SamulNori: Korean Percussion for a Contemporary World, Howard, Keith

Автор: Johnson
Название: From Tin Pan To Taspo
ISBN: 976640254X ISBN-13(EAN): 9789766402549
Издательство: Mare Nostrum (Eurospan)
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Описание: From its first appearance in 1939 with a group of men knocking on pots and pans to the 1951 Trinidad All-Steel Percussion Orchestra (TASPO), steelband has fascinated the world. Relying largely on oral histories, this work investigates and documents the different technical, musical and organisational steps by which the steelband movement was born and grew to maturity.<br><br>This study is a radical break with the approach to cultural creativity in general and music of the African diaspora in particular, emphasising the role of individual agency, microsociology and aesthetic values. This contrasts with the “resistance” school of thought, which views music as an automatic reaction to oppression rather than a deliberate attempt to satisfy aesthetic needs and impulses.<br><br>The minute biographical and psychological details provide a unique theory of creolisation and chart its relationship to African retentions, based on empirical data. This authoritative study will appeal to both the general reader interested in the origins of steelband and to scholars concerned with the creolisation of African and European cultures and Caribbean creativity.

Автор: Thomas Siwe
Название: Artful Noise: Percussion Literature in the Twentieth Century
ISBN: 0252043138 ISBN-13(EAN): 9780252043130
Издательство: Mare Nostrum (Eurospan)
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Автор: Howard Keith
Название: Samulnori: Korean Percussion for a Contemporary World
ISBN: 1472462890 ISBN-13(EAN): 9781472462893
Издательство: Taylor&Francis
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Описание: SamulNori is a percussion quartet which has given rise to a genre, of the same name, that is arguably Korea’s most successful ’traditional’ music of recent times. Today, there are dozens of amateur and professional samulnori groups. There is a canon of samulnori pieces, closely associated with the first founding quartet but played by all, and many creative evolutions on the basic themes, made by the rapidly growing number of virtuosic percussionists. And the genre is the focus of an abundance of workshops, festivals and contests. Samulnori is taught in primary and middle schools; it is part of Korea’s national education curriculum. It has dedicated institutes, and there are a number of workbooks devoted to helping wannabe ’samulnorians’. It is a familiar part of Korean performance culture, at home and abroad, in concerts but also in films and theatre productions. SamulNori uses four instruments: kkwaenggwari and ching small and large gongs, and changgo and puk drums. These are the instruments of local percussion bands and itinerant troupes that trace back many centuries, but samulnori is a recent development of these older traditions: it was first performed in February 1978. This volume explores this vibrant percussion genre, charting its origins and development, the formation of the canon of pieces, teaching and learning strategies, new evolutions and current questions relating to maintaining, developing, and sustaining samulnori in the future.

Автор: Hesselink Nathan
Название: SamulNori: Contemporary Korean Drumming and the Rebirth of Itinerant Performance Culture [With CD (Audio)]
ISBN: 0226330974 ISBN-13(EAN): 9780226330976
Издательство: Wiley
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Описание: In 1978, four musicians crowded into a cramped basement theater in downtown Seoul, where they, for the first time, brought the rural percussive art of p`ungmul to a burgeoning urban audience. This title traces this reinvention through the rise of the Korean supergroup.

Автор: Lewis, Kevin
Название: The Modern Percussion Revolution
ISBN: 0415716950 ISBN-13(EAN): 9780415716956
Издательство: Taylor&Francis
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Автор: Kenneth Schweitzer
Название: The Artistry of Afro-Cuban Bata Drumming: Aesthetics, Transmission, Bonding, and Creativity
ISBN: 1628460539 ISBN-13(EAN): 9781628460537
Издательство: Mare Nostrum (Eurospan)
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Цена: 31410.00 T
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Описание: By imitating aspects of speech and song, and by metaphorically referencing salient attributes of the deities, bata drummers facilitate the communal praising of orisha in a music ritual known as a toque de santo. Kenneth Schweitzer blends musical transcription, musical analysis, interviews, and ethnographic descriptions to highlight the complex variables at work during a live Lucumi performance.

Автор: Lewis, Kevin
Название: The Modern Percussion Revolution
ISBN: 0367669560 ISBN-13(EAN): 9780367669560
Издательство: Taylor&Francis
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Автор: Devenish, Louise
Название: Global Percussion Innovations
ISBN: 0367587408 ISBN-13(EAN): 9780367587406
Издательство: Taylor&Francis
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Автор: Christopher Yussuf Mtaku
Название: Continuity and Change: The Significance of the Tsin bza (Xylophone) among the Bura of northeast Nigeria
ISBN: 348715532X ISBN-13(EAN): 9783487155326
Издательство: Gazelle Book Services
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Цена: 48610.00 T
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Описание: This study concerns the Bura tsinza xylophone, an instrument that is closely associated with the Bura peoples identity. The tsinza occupies an important position in Bura culture. Old musicians emphasized that it was originally an important funeral instrument. Today, however, the instrument has assumed other roles with an entirely different meaning for many in the society. The traditional context of use of the instrument is disappearing, but new contexts have surfaced that keep the instrument a lively art amongst the people. This study explores the oral history of the instrument, its traditional and contemporary contexts of use with an aim to understand why and in what ways the Bura maintain tsinza musical performance despite the gradual disappearance of its traditional context.

Автор: Hartenberger
Название: The Cambridge Companion to Percussion
ISBN: 1107472431 ISBN-13(EAN): 9781107472433
Издательство: Cambridge Academ
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Описание: This Companion explores percussion instruments and music from the perspectives of performers, composers, conductors, instrument builders, scholars, and cognitive scientists. It will be a valuable resource for students, percussionists, and all those who want a deeper understanding of percussion music and rhythm.

Автор: Schweitzer Kenneth
Название: The Artistry of Afro-Cuban Bata Drumming: Aesthetics, Transmission, Bonding, and Creativity
ISBN: 1617036692 ISBN-13(EAN): 9781617036699
Издательство: Mare Nostrum (Eurospan)
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Описание: An iconic symbol and sound of the Lucumí/Santería religion, Afro-Cuban batá are talking drums that express the epic mythological narratives of the West African Yoruba deities known as orisha. By imitating aspects of speech and song, and by metaphorically referencing salient attributes of the deities, batá drummers facilitate the communal praising of orisha in a music ritual known as a toque de santo.In The Artistry of Afro-Cuban Batá Drumming, Kenneth Schweitzer blends musical transcription, musical analysis, interviews, ethnographic descriptions, and observations from his own experience as a ritual drummer to highlight the complex variables at work during a live Lucumí performance.Integral in enabling trance possessions by the orisha, by far the most dramatic expressions of Lucumí faith, batá drummers are also entrusted with controlling the overall ebb and flow of the four- to six-hour toque de santo. During these events, batá drummers combine their knowledge of ritual with an extensive repertoire of rhythms and songs. Musicians focus on the many thematic acts that unfold both concurrently and in quick succession. In addition to creating an emotionally charged environment, playing salute rhythms for the orisha, and supporting the playful song competitions that erupt between singers, batá drummers are equally dedicated to nurturing their own drumming community by creating a variety of opportunities for the musicians to grow artistically and creatively.

Автор: Andreani Giovannni
Название: Snare Drum Development L2
ISBN: 8894112268 ISBN-13(EAN): 9788894112269
Издательство: Неизвестно
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Snare Drum Development (SDD) and Drumset Development (DD) are, throughout the PercMP Development Areas, the main framework around which all other Development Areas orbit; these areas have been conceived to help percussion and drum teachers achieve a profound view of their student's improvements while guiding them throughout the higher levels of drum playing.

The student, while studying SDD, should be simultaneously working on DD: the level of DD should be one less than SDD's, thus, when beginning the second level of SDD the first level of DD can be introduced.

As progress is made, a new Development Area may be added: the more areas the student manages, the more profoundly competence and skills will grow; nonetheless, SDD and DD should be the only Development Areas on which the student will be working constantly.

SDD consists of short pieces that the student will have to prepare for the following lesson; how these pieces will be mastered is an issue to be pre-emptively clarified in order to positively monitor the student's progress. Therefore, the teacher will have to determine in advance which criteria to adopt when evaluating each piece and assigning a new one in its place.

The general complexity expressed at each level of SDD does not have to be comparable to the difficulty of other areas simultaneously studied, especially if related to repertoire. Indeed, the student may find him/herself studying a repertoire piece that is much more difficult than is expressed by the level required in SDD: this would be perfectly appropriate while the contrary would surely be unfitting. The time term of SDD is classified as VST while a repertoire piece may be classified from MT to VLT; therefore, the latter can be more complex.

In the pieces throughout all levels of SDD, rhythmic patterns and time signatures are gradually introduced: technical skills, rhythmic skills and a sense of meter will therefore gradually improve.

When composing these works, one of the main objectives was to supply both students and teachers with pieces in which the formal structures would well be identifiable, thus stimulating an attitude to analysing the pieces before studying them. Developing the ability to identify periods, phrases and motifs will surely allow the student to achieve a higher level of awareness; consequently, a higher degree of motivation for increasing one's technical skills will strongly improve. While performing these pieces the student will therefore not find him/herself playing a series of grooves, where a rhythmic motif or phrase is constantly repeated throughout the piece, but will be required to interpret, by considering the drum as a solo instrument, pieces with a musical meaning in their whole, even though they may, at a very first level, be only of eight measures long.