Anarchism and the Advent of Paris Dada, Papanikolas, Theresa

Автор: Enrique Mallen
Название: Pablo Picasso: The Interaction between Collectors, Dealers and Exhibitions
ISBN: 1845199863 ISBN-13(EAN): 9781845199869
Издательство: Wiley
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Описание: This book explores the interaction between collectors, dealers and exhibitions in Pablo Picasso's entire career. The former two often played a determining role in which artworks were included in expositions, as well as their availability and value in the art market. The term collector/dealer must often be used in combination since the distinction between both is often unclear; Heinz Berggruen, for instance, identified himself primarily as a collector, although he also sold quite a few Picassos through his Paris gallery. While some dealers were above all professional gallery owners; most were mainly collectors who sporadically sold items from their collection. The book is organized chronologically and discusses the interaction between Picasso's collectors, dealers and exhibitions as they take place. Once collectors acquired an artwork, their willingness to lend them to exhibitions or their necessity to submit them to auction had a direct impact on Picasso's prominence in the art world.

Автор: Sanouillet, Michel
Название: Dada in paris
ISBN: 026251821X ISBN-13(EAN): 9780262518215
Издательство: MIT Press
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Цена: 48470.00 T
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Описание: The long-awaited publication in English of the definitive book on Paris Dada.

Автор: Baker George
Название: The Artwork Caught by the Tail: Francis Picabia and Dada in Paris
ISBN: 0262514869 ISBN-13(EAN): 9780262514866
Издательство: MIT Press
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Цена: 33860.00 T
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Описание: A new theory of the readymade via a new reading of Picabia and a new writing of Dada.

Автор: Beals Kurt
Название: Wireless Dada: Telegraphic Poetics in the Avant-Garde
ISBN: 0810141051 ISBN-13(EAN): 9780810141056
Издательство: Mare Nostrum (Eurospan)
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Цена: 31770.00 T
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Описание: Wireless Dada: Telegraphic Poetics in the Avant-Garde demonstrates that the poetics of the Dada movement were profoundly influenced by the telegraph and the technological and social transformations that it brought about in the nineteenth and early twentieth centuries. While telegraphy's impact on other avant-gardes such as Italian futurism and German expressionism is widely acknowledged, its formative role in Dada poetics has been largely neglected. Yet the telegraph exerted an unmistakable influence on the Dada movement, providing a fundamentally new paradigm for understanding language that proved well suited to an avant-garde in search of revolutionary means of expression.Drawing on methods and insights from media history and theory, avant-garde studies, and German literary studies, Kurt Beals shows how the telegraph and the cultural discourses that surrounded it shaped the radical works of this seminal avant-garde movement. The "nonsense" strain in Dada is frequently seen as a response to the senseless violence of the First World War. However, Beals argues, it was not just the war that turned Dada poetry into a jumble of senseless signals—it was also the wireless.

Автор: Colette Leinman
Название: Les catalogues d`expositions surrealistes a Paris entre 1924 et 1939
ISBN: 9042039175 ISBN-13(EAN): 9789042039179
Издательство: Brill
Цена: 98290.00 T
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Описание: Cet ouvrage apporte un eclairage nouveau a l’histoire litteraire et artistique du surrealisme par un biais inedit : l’etude du catalogue d’expositions surrealistes (CES). Se penchant sur un genre interdisciplinaire jusque-la peu etudie, le catalogue d’exposition, il en retrace les fonctions definies par l’institution Royale du XVIIe siecle et son developpement pour montrer comment les surrealistes subvertissent les formes traditionnelles liees a la description, l’explication et l’evaluation des ?uvres exposees.Apres avoir recense les catalogues surrealistes et decrit leur facture, le livre entreprend une analyse du discours singulier qui s’y deploie. Au-dela des differences individuelles, apparait une logique scripturale commune. Les CES contribuent a l’elaboration de l’identite et de l’image collective du groupe d’avant-garde. Caracterise par des discours de violence dont la dimension manifestaire produit un double mouvement de polarisation et d’exclusion, le CES gere l’heterogeneite de l’ensemble de ses membres et disqualifie ses detracteurs.Contre toute attente, les textes, au premier abord opaques et purement ludiques, s’emploient a presenter un metadiscours sur l’art dont le dispositif critique presente une rhetorique d’invention, de creativite qui n’englobe pas la dipositio rhetorique d’un raisonnement. S’attaquant tout particulierement a la doxa, le CES, microcosme des ecrits sur l’art, vehicule differentes strategies discursives qui ciblent un public diversifie.« S’emparant d’un objet et d’un questionnement qui retiennent de plus en plus les historiens de l’art et les specialistes des ecrits sur l’art, Colette Leinman nous livre la premiere synthese sur le catalogue d’exposition surrealiste. » - Bernard Vouilloux

Автор: Enrique Mallen
Название: Pablo Picasso and Dora Maar: A Period of Conflict (19361946)
ISBN: 1789760968 ISBN-13(EAN): 9781789760965
Издательство: Gazelle Book Services
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Цена: 121550.00 T
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Описание: Although Pablo Picasso spotted Dora Maar at a cafe in January 1936 it is highly likely that she had come to his attention prior. As Brassai, a Hungarian-French photographer, recalled, It was at Les Deux-Magots that, one day in autumn 1935, [he] met Dora On an earlier day, he had already noticed the grave, drawn face of the young woman at a nearby table, the attentive look in her light-colored eyes, sometimes disturbing in its fixity. When Picasso saw her in the same cafe in the company of the surrealist poet Paul Eluard, who knew her, the poet introduced her to Picasso (Brassai, a.k.a. Gyula Halasz, Conversations with Picasso [University of Chicago Press, 1999]). Tinged with a seductive mix of violence and dark eroticism, this first meeting has attained mythical status in the story of the artists life. It reads like an unreal fantasy. A mysterious and feline beauty, which Man Ray had captured in the pictures he took of her, a companion of Georges Bataille, Dora was an accomplished photographer, close to the Surrealists revolutionary aesthetics. Picasso addressed her in French, which he assumed to be her language; she replied in Spanish, which she knew to be his. For the next decade, the painter would translate not just his fascination with the woman who had seduced him on the spot, but also his desire to escape the grip of someone who, for the first time, could intellectually aspire to be his equal. Dora would appear in his works as a female Minotaur, a Sphinx, a lunar goddess and a muse. Because of her intense artistic sensibility, her poetic gifts and her ability to participate in suffering, she was especially qualified to resonate Picassos own inner torments during these troubled years.

Автор: Hammond Paul
Название: L`Вge d`Or
ISBN: 1839021837 ISBN-13(EAN): 9781839021831
Издательство: Bloomsbury Academic
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Описание: One of the greatest collaborations of cinema history, L'Age d'Or(1930) united the geniuses of Luis Bunuel and Salvador Dali in the making of a Surrealist masterpiece - a uniquely savage blend of visual poetry and social criticism. The film was banned and vilified for many years in many countries, becoming justly legendary for its subversive eroticism and its furious dissection of 'civilised' values.In a remarkable, intuitive reading of L'Age d'Or, Paul Hammond interweaves a detailed account of the extraordinary circumstances of its production with a dazzling interpretation of its aesthetic and political nuances. At once authoritative and polemical, this is a study entirely in tune with its subject, a fitting celebration of a major landmark in world cinema.

Автор: Maria Stavrinaki
Название: Dada Presentism: An Essay on Art and History
ISBN: 0804794243 ISBN-13(EAN): 9780804794244
Издательство: Mare Nostrum (Eurospan)
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Цена: 75240.00 T
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Описание:

Dada is often celebrated for its strategies of shock and opposition, but in Dada Presentism, Maria Stavrinaki provides a new picture of Dada art and writings as a lucid reflection on history and the role of art within it. The original (Berlin-based) Dadaists' acute historical consciousness and their modern experience of time, she contends, anticipated the formulations of major historians such as Reinhart Koselleck and, more recently, Fran?ois Hartog. The book explores Dada temporalities and concepts of history in works of art, artistic discourse, and in the photographs of the Berlin Dada movement. These photographs—including the famous one of the First International Dada Fair—are presented not as simple, transparent documents, but as formal deployments conforming to a very concrete theory of history. This approach allows Stavrinaki to link Dada to more contemporary artistic movements and practices interested in history and the archive. At the same time, she investigates what seems to be a real oxymoron of the movement: its simultaneous claim to the ephemeral and its compulsive writing of its own history. In this way, Dada Presentism also interrogates the limits between history and fiction.

Автор: Parkinson, Dr Gavin (senior Lecturer In European Modernism, Courtauld Institute Of Art, Uk)
Название: Enchanted ground
ISBN: 1501375644 ISBN-13(EAN): 9781501375644
Издательство: Bloomsbury Academic
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Цена: 28500.00 T
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Описание: Enchanted Ground is about the challenge to modernist criticism by Surrealist writers—mainly Andre Breton but also Louis Aragon, Pierre Mabille, Rene Magritte, Charles Estienne, Rene Huyghe and others—who viewed the same artists in terms of magic, occultism, precognition, alchemy and esotericism generally. It introduces the history of the ways in which those artists who came after Impressionism—Paul Cezanne, Pierre-Auguste Renoir, Georges Seurat, Paul Gauguin, Vincent van Gogh—became canonical in the 20th century through the broad approaches we now call modernist or formalist (by critics and curators such as Alfred H. Barr, Roger Fry, Robert Goldwater, Clement Greenberg, John Rewald and Robert L. Herbert), and then unpacks chapter-by-chapter, for the first time in a single volume, the Surrealist positions on the same artists. To this end, it contributes to new strains of scholarship on Surrealism that exceed the usual bounds of the 1920s and 1930s and that examine the fascination within the movement with magic.

Автор: Gavin Parkinson
Название: Robert Rauschenberg and Surrealism: Art, `Sensibility` and War in the 1960s
ISBN: 1501358294 ISBN-13(EAN): 9781501358296
Издательство: Bloomsbury Academic
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Цена: 95040.00 T
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Описание: The art of Robert Rauschenberg (1925-2008) is usually viewed as quite distinct from Surrealism, a movement which the artist himself displayed some hostility towards. However, Rauschenberg had a very positive reception among Surrealists, particularly across the period 1959-69.In the face of Rauschenberg’s avowals of his own ‘literalism’ and insistence on his art as ‘facts,’ this book gathers generous evidence of the poetic, metaphorical, allusive, associative and connotative dimensions of the artist's oeuvre as identified by Surrealists, and thus extrapolates new readings from Rauschenberg's key works on that basis. By viewing Rauschenberg’s art against the expansion of the cultural influence of the United States in Europe in the period after the Second World War and the increasingly politicized activities of the Surrealists in the era of the Algerian War of Independence (1954-62), Robert Rauschenberg and Surrealism shows how poetic inference of the artist’s work was turned towards political interpretation. By analysing Rauschenberg’s art in the context of Surrealism, and drawing from it new interpretations and perspectives, this volume simultaneously situates the Surrealist movement in 1960s American art criticism and history.

Автор: Maria Stavrinaki
Название: Dada Presentism: An Essay on Art and History
ISBN: 0804798125 ISBN-13(EAN): 9780804798129
Издательство: Mare Nostrum (Eurospan)
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Цена: 18390.00 T
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Описание:

Dada is often celebrated for its strategies of shock and opposition, but in Dada Presentism, Maria Stavrinaki provides a new picture of Dada art and writings as a lucid reflection on history and the role of art within it. The original (Berlin-based) Dadaists' acute historical consciousness and their modern experience of time, she contends, anticipated the formulations of major historians such as Reinhart Koselleck and, more recently, Fran?ois Hartog. The book explores Dada temporalities and concepts of history in works of art, artistic discourse, and in the photographs of the Berlin Dada movement. These photographs—including the famous one of the First International Dada Fair—are presented not as simple, transparent documents, but as formal deployments conforming to a very concrete theory of history. This approach allows Stavrinaki to link Dada to more contemporary artistic movements and practices interested in history and the archive. At the same time, she investigates what seems to be a real oxymoron of the movement: its simultaneous claim to the ephemeral and its compulsive writing of its own history. In this way, Dada Presentism also interrogates the limits between history and fiction.

Название: Dada and Beyond, Volume 2: Dada and its Legacies
ISBN: 9042035897 ISBN-13(EAN): 9789042035898
Издательство: Brill
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Цена: 107590.00 T
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Описание: International, iconoclastic, inventive, born out of the institutionalised madness of the First World War, Dada erupted in cities throughout Europe and the USA, creating shock waves that offended polite society and destabilised the cultural and political status quo. In spite of its sporadic and ephemeral character, its rich and diverse legacy is still powerfully felt nearly a century later. Following on from Dada and Beyond Volume 1: Dada Discourses, the sixteen essays in this collection provide critical examinations of Dada, placing particular emphasis on the ongoing impact of its creative output. The chapters examine its pivotal figures as well as its more peripheral protagonists, their different geographic locations, and the extraordinary diversity of their practices that included poetry, painting, printmaking, dance, performance, theatre, textiles, readymades, photomontage and cinema.As the book’s authors reveal, Dada not only anticipates Surrealism but also foreshadows an extraordinary array of more recent tendencies including action painting, conceptual art, outsider art, performance art, environmental and land art. In its privileging of chance and automatism, its rejection of formal artistic institutions, its subversive exploitation of mass media and its constant self-reconstitution and self-redefinition, Dada deserves to be seen as a cultural phenomenon that is still powerfully relevant in the twenty-first century.