Independent documentary is enjoying a resurgence in post-reform India. But in contemporary cinema and media cultures, where ‘independent’ operates as an industry genre or critical category, how do we understand the significance of this mode of cultural production?
Based on detailed onsite observation of documentary production, circulation practices and the analysis of film texts, this book identifies independence as a 'tactical practice’, contesting the normative definitions and functions assigned to culture, cultural production and producers in a neoliberal economic system. Focusing on selected filmmakers, the book establishes how they have reorganised the dominance of industrial media, technology and social relations to develop practices that build upon principles of de-economisation, artisanship and interdependence.
Автор: Shweta Kishore Название: Indian Documentary Film and Filmmakers: Independence in Practice ISBN: 1474433065 ISBN-13(EAN): 9781474433068 Издательство: Bloomsbury Academic Рейтинг: Цена: 100320.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Based on detailed onsite observation of documentary production, circulation practices and the analysis of film texts, this book identifies independence as a `tactical practice`, contesting the normative definitions and functions assigned to culture, cultural production and producers in a neoliberal economic system.
Deploying the term ‘late-colonial’ to describe a body of largely French films made during, and in response to, the Algerian War of Independence (1954-1962), this book revolves around one question – what is late-colonial French cinema? – generating two answers.
Firstly, Sharpe argues that late-colonial cinema represents a formally and thematically important, yet unappreciated tendency in French cinema; one that has largely been overshadowed by a scholarly focus on the French New Wave. Secondly, Sharpe contends that whilst late-colonial French cinema cannot be seen as a coherent cinematic movement, school of filmmaking, or genre, it can be seen as a coherent ethical trend, with many of the fifteen central case studies explored in Late-colonial French Cinema filtering the Algerian War of Independence through a discourse of ‘redemptive pacifism’.
Автор: Menne Jeff Название: Post-Fordist Cinema: Hollywood Auteurs and the Corporate Counterculture ISBN: 0231183712 ISBN-13(EAN): 9780231183710 Издательство: Wiley Рейтинг: Цена: 29570.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Jeff Menne rewrites the history of the New Hollywood boom of the late 196s and 197s, arguing that auteur theory served to reconcile directors to Hollywood`s corporate project. Post-Fordist Cinema sheds new light on the cultural myth of the great director and the birth of the "creative economy."
Автор: Westwell Guy Название: Parallel Lines: Post-9/11 American Cinema ISBN: 0231172036 ISBN-13(EAN): 9780231172035 Издательство: Wiley Рейтинг: Цена: 23230.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Describes how post-9/11 cinema, from Spike Lee`s 25th Hour (2002) to Kathryn Bigelow`s Zero Dark Thirty (2012), relates to different, and competing, versions of US national identity in the aftermath of the September 11th terrorist attacks
Автор: Menne Jeff Название: Post-Fordist Cinema: Hollywood Auteurs and the Corporate Counterculture ISBN: 0231183704 ISBN-13(EAN): 9780231183703 Издательство: Wiley Рейтинг: Цена: 92930.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Jeff Menne rewrites the history of the New Hollywood boom of the late 1960s and 1970s, arguing that auteur theory served to reconcile directors to Hollywood`s corporate project. Post-Fordist Cinema sheds new light on the cultural myth of the great director and the birth of the "creative economy."
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