Segregating Sound, Karl Hagstrom Miller argues that the categories that we have inherited to think and talk about southern music bear little relation to the ways that southerners long played and heard music. Focusing on the late nineteenth century and the early twentieth, Miller chronicles how southern music—a fluid complex of sounds and styles in practice—was reduced to a series of distinct genres linked to particular racial and ethnic identities. The blues were African American. Rural white southerners played country music. By the 1920s, these depictions were touted in folk song collections and the catalogs of “race” and “hillbilly” records produced by the phonograph industry. Such links among race, region, and music were new. Black and white artists alike had played not only blues, ballads, ragtime, and string band music, but also nationally popular sentimental ballads, minstrel songs, Tin Pan Alley tunes, and Broadway hits.
In a cultural history filled with musicians, listeners, scholars, and business people, Miller describes how folklore studies and the music industry helped to create a “musical color line,” a cultural parallel to the physical color line that came to define the Jim Crow South. Segregated sound emerged slowly through the interactions of southern and northern musicians, record companies that sought to penetrate new markets across the South and the globe, and academic folklorists who attempted to tap southern music for evidence about the history of human civilization. Contending that people’s musical worlds were defined less by who they were than by the music that they heard, Miller challenges assumptions about the relation of race, music, and the market.
Автор: Morris-Suzuki, Tessa Название: Re-inventing Japan ISBN: 076560082X ISBN-13(EAN): 9780765600820 Издательство: Taylor&Francis Рейтинг: Цена: 58170.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Christy Alan Название: Everyday Culture in Japan: Ethnographies of the Japanese Self ISBN: 1442216476 ISBN-13(EAN): 9781442216471 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 157690.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Exploring the fundamental question of how a new discipline comes into being, this groundbreaking book tells the story of the emergence of native ethnology in Imperial Japan, a one nation social science devoted to the study of the Japanese people. Roughly corresponding to folklore studies or ethnography in the West, this social science was developed outside the academy over the first half of the twentieth century by a diverse group of intellectuals, local dignitaries, and hobbyists. Alan Christy traces the paths of the distinctive individuals who founded minzokugaku, how theory and practice developed, and how many previously unknown figures contributed to the growth of the discipline. Despite its humble beginnings, native ethnology today is a fixture in Japanese intellectual life, offering arguments and evidence about the popular, as opposed to elite, foundations of Japanese culture. Speaking directly to fundamental questions in anthropology, this authoritative and engaging book will become a standard not only for the field of native ethnology but also as a major work in broader modern Japanese cultural and intellectual history.
Автор: Benesch, Oleg (anniversary Research Lecturer In History, Anniversary Research Lecturer In History, University Of York) Название: Inventing the way of the samurai ISBN: 0198754256 ISBN-13(EAN): 9780198754251 Издательство: Oxford Academ Рейтинг: Цена: 42760.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Timothy J. Meagher Название: Inventing Irish America: Generation, Class, and Ethnic Identity in a New England City, 1880-1928 ISBN: 0268031533 ISBN-13(EAN): 9780268031534 Издательство: Wiley EDC Рейтинг: Цена: 114400.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Like many American cities, Worcester, Massachusetts, is an enclave of cultural tradition and ethnic pride. Through the intensive analysis of this Irish American community at the turn of the twentieth century, Timothy Meagher reveals how an ethnic group can endure and yet change when its first American-born generation takes control of its destiny. Meagher traces the chaotic and complicated passage of Irish Americans from their status as isolated immigrants, through accommodation in the 1880s and ethnocentric belligerence in the 1890s, to leadership of a pan-ethnic American Catholic people in the early twentieth century. He shows how these shifts resulted from both the initiatives of a new generation and changing relations with Yankee and ethnic neighbors, examining along the way such topics as women's prominence in the local nationalist movement, marriage patterns among the second generation, and cross-party coalitions that Irish Democrats forged with Yankee Republicans. A fourth-generation Worcester native, Meagher examines nearly every aspect of Irish American life in his city to discover how his family and others like them attempted to resolve the dilemma of identity. He analyzes the changing definitions of identities and boundaries over a crucial forty-year period and shows how the rise of a new generation to community leadership brought about a quiet but powerful revolution in people's everyday lives. Inventing Irish America focuses on the cultural transition of Irish Americans from one generation to the next and offers readers new insight into the creation of their identity. By studying one community in generational transition, it sheds new light on all places where ethnic and racial groups struggle to maintain their identities by reinventing themselves through time.
Автор: White, Richard Название: Inventing Australia ISBN: 0367718537 ISBN-13(EAN): 9780367718534 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Нет в наличии.
Dire word of the cultural threat of the lowbrow goes back at least to the ancient Greeks, and yet, Stephanie Sieburth suggests, no division between "high" and "low" culture will stand up to logical scrutiny. Why, then, does the opposition persist? In this book Sieburth questions the terms of this perennial debate and uncovers the deep cultural, economic, and psychological tensions that lead each generation to reinvent the distinction between high and low. She focuses on Spain, where this opposition plays a special role in notions of cultural development and where leading writers have often made the relation of literature to mass culture the theme of their novels. Choosing two historical moments of sweeping material and cultural change in Spanish history, Sieburth reads two novels from the 1880s (by Benito Pérez Galdós) and two from the 1970s (by Juan Goytisolo and Carmen Martín Gaite) as fictional theories about the impact of modernity on culture and politics. Her analysis reveals that the high/low division in the cultural sphere reinforces other kinds of separations—between social classes or between men and women—dear to the elite but endangered by progress. This tension, she shows, is particularly evident in Spain, where modernization has been a contradictory and uneven process, rarely accompanied by political freedom, and where consumerism and mass culture coexist uneasily with older ways of life. Weaving together a wide spectrum of diverse material, her work will be of interest to readers concerned with Spanish history and literature, literary theory, popular culture, and the relations between politics, economics, gender, and the novel.
In Segregating Sound, Karl Hagstrom Miller argues that the categories that we have inherited to think and talk about southern music bear little relation to the ways that southerners long played and heard music. Focusing on the late nineteenth century and the early twentieth, Miller chronicles how southern music—a fluid complex of sounds and styles in practice—was reduced to a series of distinct genres linked to particular racial and ethnic identities. The blues were African American. Rural white southerners played country music. By the 1920s, these depictions were touted in folk song collections and the catalogs of “race” and “hillbilly” records produced by the phonograph industry. Such links among race, region, and music were new. Black and white artists alike had played not only blues, ballads, ragtime, and string band music, but also nationally popular sentimental ballads, minstrel songs, Tin Pan Alley tunes, and Broadway hits.
In a cultural history filled with musicians, listeners, scholars, and business people, Miller describes how folklore studies and the music industry helped to create a “musical color line,” a cultural parallel to the physical color line that came to define the Jim Crow South. Segregated sound emerged slowly through the interactions of southern and northern musicians, record companies that sought to penetrate new markets across the South and the globe, and academic folklorists who attempted to tap southern music for evidence about the history of human civilization. Contending that people’s musical worlds were defined less by who they were than by the music that they heard, Miller challenges assumptions about the relation of race, music, and the market.
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