Art as the Absolute is a literary and philosophical investigation into the meaning of art and its claims to truth. Exploring in particular the writings of Kant and those who followed after, including Fichte, Schelling, Hegel, Schopenhauer, and Nietzsche, Paul Gordon contends that art solves the problem of how one can -know- the absolute in non-conceptual, non-discursive terms.
The idea of art's inherent relation to the absolute, first explicitly rendered by Kant, is examined in major works from 1790 to 1823. The first and last chapters, on Plato and Nietzsche respectively, deal with precursors and -post-cursors- of this idea. Gordon shows and seeks to reddress the lack of attention to this idea after Hegel, as well as in contemporary reassessments of this period. Art as the Absolute will be of interest to students and scholars studying aesthetics from both a literary and philosophical perspective.
Автор: Emilio Carlo Corriero Название: The Absolute and the Event: Schelling after Heidegger ISBN: 1350111430 ISBN-13(EAN): 9781350111431 Издательство: Bloomsbury Academic Рейтинг: Цена: 105600.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
What does Heidegger's controversial notion of the Event mean? Can it be read as an historical prophecy connected to his political affinity with Nazism? And what has this concept to do with the possibility of a new beginning for Western philosophy after Schelling and Nietzsche?
This book highlights the theoretical affinity between the results of Schelling's speculations and Heidegger's later theories. Heidegger dedicated a seminar to Schelling's Philosophical Investigations into the Essence of Human Freedom in 1927-28, immediately after the publication of his Sein und Zeit. He then returned to this work during the courses he taught in 1936 and again in 1941, with lectures dedicated to the Metaphysics of German Idealism. Heidegger's introduction of the Event is reminiscent of Schelling's effort to think of "being" in its organic connection to time, and is such a new form of Schelling's positive philosophy. Thanks to a concept of being intimately linked to that of time, these latter of Heidegger's theories culminate in a form of positive, historical philosophy as well as with a definition of a post-metaphysical Absolute that, in close connection with primal Nothingness, is beyond any form of onto-theology. It also reveals close connections to Nietzsche's introduction of the eternal recurrence, which rethinks being as a never-ending becoming.
Автор: David LaRocca Название: The Bloomsbury Anthology of Transcendental Thought: From Antiquity to the Anthropocene ISBN: 1501305565 ISBN-13(EAN): 9781501305566 Издательство: Bloomsbury Academic Рейтинг: Цена: 126720.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: What is real? What is the relationship between ideas and objects in the world? Is God a concept or a being? Is reality a creation of the mind or a power beyond it? How does mental experience coordinate with natural laws and material phenomena? The Bloomsbury Anthology of Transcendental Thought is the definitive anthology of responses to these and other questions on the nature and limits of human knowledge by philosophers, theologians, and writers from Plato to Zizek. The word “transcendental” is as prevalent and also as ambiguously defined as the name “philosophy” itself. There are as many uses, invocations, and allusions to the term as there are definitions on offer. Every generation of writers, beginning in earnest in ancient Greece and continuing through to our own time, has attempted to clarify, apply, and lay claim to the meaning of transcendental thought. Arranged chronologically, this anthology reflects the diverse uses the term has been put to over the course of two and a half millennia. It lends historical perspective to the abiding importance of the transcendental for philosophical thinking and also some sense of the complexity, richness, and continued relevance of the contested term. The Bloomsbury Anthology of Transcendental Thought, the first anthology of its kind, offers teachers and students a new viewpoint on the history and present of transcendental thought. Its selection of essential, engaging excerpts, carefully selected, edited, and introduced, brings course materials up-to-date with the state of the discipline.
Автор: Zahavi Dan Название: Husserl`s Legacy ISBN: 0198852177 ISBN-13(EAN): 9780198852179 Издательство: Oxford Academ Рейтинг: Цена: 28500.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Dan Zahavi presents a rich new study of the philosophy of Edmund Husserl, the founder of phenomenology. What kind of philosophical project was Husserl engaged in? What is ultimately at stake in so-called phenomenological analyses? In this volume Zahavi makes it clear why Husserl had such a decisive influence on 20th-century philosophy.
Автор: Maloney, David (university Of Virginia) Nellen, Annette (san Jose State University) Cuccia, Andrew (university Of Oklahoma) Persellin, Mark (st. Mary` Название: Calculus of a single variable: early transcendental functions, international metric edition ISBN: 0367711095 ISBN-13(EAN): 9780367711092 Издательство: Taylor&Francis Рейтинг: Цена: 17350.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Geomythology provides an accessible, engaging overview of this hybrid discipline. The book thus constitutes a valuable asset for scientists and lay readers alike, particularly in a time of growing interest in monsters, massive climate change, and natural disasters.
Автор: Pihlstrom Sami Название: Death and Finitude: Toward a Pragmatic Transcendental Anthropology of Human Limits and Mortality ISBN: 1498524419 ISBN-13(EAN): 9781498524414 Издательство: Bloomsbury Рейтинг: Цена: 83160.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Death and Finitude offers an examination and defense of a pragmatic transcendental anthropology applicable to the concepts of limit, finitude, and mortality that are constitutive of human life as we know it. Sami Pihlstr m develops a special kind of philosophical anthropology--a pragmatic yet transcendental examination of the human condition--that interprets what is worth preserving in the tradition of transcendental philosophy in such a manner that this unusual combination will crucially enrich our understanding of a human problem we all share: mortality. In some sense, all serious philosophy inevitably reflects on the human condition and is thus philosophical anthropology, broadly conceived. There can hardly be any more serious problem concerning the human condition than the problem of death. Yet, mainstream analytic contributions to the philosophy of death usually addresses death in general, and it is far from obvious that such contributions are philosophically relevant in the sense of addressing the agony of an individual human being trying to understand their own mortal condition. "Continental" philosophy of death may be frustrating in a different sense, as it often fails to be conceptually as clear and argumentatively as rigorous as the analytic literature. Claiming to address my "being-toward-death," such contributions may also fail to speak to the mortal individual if they end up in endless pseudo-philosophical jargon. It is against this background of frustration that Death and Finitude contributes to humanity's on-going reflections on death, dying, and mortality--from a pragmatist yet transcendental perspective, seeking to accommodate these topics within a broader philosophical anthropology. The book is primarily intended for academic philosophers, but the potential readership includes not only scholars but also both graduate students and advanced undergraduates, as well as general educated readers. It is relevant to the concerns of philosophers specializing in transcendental philosophy, philosophical anthropology, pragmatism, Wittgenstein, and the philosophy of religion. As the book may be said to be an attempt to "philosophize historically," it is in principle of interest to both systematically and historically oriented philosophers and students.
Автор: Julian Hamer, Hamer Название: Immanent Principle of Integrity and Goodwill ISBN: 1081407735 ISBN-13(EAN): 9781081407735 Издательство: Неизвестно Рейтинг: Цена: 22930.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Kant, Immanuel Название: Critique of judgement ISBN: 0199552460 ISBN-13(EAN): 9780199552467 Издательство: Oxford Academ Рейтинг: Цена: 15830.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Kant`s Critique of Judgement analyses our experience of the beautiful and the sublime in relation to nature, morality, and theology. Meredith`s classic translation is here lightly revised and supplemented with a bilingual glossary. The edition also includes the important First Introduction.
Автор: Budge Gavin Название: Romanticism, Medicine and the Natural Supernatural: Transcendent Vision and Bodily Spectres, 1789-1852 ISBN: 1349315648 ISBN-13(EAN): 9781349315642 Издательство: Springer Рейтинг: Цена: 93160.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This fascinating interdisciplinary study examines the relationship between literary interest in visionary kinds of experience and medical ideas about hallucination and the nerves in the first half of the nineteenth century, focusing on canonical Romantic authors, the work of women writers influenced by Romanticism, and visual culture.
Автор: Schaafsma, Petruschka Название: The Transcendent Character of the Good ISBN: 103230488X ISBN-13(EAN): 9781032304885 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Art as the Absolute is a literary and philosophical investigation into the meaning of art and its claims to truth. Exploring in particular the writings of Kant and those who followed after, including Fichte, Schelling, Hegel, Schopenhauer, and Nietzsche, Paul Gordon contends that art solves the problem of how one can "know" the absolute in non-conceptual, non-discursive terms.
The idea of art's inherent relation to the absolute, first explicitly rendered by Kant, is examined in major works from 1790 to 1823. The first and last chapters, on Plato and Nietzsche respectively, deal with precursors and "post-cursors" of this idea. Gordon shows and seeks to reddress the lack of attention to this idea after Hegel, as well as in contemporary reassessments of this period. Art as the Absolute will be of interest to students and scholars studying aesthetics from both a literary and philosophical perspective.
