Автор: C. W. Marshall Название: The Structure and Performance of Euripides` Helen ISBN: 1107423325 ISBN-13(EAN): 9781107423329 Издательство: Cambridge Academ Рейтинг: Цена: 33790.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Using Euripides` play Helen as the main point of reference, C. W. Marshall expands our understanding of Athenian tragedy and Classical performance. The book focuses on structure to reveal how directorial decisions and the assumptions held by the ancient audience shape meaning in performance.
Автор: Eleanor Rycroft Название: Facial Hair and the Performance of Early Modern Masculinity ISBN: 1138578207 ISBN-13(EAN): 9781138578203 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Невозможна поставка. Описание: Facial Hair and the Performance of Early Modern Masculinity is the first full-length critical study to analyse the importance of beards in terms of the theatrical performance of masculinity.
Автор: Geraldine Brodie Название: The Translator on Stage ISBN: 1501322117 ISBN-13(EAN): 9781501322112 Издательство: Bloomsbury Academic Рейтинг: Цена: 137280.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
In today's theatre, productions of plays that originated in another language are frequently distinguished by two characteristics: the authorship of the English text by a well-known local theatre specialist, and the absence of the term 'translation'-generally in favour of 'adaptation' or 'version'. The Translator on Stage investigates the creative processes that bring translated plays to the mainstream stage, exploring the commissioning, translation and development procedures that end with a performed play.
Through a sample of eight plays that span two thousand years and six languages-including Festen, Don Carlos, Hedda Gabler and The UN Inspector-and that were all staged within a three-month period, Geraldine Brodie brings in a wide range of theatre practitioners to discuss their roles in the translation process and the motivations that govern London theatre translation activities. The Translator on Stage is informed by specially conducted interviews with the productions' producers, artistic directors, directors, literary managers, playwrights and specialist translators, including Michael Grandage, Rufus Norris, David Eldridge, Juan Mayorga, David Johnston and Mike Poulton. It sheds new light not only on theatrical translation procedures, but also on the place of translation in society today.
Автор: Jessica Dell, David Klausner Название: The Chester Cycle in Context, 1555-1575: Religion, Drama, and the Impact of Change ISBN: 1409441369 ISBN-13(EAN): 9781409441366 Издательство: Taylor&Francis Рейтинг: Цена: 163330.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Focuses on the implications of the archival research which has profoundly changed our view of the continuation of performances of Chester`s civic biblical play cycle into the reign of Elizabeth I. This volume includes essays that focus on the performance of 1572 which took place despite the objections of the bishop of Chester.
Автор: Boguszak, Jakub Название: The Self-Centred Art: Ben Jonson`s Parts in Performance ISBN: 0367515628 ISBN-13(EAN): 9780367515621 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Невозможна поставка. Описание: The Self-Centred Art is a study of the plays of Ben Jonson and the actors who first performed in them.This book addresses Jonson`s dealings with the actors as well as the printers of his plays and supplements the discussion of different types of parts with a colourful range of case studies.
Название: Seeking Common Ground: Latinx and Latin American Theatre & Performance ISBN: 1350230219 ISBN-13(EAN): 9781350230217 Издательство: Bloomsbury Academic Рейтинг: Цена: 89760.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Honorable Mention from the 2022 International Latino Book Awards for Best Nonfiction - Multi-Author
A curated collection of new Latinx and Latin American plays, monologues, interviews, and critical essays that asks the question: what is the common ground between Latinx and Latin American artists?
Featuring a mix of plays and scholarly essays, this work originally emerged from the Latino Theater Company’s Encuentro de las Americas festival, produced in partnership with the Latinx Theatre Commons (LTC) at the Los Angeles Theatre Center in 2017. The collection chronicles not only the theatrical productions of the festival, but also features a transnational exploration of U.S. Latinx and Latin American theatre-making.
Alongside plays by Evelina Fernandez, Alex Alpharaoh, J.Ed Araiza and Carlos Celdran this anthology also includes a mix of monologues, snapshots, profiles and interviews that together provide a dynamic account of these intersections within U.S. Latinx and Latin American Theater. A unique collection it serves not only as a testament to the diversity of Latinx artists, but also to the strength of the Latinx Theater movement and its ever-growing networks across the Hemispheric Americas.
Full playtexts include:
Dementia by Evelina Fernandez
WET: A DACAmented Journey by Alex Alpharoah
Miss Julia adapted by J.Ed Araiza
10 Million by Carlos Celdran
The monograph deals with chosen aspects of modern drama based on the output of three playwrights. It discusses the works of Beckett, Pinter and Stoppard in reference to their employment of the grotesque and the theatre of the absurd. Elements of the grotesque appear in political dramas of all three playwrights. While Beckett does not shy away from absurdity in his plays, some of the early dramas of Pinter and Stoppard present a general existential condition of man, even though their strictly political plays are basically realistic in respect to form, yet satirical in their content. Most of the political plays discussed portray the absurdity of totalitarian countries, stemming from the tragicomic discrepancy between what the authorities are saying they are doing and their actual actions.
Автор: Alisa Zhulina Название: Theater of Capital: Modern Drama and Economic Life ISBN: 0810146355 ISBN-13(EAN): 9780810146358 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 91960.00 T Наличие на складе: Нет в наличии. Описание: Reads canonical works of modern drama in relation to the economic ideas of their era
Emerging amid the turbulent rise of market finance and wider socioeconomic changes, modern drama enacted vital critiques of art and life under capitalism. Alisa Zhulina shows how fin-de-siÈcle playwrights such as Henrik Ibsen, August Strindberg, Anton Chekhov, George Bernard Shaw, and Gerhart Hauptmann interrogated the meaning of this newly coined economic concept. Acutely aware of their complicity in the system they sought to challenge, these playwrights staged economic questions as moral and political concerns, using their plays to explore the theories of Adam Smith, Karl Marx and Friedrich Engels, Max Weber, and others within the boundaries of bourgeois theater.
Theater of Capital: Modern Drama and Economic Life reveals the prescient and unsettling visions of life in a new financial and societal reality in now-canonical plays such as A Doll’s House, Miss Julie, and The Cherry Orchard, as well as in lesser-known and long-overlooked works. This wide-ranging study prompts us to reevaluate modern drama and its legacy for the urgent economic and political questions that haunt our present moment.
Автор: Gale Maggie, Deeney John F. Название: Fifty Modern and Contemporary Dramatists ISBN: 0415630363 ISBN-13(EAN): 9780415630368 Издательство: Taylor&Francis Рейтинг: Цена: 117390.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Fifty Contemporary and Modern Dramatists presents a critical introduction to the work of some of the most important and influential playwrights from the 1950s to the present day. The figures chosen are among the most widely studied by students of drama and literature.
Автор: Claudia Georgi Название: Liveness on Stage: Intermedial Challenges in Contemporary British Theatre and Performance ISBN: 3110345900 ISBN-13(EAN): 9783110345902 Издательство: Walter de Gruyter Рейтинг: Цена: 136310.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Theatre is traditionally considered a live medium but its ‘liveness’ can no longer simply be taken for granted in view of the increasing mediatisation of the stage. Drawing on theories of intermediality,Liveness on Stageexplores how performances that incorporate film or video self-reflexively stage and challenge their own liveness by contrasting or approximating live and mediatised action. To illustrate this, the monograph investigates key aspects such as ‘ephemerality’, ‘co-presence’, ‘unpredictability’, ‘interaction’ and ‘realistic representation’ and highlights their significance for re-evaluating received notions of liveness. The analysis is based on productions by Gob Squad, Forkbeard Fantasy, Station House Opera, Proto-type Theater, Tim Etchells and Mary Oliver. In their playful approaches these practitioners predominantly present such media combination as a means of cross-fertilisation rather than as an antagonism between liveness and mediatisation. Combining an original theoretical approach with an in-depth analysis of the selected productions, this study will appeal to scholars and practitioners of theatre and performance as well as to those researching intermedial phenomena.
Название: Historical affects and the early modern theater ISBN: 1138020508 ISBN-13(EAN): 9781138020504 Издательство: Taylor&Francis Рейтинг: Цена: 163330.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
This collection of original essays honors the groundbreaking scholarship of Jean E. Howard by exploring cultural and economic constructions of affect in the early modern theater. While historicist and materialist inquiry has dominated early modern theater studies in recent years, the historically specific dimensions of affect and emotion remain underexplored. This volume brings together these lines of inquiry for the first time, exploring the critical turn to affect in literary studies from a historicist perspective to demonstrate how the early modern theater showcased the productive interconnections between historical contingencies and affective attachments. Considering well-known plays such as Shakespeare's Antony and Cleopatra and Thomas Dekker's The Shoemaker's Holiday together with understudied texts such as court entertainments, and examining topics ranging from dramatic celebrity to women's political agency to the parental emotion of grief, this volume provides a fresh and at times provocative assessment of the "historical affects"--financial, emotional, and socio-political--that transformed Renaissance theater. Instead of treating history and affect as mutually exclusive theoretical or philosophical contexts, the essays in this volume ask readers to consider how drama emplaces the most personal, unspeakable passions in matrices defined in part by financial exchange, by erotic desire, by gender, by the material body, and by theatricality itself. As it encourages this conversation to take place, the collection provides scholars and students alike with a series of new perspectives, not only on the plays, emotions, and histories discussed in its pages, but also on broader shifts and pressures animating literary studies today.
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