Автор: Fischer, Susan L. Название: Reading performance ISBN: 1855661810 ISBN-13(EAN): 9781855661813 Издательство: Boydell & Brewer Рейтинг: Цена: 58080.00 T Наличие на складе: Поставка под заказ. Описание: Oscar Wilde once observed that it is the spectator, and not life, that art really mirrors'. This thought is borne out in this volume, which brings together two different and often mutually exclusive constituencies: the academic critic and the theatre practitioner. In looking at the ways in which theatre is a barometer of society, the essays in this book form part of a larger theoretical inquiry into performance as interpretation, contingent upon the cultural context. Engaging with theoretical approaches to culture, and theoreticians from Elam to Brook, and from Derrida to Bakhtin, the author analyzes in detail productions of plays by Lope de Vega, Tirso de Molina, and Calder n de la Barca, as well as an adaptation of Rojas' Celestina, on the Spanish, or French, or Anglo-American stage. Two chapters deal with appropriations of Shakespeare's Merchant of Venice in translation on the Spanish and French boards. As they read performance in (trans)national productions, these essays are not only at the cutting-edge of theatre studies on the foreign' stage, but they also bring Spanish Golden-Age plays, long neglected by professional directors of the classics because of the lack of a continuous performance tradition, closer to assuming their rightful place amongst the great theatre of the world'. SUSAN L. FISCHER is Professor of Spanish and Comparative Literature at Bucknell University.
Автор: Jardine, Lisa Название: Reading Shakespeare Historically ISBN: 0415134897 ISBN-13(EAN): 9780415134897 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Lion, Caroline Wiesenthal Название: Reading Shakespeare in Jewish Theological Frameworks ISBN: 1032121378 ISBN-13(EAN): 9781032121376 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Gaskin, Richard Название: Othello and the Problem of Knowledge ISBN: 1032424931 ISBN-13(EAN): 9781032424934 Издательство: Taylor&Francis Рейтинг: Цена: 132710.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Ian Smith Название: Black Shakespeare: Reading and Misreading Race ISBN: 1009224085 ISBN-13(EAN): 9781009224086 Издательство: Cambridge Academ Рейтинг: Цена: 32730.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In his compelling new book Ian Smith addresses the pernicious influence of systemic whiteness on our interpretation of Shakespeare`s plays. Unmissable reading for students and scholars of drama, cultural and early modern studies.
Автор: Booth, Stephen Название: Close reading without readings ISBN: 1611478901 ISBN-13(EAN): 9781611478907 Издательство: Неизвестно Рейтинг: Цена: 154800.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Close Reading Without Readings is a collection of essays by the renowned Shakespeare scholar Stephen Booth in which the author directs readers to the experience of reading, bringing to bear the full power of his scholarship, critical acumen, and imagination to the study of how literature works.
Название: Reading the Road, from Shakespeare`s Crossways to Bunyan`s Highways ISBN: 1474454127 ISBN-13(EAN): 9781474454124 Издательство: Bloomsbury Academic Рейтинг: Цена: 28500.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book brings together thirteen essays, by both established and emerging scholars, which examine the most influential meanings of roads in early modern literature and culture.
Автор: Dolan, Ms Frances E. Название: True relations ISBN: 0812244850 ISBN-13(EAN): 9780812244854 Издательство: Wiley EDC Рейтинг: Цена: 70930.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
In the motley ranks of seventeenth-century print, one often comes upon the title True Relation. Purportedly true relations describe monsters, miracles, disasters, crimes, trials, and apparitions. They also convey discoveries achieved through exploration or experiment. Contemporaries relied on such accounts for access to information even as they distrusted them; scholars today share both their dependency and their doubt. What we take as evidence, Frances E. Dolan argues, often raises more questions than it answers. Although historians have tracked dramatic changes in evidentiary standards and practices in the period, these changes did not solve the problem of how to interpret true relations or ease the reliance on them. The burden remains on readers. Dolan connects early modern debates about textual evidence to recent discussions of the value of seventeenth-century texts as historical evidence. Then as now, she contends, literary techniques of analysis have proven central to staking and assessing truth claims. She addresses the kinds of texts that circulated about three traumatic events—the Gunpowder Plot, witchcraft prosecutions, and the London Fire—and looks at legal depositions, advice literature, and plays as genres of evidence that hover in a space between fact and fiction. Even as doubts linger about their documentary and literary value, scholars rely heavily on them. Confronting and exploring these doubts, Dolan makes a case for owning up to our agency in crafting true relations among the textual fragments that survive.
Автор: Eric S. Mallin Название: Reading Shakespeare in the Movies ISBN: 3030288978 ISBN-13(EAN): 9783030288976 Издательство: Springer Рейтинг: Цена: 83850.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Reading Shakespeare in the Movies: Non-Adaptations and Their Meaning analyzes the unacknowledged, covert presence of Shakespearean themes, structures, characters, and symbolism in selected films. Writers and directors who forge an unconscious, unintentional connection to Shakespeare’s work create non-adaptations, cinema that is unexpectedly similar to certain Shakespeare plays while remaining independent as art. These films can illuminate core semantic issues in those plays in ways that direct adaptations cannot. Eric S. Mallin explores how Shakespeare illuminates these movies, analyzing the ways that The Godfather, Memento, Titanic, Birdman, and The Texas Chainsaw Massacre take on new life in dialogue with the famous playwright. In addition to challenging our ideas about adaptation, Mallin works to inspire new awareness of the meanings of Shakespearean stories in the contemporary world.
Judith H. Anderson conceives the intertext as a relation between or among texts that encompasses both Kristevan intertextuality and traditional relationships of influence, imitation, allusion, and citation. Like the Internet, the intertext is a state, or place, of potential expressed in ways ranging from deliberate emulation to linguistic free play. Relatedly, the intertext is also a convenient fiction that enables examination of individual agency and sociocultural determinism. Anderson’s intertext is allegorical because Spenser’s Faerie Queene is pivotal to her study and because allegory, understood as continued or moving metaphor, encapsulates, even as it magnifies, the process of signification. Her title signals the variousness of an intertext extending from Chaucer through Shakespeare to Milton and the breadth of allegory itself. Literary allegory, in Anderson’s view, is at once a mimetic form and a psychic one—a process thinking that combines mind with matter, emblem with narrative, abstraction with history. Anderson’s first section focuses on relations between Chaucer’s Canterbury Tales and Spenser’s The Faerie Queene, including the role of the narrator, the nature of the textual source, the dynamics of influence, and the bearing of allegorical narrative on lyric vision. The second centers on agency and cultural influence in a variety of Spenserian and medieval texts. Allegorical form, a recurrent concern throughout, becomes the pressing issue of section three. This section treats plays and poems of Shakespeare and Milton and includes two intertextually relevant essays on Spenser. How Paradise Lost or Shakespeare’s plays participate in allegorical form is controversial. Spenser’s experiments with allegory revise its form, and this intervention is largely what Shakespeare and Milton find in his poetry and develop. Anderson’s book, the result of decades of teaching and writing about allegory, especially Spenserian allegory, will reorient thinking about fundamental critical issues and the landmark texts in which they play themselves out.
Автор: Mallin Eric S. Название: Reading Shakespeare in the Movies: Non-Adaptations and Their Meaning ISBN: 3030289001 ISBN-13(EAN): 9783030289003 Издательство: Springer Цена: 83850.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Reading Shakespeare in the Movies: Non-Adaptations and Their Meaning analyzes the unacknowledged, covert presence of Shakespearean themes, structures, characters, and symbolism in selected films.
Автор: Warley Название: Reading Class through Shakespeare, Donne, and Milton ISBN: 1107052920 ISBN-13(EAN): 9781107052925 Издательство: Cambridge Academ Рейтинг: Цена: 95040.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Why study Renaissance literature? Through detailed readings of six canonical works, including Paradise Lost and Hamlet, this book shows that literary criticism is uniquely able to describe social class. Warley`s accessible interpretations also offer exciting new directions for the role of criticism in the contemporary, post-industrial world.
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