The Image and Appearance of the Human Body, Schilder, Paul

Автор: Schilder Paul
Название: The Image and Appearance of the Human Body
ISBN: 113887552X ISBN-13(EAN): 9781138875524
Издательство: Taylor&Francis
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Цена: 56130.00 T
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Описание: First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

Автор: Bortoft, Henri
Название: Taking appearance seriously
ISBN: 0863159273 ISBN-13(EAN): 9780863159275
Издательство: Edward Elgar Publishers
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Автор: McCain Kevin, Moretti Luca
Название: Appearance and Explanation: Phenomenal Explanationism in Epistemology
ISBN: 0192896873 ISBN-13(EAN): 9780192896872
Издательство: Oxford Academ
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Описание: We might think that appearances give a prima facie justification for belief. This is the foundation for Phenomenal Conservatism in epistemology. McCain and Moretti adapt this view by integrating it with the view that epistemic justification is a matter of explanatory relations between one`s evidence and propositions supported by that evidence.

Автор: Moretti Luca
Название: Seemings and Epistemic Justification: How Appearances Justify Beliefs
ISBN: 3030433919 ISBN-13(EAN): 9783030433918
Издательство: Springer
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Описание: This book examines phenomenal conservatism, one of the most influential and promising internalist conceptions of non-inferential justification debated in current epistemology and philosophy of mind.

Автор: Barfield, Owen
Название: Saving the appearances
ISBN: 0955958288 ISBN-13(EAN): 9780955958281
Издательство: Неизвестно
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Описание: THE TWENTY ETUDES FOR PIANO were composed during the years from 1991 to 2012. Their final configuration into Book 1 and Book 2 was determined by the music itself in the course of its composition.

Book 1 (Etudes 1-10) had a twin objective - to explore a variety of tempi, textures and piano techniques. At the same time it was meant to serve as a pedagogical tool by which I would improve my piano playing. In these two ways, Book 1 succeeded very well. I learned a great deal about the piano and in the course of learning the music, I became a better player.

New projects came along and interrupted the work on the Etudes for several years. Perhaps for that reason, when I took up work with the Etudes again I found the music was following a new path. Though I had settled questions of piano technique for myself in Book 1, the music in Book 2 quickly began to suggest a series of new adventures in harmony and structure.

In this way, Books 1 and 2, taken together, suggest a real trajectory that includes a broad range of music and technical ideas.

In the end, the Etudes are meant to be appreciated not only by the general listener, but especially by those who have the ability and patience to learn, play and perform the music themselves.