The New York School Poets and the Neo-Avant-Garde, Silverberg, Mark
Автор: Greaves, Kerry Название: The Danish Avant-Garde and World War II ISBN: 1032475730 ISBN-13(EAN): 9781032475738 Издательство: Taylor&Francis Рейтинг: Цена: 40820.00 T Наличие на складе: Нет в наличии.
Автор: Harri Veivo, Jean-Pierre Montier, Francoise Nicol, David Ayers, Benedikt Hjartarson, Sascha Bru Название: Beyond Given Knowledge: Investigation, Quest and Exploration in Modernism and the Avant-Gardes ISBN: 3110561875 ISBN-13(EAN): 9783110561876 Издательство: Walter de Gruyter Рейтинг: Цена: 107790.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Forschungsinitiativen zum Thema Avantgarde und Moderne nehmen in der europ ischen Forschungslandschaft weiterhin zu. Die experimentellen Literaturen und die K nste in Europa zwischen ca. 1850 und 1950 und ihre Nachwirkungen sind als Lehr- und Forschungsbereiche an den europ ischen Forschungsinstitutionen und in den Lehrpl nen heutzutage nicht mehr wegzudenken. Avantgarde und Moderne haben sich in den letzten Jahrzehnten zu unterschiedlichen, aber mehrfach miteinander verzahnten Forschungsgebieten entwickelt. Innerhalb der franz sischen und deutschen akademischen Welt bleibt der Sammelbegriff "modernism" weniger gel ufig - "die (klassische) Moderne" und "modernit " fungieren hier als nahe liegende quivalente zu demjenigen, was im internationalen Kontext als eine zeitliche und r umliche Ko-Okkurenz k nstlerischer Ausdrucksformen und sthetischer Theorien namhaft gemacht werden kann, die ungef hr zwischen 1850 und 1950 angesiedelt werden kann. Auf hnliche Weise entfaltet die Bezeichnung "Avantgarde" eine Reihe h ufig widerspr chlicher Konnotationen. F r manche bedeutet die Avantgarde den radikalsten experimentellen Bruch der K nste und Literaturen mit den Darstellungs- und Erz hlkonventionen des 19. Jahrhundert: Im fr hen zwanzigsten Jahrhundert zeugen davon Avantgardebewegungen wie Futurismus, Expressionismus, Dada und Surrealismus, d.h. Str mungen, die als die "heroische" Phase der Avantgarde bezeichnet werden k nnen. F r andere geh rt die Avantgarde zu einer kulturellen und konzeptuellen Ordnung, die sich weitgehend von der 'modernistischen' unterscheidet oder sogar abhebt: Die avantgardistischen Experimente ab den f nfziger Jahren des zwanzigsten Jahrhunderts kommen in dieser Hinsicht weitgehend ohne modernistische Begleiterscheinung aus.
Die Buchreihe Studien zur Europ ischen Avantgarde und Moderne m chte der Kompliziertheit der unterschiedlichen europ ischen Forschungstraditionen gerecht werden und strebt danach, die breite linguistische, terminologische und methodologische Vielfalt abzudecken. Anhand einer zweij hrlichen Sammlung von Beitr gen in englischer, franz sischer und deutscher Sprache m chte die Reihe nicht nur die franz sisch-, deutsch- und englischsprachigen, sondern auch die nord-, s d-, zentral- und osteurop ischen Ergebnisse der Avantgarde- und Moderne-Forschung einbeziehen. Die Reihe sammelt die neuesten und ertragreichsten Beitr ge zur Forschung und widmet sich der Erforschung der gesamten europ ischen Avantgarde und Moderne, ihrer Vorl ufer und ihrem Nachklang im Laufe des 19. und 20. Jahrhunderts. Die Studien zur Europ ischen Avantgarde und Moderne f rdern die interdisziplin re und intermediale Erforschung experimenteller sthetiken und Poetiken und setzen es sich zum Ziel, das Interesse an den kulturellen Zusammenh ngen und Kontexten der Avantgarde und der Moderne in Europa anzuregen. Beitr ge werden internationalen Experten zur anonymen Begutachtung vorgelegt. Chefredakteure: Sascha Bru (Leuven University) und Peter Nicholls (New York University). Redaktionsausschuss: Jan Baetens (Universit t Leuven), Hubert van den Berg (Universit t Groningen), Benedikt Hjartarson (University of Iceland) undTania rum (Universit t Kopenhagen). Beratungsausschuss: Dawn Ades (University of Essex), Wolfgang Asholt (Universit t Osnabr ck), Karlheinz Barck (Zentrum f r Literatur- und Kulturforschung Berlin), Henri B har (Paris III, Sorbonne nouvelle), Timothy O. Benson (LACMA), G nter Berghaus (University of Bristol), Stefano Boeri (Multiplicity & Universit luav di Venezia), Endre Bojt r (Central European University, Budapest), Christina von Braun (Humboldt Universit t zu Berlin), Peter B rger (Universit t Bremen), Matei Calinescu (University of Indiana), Claus Cl ver (University of Indiana), Antoine Compagnon (Coll ge de France), Maria Delaperri re (INALCO, Paris), Pascal Dethurens (Universit de Strasbourg), Eva For
Автор: Silverberg M. Название: New York School Collaborations: The Color of Vowels ISBN: 1349447773 ISBN-13(EAN): 9781349447770 Издательство: Springer Рейтинг: Цена: 46570.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Ranging from conceptual theater to visual poetry the New York School explored the possibilities of collaboration like no other group of American poets. New York School Collaborations gathers essays from a diverse group of scholars on the alliances and artistic co-productions of New York School poets, painters, musicians, and film-makers.
Автор: Jordan Julia Название: Late Modernism and the Avant-Garde British Novel: Oblique Strategies ISBN: 0198857284 ISBN-13(EAN): 9780198857280 Издательство: Oxford Academ Рейтинг: Цена: 160170.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: A study of the experimental novel of the postwar period in Britain that rethinks the resurgence of the literary avant-garde that occurred in these decades and explains its implications for the history of the novel and late modernism more broadly.
Автор: Strдtling Susanne Название: The Hand at Work: The Poetics of Poiesis in the Russian Avant-Garde ISBN: 1644697076 ISBN-13(EAN): 9781644697078 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 91130.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Focusing on the gestures of giving, touching, showing and handcrafting, this study examines key scenes of tactile interaction between subject and artifact. The readings of this book call for a revision of an optically obscured aesthetics and poetics to include haptic experience as an often overlooked but pivotal part of the making as well as the perception of literature and the arts.
Автор: Gatherer Will Название: Ma Yuan: The Chinese Avant-Garde, Metafiction, and Post-Postmodernism ISBN: 1793609012 ISBN-13(EAN): 9781793609014 Издательство: Bloomsbury Рейтинг: Цена: 80190.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This study provides a comprehensive analysis of the works of Ma Yuan-of China`s most important contemporary authors-and analyzes the shifting dynamics of metafiction, postmodernism, post-socialism, and post-postmodernism in a Chinese context.
Автор: Vervaeck Bart Название: Neo-Avant-Gardes: Post-War Literary Experiments Across Borders ISBN: 1474486096 ISBN-13(EAN): 9781474486095 Издательство: Bloomsbury Academic Рейтинг: Цена: 254810.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: A systematic transnational investigation of post-war literary experiments in Europe and the Americas.
Автор: Rizzo Gianluca Название: Poetry on Stage: The Theatre of the Italian Neo-Avant-Garde ISBN: 148750666X ISBN-13(EAN): 9781487506667 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 77750.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Based on meticulous research in the archives of some of the most prominent Italian avant-garde writers, Poetry on Stage examines the literary and ideological climate of the sixties and seventies.
Автор: Silverberg Название: The New York School Poets and the Neo-Avant-Garde ISBN: 1138276170 ISBN-13(EAN): 9781138276178 Издательство: Taylor&Francis Рейтинг: Цена: 54090.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: New York City was the site of a remarkable cultural and artistic renaissance during the 1950s and '60s. In the first monograph to treat all five major poets of the New York School-John Ashbery, Barbara Guest, Kenneth Koch, Frank O'Hara, and James Schuyler-Mark Silverberg examines this rich period of cross-fertilization between the arts. Silverberg uses the term 'neo-avant-garde' to describe New York School Poetry, Pop Art, Conceptual Art, Happenings, and other movements intended to revive and revise the achievements of the historical avant-garde, while remaining keenly aware of the new problems facing avant-gardists in the age of late capitalism. Silverberg highlights the family resemblances among the New York School poets, identifying the aesthetic concerns and ideological assumptions they shared with one another and with artists from the visual and performing arts. A unique feature of the book is Silverberg's annotated catalogue of collaborative works by the five poets and other artists. To comprehend the coherence of the New York School, Silverberg demonstrates, one must understand their shared commitment to a reconceptualized idea of the avant-garde specific to the United States in the 1950s and '60s, when the adversary culture of the Beats was being appropriated and repackaged as popular culture. Silverberg's detailed analysis of the strategies the New York School poets used to confront the problem of appropriation tells us much about the politics of taste and gender during the period, and suggests new ways of understanding succeeding generations of artists and poets.
Автор: Reed Brian M. Название: Nobody`s Business: Twenty-First Century Avant-Garde Poetics ISBN: 0801451574 ISBN-13(EAN): 9780801451577 Издательство: Wiley EDC Рейтинг: Цена: 51480.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Since the turn of the new millennium English-language verse has entered a new historical phase, but explanations vary as to what has actually happened and why. What might constitute a viable avant-garde poetics in the aftermath of such momentous developments as 9/11, globalization, and the financial crisis? Much of this discussion has taken place in ephemeral venues such as blogs, e-zines, public lectures, and conferences. Nobody's Business is the first book to treat the emergence of Flarf and Conceptual Poetry in a serious way. In his engaging account, Brian M. Reed argues that these movements must be understood in relation to the proliferation of digital communications technologies and their integration into the corporate workplace.Writers such as Andrea Brady, Craig Dworkin, Kenneth Goldsmith, Danny Snelson, and Rachel Zolf specifically target for criticism the institutions, skill sets, and values that make possible the smooth functioning of a postindustrial, globalized economy. Authorship comes in for particular scrutiny: how does writing a poem differ in any meaningful way from other forms of "content providing"? While often adept at using new technologies, these writers nonetheless choose to explore anachronism, ineptitude, and error as aesthetic and political strategies. The results can appear derivative, tedious, or vulgar; they can also be stirring, compelling, and even sublime. As Reed sees it, this new generation of writers is carrying on the Duchampian practice of generating antiart that both challenges prevalent definitions or art and calls into question the legitimacy of the institutions that define it.
Автор: Ward Название: Statutes of Liberty ISBN: 0333786394 ISBN-13(EAN): 9780333786390 Издательство: Springer Рейтинг: Цена: 41920.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Statutes of Liberty (1993) was the first book on The New York School of Poets, and offers the definitive critical account of its key figures: John Ashbery, Frank O`Hara and James Schuyler.
Автор: Rachel Fountain Eames Название: Physics and the Modernist Avant-Garde: Quantum Modernisms and Modernist Relativities ISBN: 1350299820 ISBN-13(EAN): 9781350299825 Издательство: Bloomsbury Academic Рейтинг: Цена: 95040.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Developing a reading of modernist poetics centred on the three-way relationship between literature, modern physics and avant-garde art movements, this book focuses on four key poets – William Carlos Williams, Mina Loy, the Baroness Elsa von Freytag-Loringhoven and Wallace Stevens – whose lives crossed paths in 20th-century New York. This book explores how modernist art movements have shaped these writers’ thinking about physics in relation to their work, demonstrating how science’s new ideas about measurement and how to visualize material reality provoked innovative poetic forms and images. From Einstein’s visit to New York City in 1921 to the impact of the atomic bomb, the author traces the flow of ideas about physics through culture, linking the new physics with modern approaches to art found in Cubism, Futurism, Dada and Surrealism.
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