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Double Lives: Film Composers in the Concert Hall, Wierzbicki, James


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Автор: Wierzbicki, James
Название:  Double Lives: Film Composers in the Concert Hall
ISBN: 9780367661397
Издательство: Taylor&Francis
Классификация:

ISBN-10: 036766139X
Обложка/Формат: Paperback
Страницы: 254
Вес: 0.42 кг.
Дата издания: 30.09.2020
Серия: Routledge research in music
Язык: English
Размер: 156 x 231 x 17
Читательская аудитория: Undergraduate
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Поставляется из: Европейский союз

Evenings with led zeppelin

Автор: Tremaglio, Mike Lewis, Dave
Название: Evenings with led zeppelin
ISBN: 1913172392 ISBN-13(EAN): 9781913172398
Издательство: Неизвестно
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Цена: 50570.00 T
Наличие на складе: Невозможна поставка.
Описание: Evenings with Led Zeppelin chronicles the 500-plus appearances Led Zeppelin made throughout their career.

Roxy Live: Under Exposed: One Fan`s Unseen Concert Photos

Автор: Fiske, Jocelyn
Название: Roxy Live: Under Exposed: One Fan`s Unseen Concert Photos
ISBN: 1789099501 ISBN-13(EAN): 9781789099508
Издательство: Titan books ltd.
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Цена: 41350.00 T
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Описание: 324 pages of never before seen Roxy Music photographs from one of the most high-profile Roxy Music fans celebrating the 50th anniversary of the band`s debut album. A perfect gift for fans of 80s bands, Roxy Music and music photography.

Double Lives: Film Composers in the Concert Hall

Название: Double Lives: Film Composers in the Concert Hall
ISBN: 0367028875 ISBN-13(EAN): 9780367028879
Издательство: Taylor&Francis
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Цена: 122490.00 T
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Описание: Double Lives: Film Composers in the Concert Hall is a collection of fifteen essays dealing with `iconic` film composers who, perhaps surprisingly, maintained life-long careers as composers for the concert hall.

Cornell `77: The Music, the Myth, and the Magnificence of the Grateful Dead`s Concert at Barton Hall

Автор: Conners Peter
Название: Cornell `77: The Music, the Myth, and the Magnificence of the Grateful Dead`s Concert at Barton Hall
ISBN: 150170432X ISBN-13(EAN): 9781501704321
Издательство: Mare Nostrum (Eurospan)
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Цена: 18350.00 T
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Описание:

On May 8, 1977, at Barton Hall, on the Cornell University campus, in front of 8,500 eager fans, the Grateful Dead played a show so significant that the Library of Congress inducted it into the National Recording Registry. The band had just released Terrapin Station and was still finding its feet after an extended hiatus. In 1977, the Grateful Dead reached a musical peak, and their East Coast spring tour featured an exceptional string of performances, including the one at Cornell.

Many Deadheads claim that the quality of the live recording of the show made by Betty Cantor-Jackson (a member of the crew) elevated its importance. Once those recordings—referred to as "Betty Boards"—began to circulate among Deadheads, the reputation of the Cornell ’77 show grew exponentially. With time the show at Barton Hall acquired legendary status in the community of Deadheads and audiophiles.

Rooted in dozens of interviews—including a conversation with Betty Cantor-Jackson about her recording—and accompanied by a dazzling selection of never-before-seen concert photographs, Cornell ’77 is about far more than just a single Grateful Dead concert. It is a social and cultural history of one of America’s most enduring and iconic musical acts, their devoted fans, and a group of Cornell students whose passion for music drove them to bring the Dead to Barton Hall. Peter Conners has intimate knowledge of the fan culture surrounding the Dead, and his expertise brings the show to life. He leads readers through a song-by-song analysis of the performance, from "New Minglewood Blues" to "One More Saturday Night," and conveys why, forty years later, Cornell ’77 is still considered a touchstone in the history of the band.

As Conners notes in his Prologue: "You will hear from Deadheads who went to the show. You will hear from non-Deadhead Cornell graduates who were responsible for putting on the show in the first place. You will hear from record executives, academics, scholars, Dead family members, tapers, traders, and trolls. You will hear from those who still live the Grateful Dead every day. You will hear from those who would rather keep their Grateful Dead passions private for reasons both personal and professional. You will hear stories about the early days of being a Deadhead and what it was like to attend, and perhaps record, those early shows, including Cornell ’77."


Rodney trudgeon`s concert notes

Автор: Rodney Trudgeon, Trudgeon
Название: Rodney trudgeon`s concert notes
ISBN: 1868429865 ISBN-13(EAN): 9781868429868
Издательство: Gazelle Book Services
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Цена: 21450.00 T
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Описание: Rodney Trudgeons Concert Notes is a collection of essays on famous classical, orchestral compositions. The pieces in this collection short reflections on well-known classical compositions have appeared in concert programmes that have accompanied performances by the Cape Town and Johannesburg Philharmonic Orchestras. The author is a well-known radio host and presenter on Fine Music Radio. He is an expert on the range of musical genres that broadly fall under the category classical music. The text that comprises Rodney Trudgeons Concert Notes is structured alphabetically according to composer and gives a broad overview of the development of classical music, starting with the Baroque period and ending with modern, atonal music. Each piece is dedicated to a particular musical composition, describing its highlights, its history, and what makes it unique. Broadly, the pieces are grouped together according to the following three broad categories: ouvertures, concertos, and symphonies, mimicking the structure of concert programmes. Each entry also includes a short biography of its composer. Trudgeons style is easy to read and accessible to all readers: from those who listen to classical music regularly to those who are unfamiliar with it. Overall, this collection is a useful and informative musical guide, making a case for listening to orchestral music.

Analytical Essays on Music by Women Composers: Concert Music, 1960-2000

Автор: Parsons Laurel, Ravenscroft Brenda
Название: Analytical Essays on Music by Women Composers: Concert Music, 1960-2000
ISBN: 0190236868 ISBN-13(EAN): 9780190236861
Издательство: Oxford Academ
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Цена: 86590.00 T
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Описание: Over the past 30 years, musicologists have produced a remarkable new body of research literature focusing on the lives and careers of women composers in their socio-historical contexts. But detailed analysis and discussion of the works created by these composers are still extremely rare. This is particularly true in the domain of music theory, where scholarly work continues to focus almost exclusively on male composers. Moreover, while the number of performances, broadcasts, and recordings of music by women has unquestionably grown, these works remain significantly underrepresented in comparison to music by male composers. Addressing these deficits is not simply a matter of rectifying a scholarly gender imbalance: the lack of knowledge surrounding the music of female composers means that scholars, performers, and the general public remain unfamiliar with a large body of exciting repertoire.
Analytical Essays on Music by Women Composers: Concert Music, 1960-2000 is the first to appear in a groundbreaking four-volume series devoted to compositions by women across Western art music history. Each chapter opens with a brief biographical sketch of the composer before presenting an in-depth critical-analytic exploration of a single representative composition, linking analytical observations with questions of meaning and sociohistorical context. Chapters are grouped thematically by analytical approach into three sections, each of which places the analytical methods used in the essays that follow into the context of late twentieth-century ideas and trends. Featuring rich analyses and critical discussions, many by leading music theorists in the field, this collection brings to the fore repertoire from a range of important composers, thereby enabling further exploration by scholars, teachers, performers, and listeners.

Analytical essays on music by women composers: concert music, 1900-1960

Название: Analytical essays on music by women composers: concert music, 1900-1960
ISBN: 0190236981 ISBN-13(EAN): 9780190236984
Издательство: Oxford Academ
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Цена: 50680.00 T
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Описание: In Analytic Essays on Music by Women Composers: Concert Music, 1900-1960, editors Laurel Parsons and Brenda Ravenscroft collect innovative reinterpretations of women composers` work over the first half of the twentieth century.

The Who: Concert Memories from the Classic Years, 1964 to 1976

Автор: Edoardo Genzolini
Название: The Who: Concert Memories from the Classic Years, 1964 to 1976
ISBN: 0764364022 ISBN-13(EAN): 9780764364020
Издательство: Gazelle Book Services
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Цена: 78630.00 T
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Описание: Most know that the legendary English rock band the Who performed concerts at ear-splitting volume, smashed their instruments, and became one of the world’s most influential groups. Their period from 1964 to 1976 saw the creation of such classic songs as “My Generation,” “Pinball Wizard,” and “Won’t Get Fooled Again,” as well as the Tommy, Who’s Next, and Quadrophenia albums. But how many know the stories of those fans affected by their music and live performances, or the angst and insecurities that drove bandleader Pete Townshend to new heights during this time? Who saw Pete Townshend handing his guitar from the stage to a grateful fan, and what happened next? Or who has seen photos of bassist John Entwistle being anything but the “Quiet One”? Or what happened backstage at Woodstock and the Monterey Pop Festival? This book offers what Pete Townshend himself describes as an “intriguing and extremely insightful take on the Who and myself.” The reader will be thrown into untold stories, hundreds of previously unpublished photographs, and uncirculated recordings clarifying the misinformation, myths, and legends. It’s a labor of love from a fan for fans that gives voice to a collective consciousness that might otherwise fall silent over time.

Brahms in the Home and the Concert Hall

Автор: Hamilton
Название: Brahms in the Home and the Concert Hall
ISBN: 1107042704 ISBN-13(EAN): 9781107042704
Издательство: Cambridge Academ
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Цена: 110880.00 T
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Описание: Johannes Brahms remains a figure of perennial appeal and significance to performers, scholars and music-lovers alike. This richly illustrated collection of essays, including a hitherto unpublished memoir of Brahms, explores the boundaries between the composer`s public, professional identity and his lifelong engagement with private and amateur music-making.

Brahms in the home and the concert hall

Название: Brahms in the home and the concert hall
ISBN: 1108458084 ISBN-13(EAN): 9781108458085
Издательство: Cambridge Academ
Рейтинг:
Цена: 40130.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Johannes Brahms remains a figure of perennial appeal and significance to performers, scholars and music-lovers alike. This richly illustrated collection of essays, including a hitherto unpublished memoir of Brahms, explores the boundaries between the composer`s public, professional identity and his lifelong engagement with private and amateur music-making.

Benny Goodman`s Famous 1938 Carnegie Hall Jazz Concert

Автор: Tackley, Catherine
Название: Benny Goodman`s Famous 1938 Carnegie Hall Jazz Concert
ISBN: 0195398319 ISBN-13(EAN): 9780195398311
Издательство: Oxford Academ
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Цена: 25330.00 T
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Описание: In Benny Goodman`s famous 1938 Carnegie Hall Jazz Concert, Catherine Tackley provides the first in depth, scholarly study of this seminal concert and recording. Through discussions of the cultural context, the performance itself, and its reception and response, Tackley shows why Goodman`s 1938 concert remains one of the most significant events in American music history.

Origins and Ascendancy of the Concert Mass

Автор: Rocke, Stephanie
Название: Origins and Ascendancy of the Concert Mass
ISBN: 0367552957 ISBN-13(EAN): 9780367552954
Издательство: Taylor&Francis
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Цена: 43890.00 T
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Описание: Spanning two millennia, The Origins and Ascendancy of the Concert Mass outlines the origins and meanings of the liturgical texts, defines the concert mass, and provides examples that demonstrate composers` gradual appropriation of the genre as a vehicle for personal expression on serious issues.


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