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Medieval Music, Meconi, Honey


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Автор: Meconi, Honey
Название:  Medieval Music
ISBN: 9780754628514
Издательство: Taylor&Francis
Классификация:

ISBN-10: 0754628515
Обложка/Формат: Hardback
Страницы: 560
Вес: 1.32 кг.
Дата издания: 18.07.2011
Серия: The library of essays on music performance practice
Язык: English
Размер: 249 x 172 x 43
Читательская аудитория: General (us: trade)
Рейтинг:
Поставляется из: Европейский союз

Aural architecture in byzantium: music, acoustics, and ritual

Название: Aural architecture in byzantium: music, acoustics, and ritual
ISBN: 0367231840 ISBN-13(EAN): 9780367231842
Издательство: Taylor&Francis
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Цена: 47970.00 T
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Описание: Aural architecture identifies those features of a building that can be perceived by the act of listening in them.

The Montpellier Codex: The Final Fascicle. Contents, Contexts, Chronologies

Автор: Catherine A. Bradley, Karen Desmond
Название: The Montpellier Codex: The Final Fascicle. Contents, Contexts, Chronologies
ISBN: 1783272724 ISBN-13(EAN): 9781783272723
Издательство: Boydell & Brewer
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Цена: 100320.00 T
Наличие на складе: Нет в наличии.
Описание: The final section of the Montpellier Codex analysed in full for the first time, with major implications for late-medieval music.

The Cambridge History of Fifteenth-Century Music

Автор: Busse Berger
Название: The Cambridge History of Fifteenth-Century Music
ISBN: 1107015243 ISBN-13(EAN): 9781107015241
Издательство: Cambridge Academ
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Цена: 174240.00 T
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Описание: Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. The chapters range from overviews of major themes to provocative reassessments of humanism, the work concept, improvisation, and other central topics.

Embellishing the Liturgy

Автор: Planchart, Alejandro Enri
Название: Embellishing the Liturgy
ISBN: 0754627640 ISBN-13(EAN): 9780754627647
Издательство: Taylor&Francis
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Цена: 357280.00 T
Наличие на складе: Поставка под заказ.

Ars antiqua

Автор: Roesner, Edward H.
Название: Ars antiqua
ISBN: 0754626660 ISBN-13(EAN): 9780754626664
Издательство: Taylor&Francis
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Цена: 296030.00 T
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Medieval Song in Romance Languages

Автор: Haines
Название: Medieval Song in Romance Languages
ISBN: 1316639800 ISBN-13(EAN): 9781316639801
Издательство: Cambridge Academ
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Цена: 33790.00 T
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Описание: Proposing a new view of medieval music history, this study surveys songs in early Romance languages from around 500 to 1200. An enormous body of neglected songs - laments, love songs, epics and devotional songs - were performed during this period, attested in sources such as sermons, considered here in detail.

Early Music History

Автор: Fenlon
Название: Early Music History
ISBN: 0521104327 ISBN-13(EAN): 9780521104326
Издательство: Cambridge Academ
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Цена: 33790.00 T
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Описание: Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. Articles in volume five include: Montecassino and the Old Beneventan chant; and Music and ceremonial in the Low Countries: Philip the fair and the Order of the Golden Fleece.

Early Music History

Автор: Fenlon
Название: Early Music History
ISBN: 0521104351 ISBN-13(EAN): 9780521104357
Издательство: Cambridge Academ
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Цена: 31680.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. Articles in volume ten include: Parisian nobles, a Scottish princess and the woman`s voice in late medieval song.

Early Music History

Автор: Fenlon
Название: Early Music History
ISBN: 0521104505 ISBN-13(EAN): 9780521104500
Издательство: Cambridge Academ
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Цена: 33790.00 T
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Описание: Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. Articles in volume twenty-five include: Lorenzo Corsisni`s `Libri di canzone` and the madrigal in mid-sixteenth-century Florence; Antonio Squarcialupi: man and myth; Children`s voices: singing and literacy in sixteenth-century France.

Medieval Polyphony and Song

Автор: Frieda van der Heijden, Helen Deeming
Название: Medieval Polyphony and Song
ISBN: 1316601498 ISBN-13(EAN): 9781316601495
Издательство: Cambridge Academ
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Цена: 28500.00 T
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Описание: What characterises medieval polyphony and song? Who composed this music, sang it, and wrote it down? Where and when did the different genres originate, and under what circumstances were they created and performed? This book gives a comprehensive introduction to the rich variety of polyphonic practices and song traditions during the Middle Ages. It explores song from across Europe, in Latin and vernacular languages (precursors to modern Dutch, English, French, German, Italian, Portuguese and Spanish); and polyphony from early improvised organum to rhythmically and harmonically complex late medieval motets. Each chapter focuses on a particular geographical location, setting out the specific local contexts of the music created there. Guiding the reader through the musical techniques of melody, harmony, rhythm, and notation that distinguish the different genres of polyphony and song, the authors also consider the factors that make modern performances of this music sound so different from one another.

Verse and Voice in Byrd`s Song Collections of 1588 and 1589

Автор: L. Smith Jeremy
Название: Verse and Voice in Byrd`s Song Collections of 1588 and 1589
ISBN: 1783270829 ISBN-13(EAN): 9781783270828
Издательство: Boydell & Brewer
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Цена: 63360.00 T
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Описание: As he grappled with the challenges of composing for various instrumental and vocal ensembles, William Byrd (c. 1540-1623), England's premier Renaissance composer, devoted considerable attention to the poetry and prose of his native language, producing such treasured masterpieces as the hauntingly beautiful "Lulla lullaby"; the infectiously comedic "Though Amarillis dance in green"; and two extraordinarily dramatic Easter anthems. This book, the first full-length study specifically devoted to Byrd's English-texted music, provides a close reading of all of the works he published in the late 1580s, constituting nearly half of his total song output. It delves into the musical, political, literary, and, specifically, the sequential qualities of Byrd's 1588 and 1589 published collections as a whole, revealing, explaining, and interpreting an overall grand narrative, while remaining fully attentive to the particularities of each individual piece. Often deemed "unliterary" and generally considered political only in his approach to Latin texts, which were often of special interest to his fellow Catholics, Byrd was not only an inspired composer who had mastered the challenges of his nation's burgeoning verse, but also one who used his voice in song to foster a more inclusive polity in a time of religious strife. Jeremy L. Smith is Associate Professor of Musicology at the University of Colorado Boulder.

Guillaume de machaut

Автор: Leach, Elizabeth Eva
Название: Guillaume de machaut
ISBN: 0801479533 ISBN-13(EAN): 9780801479533
Издательство: Wiley EDC
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Цена: 35470.00 T
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Описание:

At once a royal secretary, a poet, and a composer, Guillaume de Machaut was one of the most protean and creative figures of the late Middle Ages. Rather than focus on a single strand of his remarkable career, Elizabeth Eva Leach gives us a book that encompasses all aspects of his work, illuminating it in a distinctively interdisciplinary light. The author provides a comprehensive picture of Machaut's artistry, reviews the documentary evidence about his life, charts the different agendas pursued by modern scholarly disciplines in their rediscovery and use of specific parts of his output, and delineates Machaut's own poetic and material presentation of his authorial persona.

Leach treats Machaut's central poetic themes of hope, fortune, and death, integrating the aspect of Machaut's multimedia art that differentiates him from his contemporaries' treatment of similar thematic issues: music. In restoring the centrality of music in Machaut's poetics, arguing that his words cannot be truly understood or appreciated without the additional layers of meaning created in their musicalization, Leach makes a compelling argument that musico-literary performance occupied a special place in the courts of fourteenth-century France.



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