Post-Modernism, Economics and Knowledge, Amariglio, Jack
Автор: Amariglio, Jack Название: Post-Modernism, Economics and Knowledge ISBN: 0415110262 ISBN-13(EAN): 9780415110266 Издательство: Taylor&Francis Рейтинг: Цена: 63280.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Название: The Postmodern Condition : A Report on Knowledge ISBN: 0816611734 ISBN-13(EAN): 9780816611737 Издательство: Marston Book Services Цена: 25070.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Sarah Tufts is en route to the colonies with her father when pirates swarm their ship. In the melee, Sarah tumbles overboard and washes ashore on an island ruled by the wicked Mr. Grim, who sends his pirate son Black Tooth out to steal babies and then raises these hapless tykes to become Woolies, weavers of fine rugs. Chased by Mr. Grim, Sarah stumbles into the enclosure known as Woolie World and meets Freck, a timid five-year-old dressed head to toe in a fuzzy white garment. Sarah quickly discovers the marvels of a world populated by singing, dancing Woolies. But she also sees a darker side. Failed Woolies are turned into "Worms," exiles who live in underground tunnels and scrounge for food. Sarah befriends Mr. Grim`s twitchy but kind-hearted son Nigel and joins forces with Thomas, the 12-year-old Woolie leader. Will they be able to outwit Mr. Grim and rescue Woolies and Worms from servitude? This unique fantasy adventure sparkles with wit and wordplay, harrowing adventure, and heartfelt emotion.
Автор: Curth, Louise Hill Название: Medicine and the Science of the Stars ISBN: 147245586X ISBN-13(EAN): 9781472455864 Издательство: Taylor&Francis Рейтинг: Цена: 107190.00 T Наличие на складе: Книга еще не издана. Можно оформить предварительный заказ.
Автор: Loewenthal, Del Название: Post-Modernism for Psychotherapists ISBN: 1583911014 ISBN-13(EAN): 9781583911013 Издательство: Taylor&Francis Рейтинг: Цена: 35720.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Enda Duffy Название: Speed Handbook: Velocity, Pleasure, Modernism ISBN: 0822344300 ISBN-13(EAN): 9780822344308 Издательство: Wiley EDC Рейтинг: Цена: 101810.00 T Наличие на складе: Поставка под заказ. Описание:
Speed, the sensation one gets when driving fast, was described by Aldous Huxley as the single new pleasure invented by modernity. The Speed Handbook is a virtuoso exploration of Huxley’s claim. Enda Duffy shows how the experience of speed has always been political and how it has affected nearly all aspects of modern culture. Primarily a result of the mass-produced automobile, the experience of speed became the quintessential way for individuals to experience modernity, to feel modernity in their bones.
Duffy plunges full-throttle into speed’s “adrenaline aesthetics,” offering deft readings of works ranging from F. Scott Fitzgerald’s The Great Gatsby, through J. G. Ballard’s Crash, to the cautionary consumerism of Ralph Nader. He describes how speed changed understandings of space, distance, chance, and violence; how the experience of speed was commodified in the dawning era of mass consumption; and how society was incited to abhor slowness and desire speed. He examines how people were trained by new media such as the cinema to see, hear, and sense speed, and how speed, demanded of the efficient assembly-line worker, was given back to that worker as the chief thrill of leisure. Assessing speed’s political implications, Duffy considers how speed pleasure was offered to citizens based on criteria including their ability to pay and their gender, and how speed quickly became something to be patrolled by governments. Drawing on novels, news reports, photography, advertising, and much more, Duffy provides a breakneck tour through the cultural dynamics of speed.
Автор: Collins, Jim Название: Uncommon Cultures ISBN: 0415901375 ISBN-13(EAN): 9780415901376 Издательство: Taylor&Francis Рейтинг: Цена: 39800.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Blending history and theory, Chinese Modernism in the Era of Reforms offers both a historical narrative and a critical analysis of the cultural visions and experiences of China’s post-Mao era. In this volume, Xudong Zhang rethinks Chinese modernism as a historical genre that arose in response to the historical experience of Chinese modernity rather than as an autonomous aesthetic movement. He identifies the ideologies of literary and cultural styles in the New Era (1979–1989) through a critical reading of the various “new waves” of Chinese literature, film, and intellectual discourse. In examining the aesthetic and philosophical formulations of the New Era’s intellectual elites, Zhang first analyzes the intense cultural and intellectual debates, known as the “Great Cultural Discussion” or “Cultural Fever” that took place in Chinese urban centers in the mid- and late 1980s. Chinese literary modernism is then explored, specifically in relation to Deng Xiaoping’s sweeping reforms and with a focus on the changing literary sensibility and avant-garde writers such as Yu Hua, Ge Fei, and Su Tong. Lastly, Zhang looks at the the making of New Chinese Cinema and films such as Yellow Earth, Horse Thief, and King of the Children—films through which Fifth Generation filmmakers first developed a style independent from socialist realism. By tracing the origins and contemporary elaboration of the idea of Chinese modernism, Zhang identifies the discourse of modernism as one of the decisive formal articulations of the social dynamism and cultural possibilities of post-Mao China. Capturing the historical experience and the cultural vision of China during a crucial decade in its emergence as a world power, Chinese Modernism in the Era of Reforms will interest students and scholars of modernism, Chinese literature and history, film studies, and cultural studies.
Автор: Anna Clark Название: The Knowledge Solution: Australian History: What Place Does History Have in a Post-Truth World? ISBN: 0522875424 ISBN-13(EAN): 9780522875423 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 25070.00 T Наличие на складе: Невозможна поставка. Описание: Does history provide us with cautionary tales or does it highlight the contested nature of our understanding of the past? Colonisation, nationalism, racism. Fighting on foreign shores, violence on our own country. Workers' rights, land booms, cultural wars. What can we learn from these reoccurring events across the recent history of this nation?In The Knowledge Solution: Australian History, the country's most compelling writers and historians give insight into the challenging and diverse perspectives of Australia's past, and illuminate how we may better step into the future. Contributors include: David Unaipon; Michael Cannon; Stuart Macintyre; Rebe Taylor; Mark McKenna; Rebecca Perkins; Marcia Langton; Peter Sutton; Jo Wainer; James Curran; Stuart Ward; Ellen Warn; Michele Grossman; John Rickard; Peter Spearritt; Helen MacDonald; Janet McCalman; Mark Davis; Richard Evans; Edward Duyker; Ray Parkin; Geoffrey Blainey; Peter Cochrane; Raffaello Carboni; Bain Attwood; Manning Clark.
Автор: Enda Duffy Название: Speed Handbook: Velocity, Pleasure, Modernism ISBN: 0822344424 ISBN-13(EAN): 9780822344421 Издательство: Wiley EDC Рейтинг: Цена: 26300.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Speed, the sensation one gets when driving fast, was described by Aldous Huxley as the single new pleasure invented by modernity. The Speed Handbook is a virtuoso exploration of Huxley’s claim. Enda Duffy shows how the experience of speed has always been political and how it has affected nearly all aspects of modern culture. Primarily a result of the mass-produced automobile, the experience of speed became the quintessential way for individuals to experience modernity, to feel modernity in their bones.
Duffy plunges full-throttle into speed’s “adrenaline aesthetics,” offering deft readings of works ranging from F. Scott Fitzgerald’s The Great Gatsby, through J. G. Ballard’s Crash, to the cautionary consumerism of Ralph Nader. He describes how speed changed understandings of space, distance, chance, and violence; how the experience of speed was commodified in the dawning era of mass consumption; and how society was incited to abhor slowness and desire speed. He examines how people were trained by new media such as the cinema to see, hear, and sense speed, and how speed, demanded of the efficient assembly-line worker, was given back to that worker as the chief thrill of leisure. Assessing speed’s political implications, Duffy considers how speed pleasure was offered to citizens based on criteria including their ability to pay and their gender, and how speed quickly became something to be patrolled by governments. Drawing on novels, news reports, photography, advertising, and much more, Duffy provides a breakneck tour through the cultural dynamics of speed.
Автор: Walter Benn Michaels Название: Our America: Nativism, Modernism, and Pluralism ISBN: 0822320649 ISBN-13(EAN): 9780822320647 Издательство: Wiley EDC Рейтинг: Цена: 22870.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Arguing that the contemporary commitment to the importance of cultural identity has renovated rather than replaced an earlier commitment to racial identity, Walter Benn Michaels asserts that the idea of culture, far from constituting a challenge to racism, is actually a form of racism. Our America offers both a provocative reinterpretation of the role of identity in modernism and a sustained critique of the role of identity in postmodernism. “We have a great desire to be supremely American,” Calvin Coolidge wrote in 1924. That desire, Michaels tells us, is at the very heart of American modernism, giving form and substance to a cultural movement that would in turn redefine America’s cultural and collective identity—ultimately along racial lines. A provocative reinterpretation of American modernism, Our America also offers a new way of understanding current debates over the meaning of race, identity, multiculturalism, and pluralism. Michaels contends that the aesthetic movement of modernism and the social movement of nativism came together in the 1920s in their commitment to resolve the meaning of identity—linguistic, national, cultural, and racial. Just as the Johnson Immigration Act of 1924, which excluded aliens, and the Indian Citizenship Act of the same year, which honored the truly native, reconceptualized national identity, so the major texts of American writers such as Cather, Faulkner, Hurston, and Williams reinvented identity as an object of pathos—something that can be lost or found, defended or betrayed. Our America is both a history and a critique of this invention, tracing its development from the white supremacism of the Progressive period through the cultural pluralism of the Twenties. Michaels’s sustained rereading of the texts of the period—the canonical, the popular, and the less familiar—exposes recurring concerns such as the reconception of the image of the Indian as a symbol of racial purity and national origins, the relation between World War I and race, contradictory appeals to the family as a model for the nation, and anxieties about reproduction that subliminally tie whiteness and national identity to incest, sterility, and impotence.
Blending history and theory, Chinese Modernism in the Era of Reforms offers both a historical narrative and a critical analysis of the cultural visions and experiences of China’s post-Mao era. In this volume, Xudong Zhang rethinks Chinese modernism as a historical genre that arose in response to the historical experience of Chinese modernity rather than as an autonomous aesthetic movement. He identifies the ideologies of literary and cultural styles in the New Era (1979–1989) through a critical reading of the various “new waves” of Chinese literature, film, and intellectual discourse. In examining the aesthetic and philosophical formulations of the New Era’s intellectual elites, Zhang first analyzes the intense cultural and intellectual debates, known as the “Great Cultural Discussion” or “Cultural Fever” that took place in Chinese urban centers in the mid- and late 1980s. Chinese literary modernism is then explored, specifically in relation to Deng Xiaoping’s sweeping reforms and with a focus on the changing literary sensibility and avant-garde writers such as Yu Hua, Ge Fei, and Su Tong. Lastly, Zhang looks at the the making of New Chinese Cinema and films such as Yellow Earth, Horse Thief, and King of the Children—films through which Fifth Generation filmmakers first developed a style independent from socialist realism. By tracing the origins and contemporary elaboration of the idea of Chinese modernism, Zhang identifies the discourse of modernism as one of the decisive formal articulations of the social dynamism and cultural possibilities of post-Mao China. Capturing the historical experience and the cultural vision of China during a crucial decade in its emergence as a world power, Chinese Modernism in the Era of Reforms will interest students and scholars of modernism, Chinese literature and history, film studies, and cultural studies.
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