Автор: John Melillo Название: The Poetics of Noise from Dada to Punk ISBN: 1501359916 ISBN-13(EAN): 9781501359910 Издательство: Bloomsbury Academic Рейтинг: Цена: 100320.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Reinterpreting the history of 20th-century poetry as a listening to and writing through noise, The Poetics of Noise from Dada to Punk constructs a history of noise through poetry and poetic performance. It argues that poetry--conceived as a sound art practiced by writers, lyricists, performers, producers, and other sound-writers--continuously figures and refigures noise in relation to communication, meaning, and voice. In many cases, this figuration forms in the negative, as listeners cast out or ignore noise in the name of communication or poetic voice. In other cases, however, poets actively write and perform the sound of noise, and attempt to reimagine the ways of listening that structure what counts as significant or insignificant sound. Rather than suggesting that poets simply overturn the hierarchical binary between signal and noise, Melillo listens for the ways in which they implicitly and explicitly theorize listening, mediation, and responsibility through their figurations of noise.
Автор: Melillo John Название: The Poetics of Noise from Dada to Punk ISBN: 1501373722 ISBN-13(EAN): 9781501373725 Издательство: Bloomsbury Academic Рейтинг: Цена: 62760.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: By reinterpreting 20th-century poetry as a listening to and writing through noise, The Poetics of Noise from Dada to Punk constructs a literary history of noise through poetic sound and performance. This book traces how poets figure noise in the disfiguration of poetic voice. Materializing in the threshold between the heard and the unheard, noise emerges in the differentiation and otherness of sound. It arises in the folding of an “outside” into the “inside” of poetic performance both on and off the page. Through a series of case studies ranging from verse by ear-witnesses to the First World War, Dadaist provocations, jazz modernist song and poetry, early New York City punk rock, contemporary sound poetry, and noise music, The Poetics of Noise from Dada to Punk describes productive failures of communication that theorize listening against the grain of sound’s sense.
Автор: Begnal Michael S. Название: The Music and Noise of the Stooges, 1967-71: Lost in the Future ISBN: 0367648431 ISBN-13(EAN): 9780367648435 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The Stooges have come to be considered one of the most important rock bands. By emphasizing their influence on later developments, however, critics tend to overlook the significance of the band in their own context and era. The Music and Noise of the Stooges, 1967-71 addresses such oversights.
Автор: Clarence Bernard Henry Название: Let`s Make Some Noise: Axe and the African Roots of Brazilian Popular Music ISBN: 1617033278 ISBN-13(EAN): 9781617033278 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 31410.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Clarence Bernard Henry`s book is a culmination of several years of field research on sacred and secular influences of ase, the West African Yoruba concept that spread to Brazil and throughout the African Diaspora. The author examines how the concepts of ase and Candomble religion have been appropriated and reinvented in Brazilian popular music and culture.
Автор: Theodore Gracyk Название: Rhythm and Noise: An Aesthetics of Rock ISBN: 0822317435 ISBN-13(EAN): 9780822317432 Издательство: Wiley EDC Рейтинг: Цена: 26300.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
You know it when you hear it, but can you say what it is? How you know? Why you either love or loathe it? What makes it original or derivative? To a music that tends to render its aficionados and detractors equally inarticulate, Theodore Gracyk brings a rare critical clarity. His book tells us once and for all what makes rock music rock. A happy marriage of aesthetic theory and the aesthetic practice that moved a generation, Rhythm and Noise is the only thorough-going account of rock as a distinct artistic medium rather than a species of popular culture. What’s in a name? “Rock” or “Rock ’n’ Roll?” Grayck argues that rock and roll is actually a performance style, one in a number of musical styles comprising rock. What distinguishes rock, Gracyk tells us, is how it is mediated by technology: The art is in the recording. The lesson is a heady one, entailing a tour through the history of rock music from Elvis Presley’s first recordings in 1954 to Kurt Cobain’s suicide in 1994. Gracyk takes us through key recordings, lets us hear what rock musicians and their critics have to say, shows us how other kinds of music compare, and gives us the philosophical background to make more than passing sense of the medium. His work takes up the common myths and stereotypes about rock, popular and academic, and focuses on the features of the music that electrify fans and consistently generate controversy. When Elvis came to town, did southern sheriffs say that rock was barbaric and addictive? Well so did Theodor Adorno, in his way, and Allan Bloom, in his, and Gracyk takes aim at this charge as it echoes through the era of recorded music. He looks at what rock has to do with romanticism and, even more, with commercialism. And he questions the orthodoxy of making grand distinctions between “serious” and “popular” art. Keenly attuned to the nuances of music and of all the ways that we can think about it, this exhilarating book tunes us in, as no other has, to the complex role of rock in American culture.
Автор: Theodore Gracyk Название: Rhythm and Noise: An Aesthetics of Rock ISBN: 0822317346 ISBN-13(EAN): 9780822317340 Издательство: Wiley EDC Рейтинг: Цена: 101810.00 T Наличие на складе: Поставка под заказ. Описание:
You know it when you hear it, but can you say what it is? How you know? Why you either love or loathe it? What makes it original or derivative? To a music that tends to render its aficionados and detractors equally inarticulate, Theodore Gracyk brings a rare critical clarity. His book tells us once and for all what makes rock music rock. A happy marriage of aesthetic theory and the aesthetic practice that moved a generation, Rhythm and Noise is the only thorough-going account of rock as a distinct artistic medium rather than a species of popular culture. What’s in a name? “Rock” or “Rock ’n’ Roll?” Grayck argues that rock and roll is actually a performance style, one in a number of musical styles comprising rock. What distinguishes rock, Gracyk tells us, is how it is mediated by technology: The art is in the recording. The lesson is a heady one, entailing a tour through the history of rock music from Elvis Presley’s first recordings in 1954 to Kurt Cobain’s suicide in 1994. Gracyk takes us through key recordings, lets us hear what rock musicians and their critics have to say, shows us how other kinds of music compare, and gives us the philosophical background to make more than passing sense of the medium. His work takes up the common myths and stereotypes about rock, popular and academic, and focuses on the features of the music that electrify fans and consistently generate controversy. When Elvis came to town, did southern sheriffs say that rock was barbaric and addictive? Well so did Theodor Adorno, in his way, and Allan Bloom, in his, and Gracyk takes aim at this charge as it echoes through the era of recorded music. He looks at what rock has to do with romanticism and, even more, with commercialism. And he questions the orthodoxy of making grand distinctions between “serious” and “popular” art. Keenly attuned to the nuances of music and of all the ways that we can think about it, this exhilarating book tunes us in, as no other has, to the complex role of rock in American culture.
Автор: Michael N. Goddard, Benjamin Halligan, Nicola Spe Название: Resonances: Noise and Contemporary Music ISBN: 1441159371 ISBN-13(EAN): 9781441159373 Издательство: Bloomsbury Academic Рейтинг: Цена: 29560.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Resonances is a compelling collection of new essays by scholars, writers and musicians, all seeking to explore and enlighten this field of study. Noise seems to stand for a lack of aesthetic grace, to alienate or distract rather than enrapture. And yet the drones of psychedelia, the racket of garage rock and punk, the thudding of rave, the feedback of shoegaze and post-rock, the bombast of thrash and metal, the clatter of jungle and the stuttering of electronica, together with notable examples of avant-garde noise art, have all found a place in the history of contemporary musics, and are recognised as representing key evolutionary moments. Noise therefore is the untold story of contemporary popular music, and in a critical exploration of noise lies the possibility of a new narrative: one that is wide-ranging, connects the popular to the underground and avant-garde, fully posits the studio as a musical instrument, and demands new critical and theoretical paradigms of those seeking to write about music.
Автор: Kirsten Gibson, ian Biddle Название: Cultural Histories of Noise, Sound and Listening in Europe, 1300-1918 ISBN: 0367230518 ISBN-13(EAN): 9780367230517 Издательство: Taylor&Francis Рейтинг: Цена: 47970.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The chapters in this volume explore ways of thinking about sound historically, and seek to understand how people have understood and negotiated their relationships with the sounding world in Europe from the Middle Ages through to the early twentieth century.
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