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The Aesthetics of Antifascist Film, Barker, Jennifer Lynde


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Автор: Barker, Jennifer Lynde
Название:  The Aesthetics of Antifascist Film
ISBN: 9780415899154
Издательство: Taylor&Francis
Классификация:

ISBN-10: 041589915X
Обложка/Формат: Hardback
Страницы: 302
Вес: 0.55 кг.
Дата издания: 16.10.2012
Серия: Routledge advances in film studies
Язык: English
Размер: 235 x 160 x 22
Читательская аудитория: Undergraduate
Подзаголовок: Radical projection
Рейтинг:
Поставляется из: Европейский союз

Deleuze and Baudrillard

Автор: McQueen Sean
Название: Deleuze and Baudrillard
ISBN: 1474425844 ISBN-13(EAN): 9781474425841
Издательство: Bloomsbury Academic
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Цена: 31670.00 T
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Описание: Analysing a wide range of novels and films, Sean McQueen brings renewed Marxian readings to cyberpunk texts previously theorised by Baudrillard or Deleuze. He places them at the heart of the emergence of biopunk and biocapitalism, theorising shifts in capitalism, science, technology, psychoanalysis, literature and film studies.

Cinematic Modernism and Contemporary Film: Aesthetics and Narrative in the International Art Film

Автор: Howard Finn
Название: Cinematic Modernism and Contemporary Film: Aesthetics and Narrative in the International Art Film
ISBN: 1350349585 ISBN-13(EAN): 9781350349582
Издательство: Bloomsbury Academic
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Цена: 30610.00 T
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Описание: Cinema was the most important new artistic medium of the twentieth century and modernism was the most important new aesthetic movement across the arts in the twentieth century. However, what exactly is the relationship between cinema and modernism? Cinematic Modernism and Contemporary Film explores how in the early twentieth century cinema came to be seen as one of the new technologies which epitomised modernity and how cinema itself reflected ideas, hopes and fears concerning modern life. Howard Finn examines the emergence of a new 'international style' of cinema, combining a poetic aesthetic of the image with genre-based fictional narrative and documentary realism.

He provides concise accounts of how theorists such as Andre Bazin, Siegfried Kracauer, Gilles Deleuze and Jacques Ranciere have discussed this cinematic aesthetic, clarifying debates over terms such as 'realism', 'classical' and 'avant-garde' as well as recent controversies over terms such as 'slow cinema' and 'vernacular modernism'. He further argues the influence of modernism through close readings of many contemporary films, including films by Abbas Kiarostami, Bela Tarr, Jia Zhangke, and Angela Schanelec. Drawing on a broad range of examples, including Soviet montage, Italian neorealism, postwar new waves and the 'new cinema' of Taiwan and Iran, this book explores the cultural significance of modernism and its lasting influence over cinema.


Deconstruction, Feminism, Film

Автор: Sarah Dillon
Название: Deconstruction, Feminism, Film
ISBN: 1474434223 ISBN-13(EAN): 9781474434225
Издательство: Bloomsbury Academic
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Цена: 26390.00 T
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Описание: This book probes the feminist faultlines in Derrida`s thought and generates original feminist insight into key concerns of contemporary film studies, including spectatorship, realism vs artifice, narrative, adaptation, auto/biography and the still.

Antonioni and the Aesthetics of Impurity: Remaking the Image in the 1960s

Автор: Nardelli Matilde
Название: Antonioni and the Aesthetics of Impurity: Remaking the Image in the 1960s
ISBN: 1474444040 ISBN-13(EAN): 9781474444040
Издательство: Bloomsbury Academic
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Цена: 100320.00 T
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Описание: Discusses Antonioni's cinema in relation to art and other media

  • Critically and comprehensively explores the relation between Antonioni's cinema and art in the 1960s and 1970s, at a time of profound transformation in, and dialogue between, both cinema and art
  • Moves away from traditional readings of Antonioni's cinema in terms of 'purity' by addressing its engagement with mixed and mass media
  • Approaches Antonioni's work through a comparative - trasnational and transmedial - lens
  • Addresses the legacy of Antonioni's cinema in contemporary art

Michelangelo Antonioni's 1960s films are widely recognized as both exemplars of cinema and key texts in ushering in cinema's 'modern' incarnation. Reconnecting Antonioni's aesthetically audacious films of the 1960s to the ferment of their historical time, Antonioni and the Aesthetics of Impurity addresses these works' crucial, yet overlooked, affinity with the new 'impure' art practices that emerged in the period. At the same time, the book also offers a novel reading of the films' dialogue with postwar pictorial abstraction. Revealing an Antonioni who embraced both mixed and mass media and reflected on them via his cinema, the book replaces auteuristic accounts of the director's work with a new understanding of its critical significance in late-twentieth century cinema and visual culture.


Law and New Media: West of Everything

Автор: Christian Delage, Peter Goodrich, Marco Wan
Название: Law and New Media: West of Everything
ISBN: 1474445829 ISBN-13(EAN): 9781474445825
Издательство: Bloomsbury Academic
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Цена: 116160.00 T
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Описание: Examines the complex and varied interactions between law and the different visual media produced by changing technologies

In this volume, international specialists from new and established domains of law, media, film and virtual studies address the emergence of the jurist in the era of digital transmission. Examining the jurisprudence of new visual technologies - from the cinema of the early twentieth century to the social media of our own time - this volume explores the multiple intersections of these visual technologies and the law from the theoretical insight they generate to the nature of law to the impact they have on doctrinal development.

Part One tracks the media, the technologies and apparatuses of modern law. It looks specifically at the acoustics of architecture, emblematic texts, films of trials, the prohibition of cameras in courtrooms and the rules of contempt, televised reporting of law, and the multiple fora and chat rooms of Facebook, vblogs, #hashtag law and the mobile-optimised web. Part Two examines the jurisprudential questions raised by new visual and virtual reality technologies of the 21st century. Will social media lead to social law? The force of legal remediation? Virtual courts and online judges? Paperless trials? Electronic discovery? All of these developments impact how we conceive of the practice of law.

Key Features
  • Includes an international range of contributions and coverage, from the United States and Europe to the Middle East and China
  • Presents a firm historical foundation for considering the connections between law and new forms of media
  • Includes a range of contributions from established scholars and promising new voices in the field
  • Examines a wide range of new media, from online platforms to virtual reality
Contributors

Michele Castaneda, Brown University

Emanuele Coccia, EHSS Paris

Christian Delage, Universit Paris 8 & Director of IHTP

Claire Demoulin, Universit Paris 8 & IHTP

Daniela Gandorfer, Princeton University

Peter Goodrich, Cardozo Law and NYU Abu Dhabi

Thibaud Guichard, Universit Paris 8

Christopher Hutton, University of Hong Kong

William MacNeil, Southern Cross University

Antoine Rocipon, Universit Paris 8 & IHTP

Raja Sakrani, University of Bonn

Laurent de Sutter, University of Brussels

Marco Wan, University of Hong Kong


The Cinema of Marguerite Duras: Multisensoriality and Female Subjectivity

Автор: Michelle Royer
Название: The Cinema of Marguerite Duras: Multisensoriality and Female Subjectivity
ISBN: 1474427855 ISBN-13(EAN): 9781474427852
Издательство: Bloomsbury Academic
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Цена: 17940.00 T
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Описание: Examines how the films of Marguerite Duras create a multisensorial experience for spectators

The writer Marguerite Duras was a key figure in post-war French cinema, pioneering innovations such as the disjunction of film and image, and the primacy given to voices, silence and music. Her multisensorial approach opened up new spaces for the female experience to be expressed. Although she worked with some of the best French visual technicians and musicians of her time, critiques have often neglected the visual and sonic aesthetics of her films, and their effects on spectators. Drawing on theories of embodiment and spectatorship, this book analyses the tactility and multisensoriality of Duras' films, and how they relate to her female-centred perspective.

Key features
  • Examines how the director's filmic innovations create a sensorial space for the female experience to be expressed
  • Builds on recent work on film as a multisensory medium
  • Covers Duras's entire film production, including short films and early adaptations

Thinking Film: Philosophy at the Movies

Автор: Murray Littlejohn, Richard Kearney
Название: Thinking Film: Philosophy at the Movies
ISBN: 1350113468 ISBN-13(EAN): 9781350113466
Издательство: Bloomsbury Academic
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Цена: 30610.00 T
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Описание: Hailed as one of America's original art forms, film has the distinctive character of crossing high and low art. But film has done more than this. According to American philosopher Stanley Cavell, film was also a place where America in the 1930s and 1940s did its thinking, a tradition that was taken up and enriched throughout world cinema. Can film indeed think? That is, can film do the work of philosophy?Following Cavell's lead to think along the tear of the analytic-continental traditions, this book draws from both sides of the philosophical divide to reflect on this question. Spanning generations and disciplines, pondering everything from art house classics to mainstream blockbusters, Thinking Film: Philosophy at the Movies aims to fling open the doors to this conversation on all sides. Inquiring into both philosophy's word on film and film's word to philosophy, the interdisciplinary dialogue of this book traverses the conceptual and the particular as it considers how film catalyzes our thinking and sets us talking. After viewing the world through film, we find our world--and ourselves--transformed by deeper understanding and new possibilities.This book aims to provide a novel and engaging way in to thinking with and about this enduringly popular art form.

James Benning`s Environments: Politics, Ecology, Duration

Автор: Nikolaj Lubecker, Daniele Rugo
Название: James Benning`s Environments: Politics, Ecology, Duration
ISBN: 1474431739 ISBN-13(EAN): 9781474431736
Издательство: Bloomsbury Academic
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Цена: 26390.00 T
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Описание: A range of international scholars highlight the thematic and formal coherence of James Benning`s practice, whilst providing readers with an artistic and historical context to understand his experimental film work.

Contemporary Political Cinema

Автор: Matthew Holtmeier
Название: Contemporary Political Cinema
ISBN: 1474423418 ISBN-13(EAN): 9781474423410
Издательство: Bloomsbury Academic
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Цена: 100320.00 T
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Описание: This book demonstrates that a contemporary form of political cinema has emerged, centered on the production of subjectivity and networks of protest.

Cracking Gilles Deleuze`s Crystal: Narrative Space-time in the Films of Jean Renoir

Автор: Barry Nevin
Название: Cracking Gilles Deleuze`s Crystal: Narrative Space-time in the Films of Jean Renoir
ISBN: 1474426328 ISBN-13(EAN): 9781474426329
Издательство: Bloomsbury Academic
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Цена: 26390.00 T
Наличие на складе: Нет в наличии.
Описание: Applies complex Deleuzian thought to the quintessential French auteur

Jean Renoir is widely considered as one of the most important technical innovators and politically engaged filmmakers in cinema history. Reassessing the unique qualities of Renoir's influential visual style by interpreting his films through Gilles Deleuze's film philosophy, and through previously unpublished production files, Barry Nevin provides a fresh and accessible interdisciplinary perspective that illuminates both the consistency and diversity of Renoir's oeuvre. Exploring canonised landmarks in Renoir's career, including La Grande Illusion (1937) and La R gle du jeu (1939), the book also considers neglected films such as Le Bled (1929) and Diary of a Chambermaid (1946) to present a rounded analysis of this quintessential French auteur's oeuvre.

Key Features
  • Examines the complex relationship between Deleuze's film philosophy and spatial thought with clarity
  • Clearly theorises key concepts including time and space
  • Analyses films from each phase of Renoir's career including his silent work, his politically engaged features of the 1930s, his Hollywood films and his post-war costume-dramas
  • Investigates Renoir's key settings, political engagement and evolutions in his narrative style

Mimesis, Movies, and Media: Violence, Desire, and the Sacred, Volume 3

Автор: Scott Cowdell, Chris Fleming, Joel Hodge
Название: Mimesis, Movies, and Media: Violence, Desire, and the Sacred, Volume 3
ISBN: 1628924640 ISBN-13(EAN): 9781628924640
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 147840.00 T
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Описание: Building on the growing recognition and critical acclaim of volumes 1 and 2 of Violence, Desire, and the Sacred, this third volume in the series showcases the most groundbreaking, interdisciplinary research in mimetic theory, with a focus on well-known films, television series, and other media. Mimesis, Movies, and Media reaches beyond the traditional boundaries of continental theory to demonstrate how scholars apply and develop Ren Girard's insights in light of contemporary media. It brings together major Australian and international scholars working at the intersection of popular culture and philosophy.

Eric Rohmer: Filmmaker and Philosopher

Автор: Vittorio H?sle
Название: Eric Rohmer: Filmmaker and Philosopher
ISBN: 1474221130 ISBN-13(EAN): 9781474221139
Издательство: Bloomsbury Academic
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Цена: 126720.00 T
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Описание: Rohmer is one of the most popular French directors of the second half of the 20th century, one of the members of the famous Nouvelle Vague that reconstituted French cinema based on the theoretical principles articulated in the Cahiers du Cinema – from whose editorship he was fired when the conservative Catholic opposed its turn toward politicization. Like some of his colleagues, Rohmer is extremely interested in both the history and the philosophy of film: Brother of the noted French philosopher Rene Scherer, he begins his career as a film critic In his films, deep moral conflicts as well as the search for one’s own identity emerge from the intricacies of seemingly superficial everyday life interactions, particularly between a man and a woman. Hosle’s book puts Rohmer in the context of a long French tradition of reflected eroticism, with Marivaux, Musset, Stendhal, and Jean Renoir as crucial figures, and shows how Rohmer both recognizes the inner logic of eroticism and subjects it to moral demands that he inherits from his Catholic background. For Rohmer, the tension between the two can usually only be solved by some unexpected event that can be interpreted as an equivalent of grace.


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