Автор: James Newton Название: The Mad Max Effect: Road Warriors in International Exploitation Cinema ISBN: 1501342290 ISBN-13(EAN): 9781501342295 Издательство: Bloomsbury Academic Рейтинг: Цена: 101370.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In a series of case studies, and by analysing the individual films of the Mad Max series, this book examines how the kinetic energy and aesthetic design of a number of divergent exploitation films filters into the Mad Max series and resulted in a fresh cycle of international low-budget post-apocalyptic movies that appeared on the new home video markets in the 1980s.Mad Max: Fury Road signalled the return after 30 years of the most famous and celebrated post-apocalyptic film series, one that had a profound influence on numerous dystopian films, video games, and comic books. Fury Road's Academy Award success helped to reestablish the series as a mainstream cultural icon. By contrast, the first Mad Max was an inventive concoction of influences from a range of exploitation genres, including the biker movie, the revenge film, and the car chase cinema of the 1970s. The first in-depth academic study of the extraordinary journey of Mad Max, The Mad Max Effect reveals how a humble low-budget Australian action movie came from the cultural margins of exploitation cinema to have an indelible impact on the broader media landscape.
Автор: Browning Robert X. Название: Democracy and the Media: The Year in C-SPAN Archives Research, Volume 7 ISBN: 1612497233 ISBN-13(EAN): 9781612497235 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 83590.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Volume 7 of The Year in C-SPAN Archives Research series focuses on the relationship between democracy and the media. Using the extensive collection of the C-SPAN Video Library, chapters cover Trump political rallies, congressional references of late-night comedy, responses of African American congresswomen to COVID-19 bills, and congressional attacks on the media through floor speeches in the House of Representatives and Senate.The C-SPAN Video Library is unique because there is no other research collection that is based on video research of contemporary politics. Methodologically distinctive, much of the research uses new techniques to analyze video, text, and spoken words of political leaders. No other book examines such a wide range of topics-from immigration to climate change to race relations-using video as the basis for research.
Автор: Biber, Katherine (university Of Technology, Sydney, Australia) Название: In crime`s archive ISBN: 1138927112 ISBN-13(EAN): 9781138927117 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book investigates what happens to criminal evidence after the conclusion of legal proceedings. In its `afterlife`, criminal evidence continues to proliferate in cultural contexts; often arousing the interest of journalists, scholars, curators, writers or artists.
Автор: Robertson, Craig Название: Media History and the Archive ISBN: 0415593271 ISBN-13(EAN): 9780415593274 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Нет в наличии.
Автор: Wolfgang Ernst Название: Digital Memory and the Archive ISBN: 0816677662 ISBN-13(EAN): 9780816677665 Издательство: Marston Book Services Рейтинг: Цена: 79200.00 T Наличие на складе: Невозможна поставка. Описание: ogies and mechanisms, rather than content, in shaping contemporary culture and society.Ernst's interrelated ideas on the archive, machine time and microtemporality, and the new regimes of memory offer a new perspective on both current digital culture and the infrastructure of media historical knowledge. For Ernst, different forms of media systems—from library catalogs to sound recordings—have influenced the content and understanding of the archive and other institutions of memory. At the same time, digital archiving has become a contested site that is highly resistant to curation, thus complicating the creation and preservation of cultural memory and history.
Автор: Ernst, Wolfgang Название: Digital memory and the archive ISBN: 0816677670 ISBN-13(EAN): 9780816677672 Издательство: Marston Book Services Рейтинг: Цена: 29030.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
In the popular imagination, archives are remote, largely obsolete institutions: either antiquated, inevitably dusty libraries or sinister repositories of personal secrets maintained by police states. Yet the archive is now a ubiquitous feature of digital life. Rather than being deleted, e-mails and other computer files are archived. Media software and cloud storage allow for the instantaneous cataloging and preservation of data, from music, photographs, and videos to personal information gathered by social media sites.
In this digital landscape, the archival-oriented media theories of Wolfgang Ernst are particularly relevant. Digital Memory and the Archive, the first English-language collection of the German media theorist's work, brings together essays that present Ernst's controversial materialist approach to media theory and history. His insights are central to the emerging field of media archaeology, which uncovers the role of specific technologies and mechanisms, rather than content, in shaping contemporary culture and society.
Ernst's interrelated ideas on the archive, machine time and microtemporality, and the new regimes of memory offer a new perspective on both current digital culture and the infrastructure of media historical knowledge. For Ernst, different forms of media systems-from library catalogs to sound recordings-have influenced the content and understanding of the archive and other institutions of memory. At the same time, digital archiving has become a contested site that is highly resistant to curation, thus complicating the creation and preservation of cultural memory and history.
Автор: Katherine Groo Название: Bad Film Histories: Ethnography and the Early Archive ISBN: 1517900328 ISBN-13(EAN): 9781517900328 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 93630.00 T Наличие на складе: Невозможна поставка. Описание: A daring, deep investigation into ethnographic cinema that challenges standard ways of writing film history and breaks important new ground in understanding archives Bad Film Histories is a vital work that unsettles the authority of the archive. Katherine Groo daringly takes readers to the margins of the film record, addressing the undertheorization of film history and offering a rigorous corrective. Taking ethnographic cinema as a crucial case study, Groo challenges standard ways of thinking and writing about film history and questions widespread assumptions about what film artifacts are and what makes them meaningful. Rather than filling holes, Groo endeavors to understand the imprecisions and absences that define film history and its archives. Bad Film Histories draws on numerous works of ethnographic cinema, from Edward S. Curtis’s I n the Land of the Head Hunters , to a Citroën-sponsored “croisière” across Africa, to the extensive archives of the Maison Lumière and the Musée Albert-Kahn, to dozens of expedition films from the 1910s and 1920s. The project is deeply grounded in poststructural approaches to history, and throughout Groo draws on these frameworks to offer innovative and accessible readings that explain ethnographic cinema’s destabilizing energies. As Groo describes, ethnographic works are mostly untitled, unauthored, seemingly infinite in number, and largely unrestored even in their digital afterlives. Her examination of ethnographic cinema provides necessary new thought for both film scholars and those who are thrilled by cinema’s boundless possibilities. In so doing, she boldly reexamines what early ethnographic cinema is and how these films produce meaning, challenging the foundations of film history and prevailing approaches to the archive.
Автор: Birkin, Dr. Eng Jane Название: Archive, photography and the language of administration ISBN: 946372964X ISBN-13(EAN): 9789463729642 Издательство: NBN International Рейтинг: Цена: 156290.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: 1. The work draws on my experience as a researcher (artist and writer) who also works inside the archive. This brings knowledge and understanding of archival systems, which are applied to different image collections, including those made by artist-photographers. 2. The work takes a fresh approach to archives: it not concerned with what is archived, but how photographic material is placed with an archival structure, and how an administrative text can represent an image. 3. The work is positively interdisciplinary, drawing on archival science, photo theory, media archaeology, art, network culture and conceptual writing.
Winner, 2018 Aldo and Jeanne Scaglione Prize for Studies in Germanic Languages and Literatures, Modern Language Association
Winner, 2018 German Studies Association DAAD Book Prize in Germanistik and Cultural Studies. From the current vantage point of the transformation of books and libraries, B. Venkat Mani presents a historical account of world literature. By locating translation, publication, and circulation along routes of “bibliomigrancy”—the physical and virtual movement of books—Mani narrates how world literature is coded and recoded as literary works find new homes on faraway bookshelves. Mani argues that the proliferation of world literature in a society is the function of a nation’s relationship with print culture—a Faustian pact with books. Moving from early Orientalist collections, to the Nazi magazine Weltliteratur, to the European Digital Library, Mani reveals the political foundations for a history of world literature that is at once a philosophical ideal, a process of exchange, a mode of reading, and a system of classification. Shifting current scholarship’s focus from the academic to the general reader, from the university to the public sphere, Recoding World Literature argues that world literature is culturally determined, historically conditioned, and politically charged.
Автор: Simon Brown, Sarah Street, Liz Watkins Название: Color and the Moving Image: History, Theory, Aesthetics, Archive ISBN: 0415892635 ISBN-13(EAN): 9780415892636 Издательство: Taylor&Francis Рейтинг: Цена: 158230.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
This new AFI Film Reader is the first comprehensive collection of original essays on the use of color in film. Contributors from diverse film studies backgrounds consider the importance of color throughout the history of the medium, assessing not only the theoretical implications of color on the screen, but also the ways in which developments in cinematographic technologies transformed the aesthetics of color and the nature of film archiving and restoration. Color and the Moving Image includes new writing on key directors whose work is already associated with color--such as Hitchcock, Jarman and Sirk--as well as others whose use of color has not yet been explored in such detail--including Eric Rohmer and the Coen Brothers. This volume is an excellent resource for a variety of film studies courses and the global film archiving community at large.
Автор: Ellen C. Carillo Название: MLA Guide to Digital Literacy ISBN: 1603296050 ISBN-13(EAN): 9781603296052 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 26790.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Helps students understand why digital literacy is a crucial skill for their education, future careers, and participation in democracy. Offering practical strategies for assessing information online, this guide provides students with the tools to locate reliable sources and websites among the clickbait and viral videos that pervade the web.
Автор: Osthoff, Simone Название: Performing the archive ISBN: 0982530900 ISBN-13(EAN): 9780982530900 Издательство: Неизвестно Рейтинг: Цена: 21870.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Instead of smoothing over contemporary art's violent and iconoclastic dimensions, instead of sanitizing and making complex artworks docile in terms of archival possibilities, this book suggests we abandon our fantasy of mastery over representation and respond in kind to the archive-as-artwork, to "living" archives, and to reenactments of history with their seamless connections between fiction and non-fiction. Among the concepts examined are Vil m Flusser's techno-imagination, Lygia Clark's and H lio Oiticica's participatory aesthetics, and Paulo Bruscky's and Eduardo Kac's literal performances of the archive. They contribute to the erosion of the archive's former boundaries, stability, function, and meaning. Writing alongside the artists as much as about them, Osthoff examines the archive mise-en-abyme, as it grows increasingly recombinant and generative. Simone Osthoff received her Ph.D. from the European Graduate School and is Associate Professor of Critical Studies in the School of Visual Arts at Pennsylvania State University. An art critic and historian of contemporary art, her numerous essays, focusing on media art practices and issues of historiography, have been published internationally and translated into over eight languages.
Казахстан, 010000 г. Астана, проспект Туран 43/5, НП2 (офис 2) ТОО "Логобук" Тел:+7 707 857-29-98 ,+7(7172) 65-23-70 www.logobook.kz
