Orpheus in the Academy, Schwindt, Joel

Автор: White Paul
Название: Jodocus Badius Ascensius
ISBN: 0197265545 ISBN-13(EAN): 9780197265543
Издательство: Oxford Academ
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Цена: 79200.00 T
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Описание: Badius Ascensius (1462-1535), scholar and printer, played a central role in the flourishing of humanism and print culture in the French Renaissance. This account of his contributions to pedagogy, scholarship, printing, and humanist culture re-examines these roles and explores the wider context of the communities in which Badius worked.

Автор: Knight, Diana (professor Of Cultures, Languages And Area Studies, Professor Of Cultures, Languages And Area Studies, University Of Nottingham)
Название: Interdisciplinary barthes
ISBN: 0197266673 ISBN-13(EAN): 9780197266670
Издательство: Oxford Academ
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Цена: 73920.00 T
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Описание: Interdisciplinary Barthes addresses the enduring stimulus that Barthes offers to intellectually adventurous work across the human sciences. It contextualises his creative engagements with ethnology, historiography, philosophy, ethics, music, photography, and literature, and traces the distinctive ways which he unsettled disciplinary boundaries.

Автор: Dutton, Richard (Academy Professor of English, The Ohio State University)
Название: Mastering the Revels
ISBN: 0198819455 ISBN-13(EAN): 9780198819455
Издательство: Oxford Academ
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Цена: 96140.00 T
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Описание: A new edition that offers detailed consideration of the role of the Master of the Revels in English Renaissance entertainments and the relationship between the politics of the court and English theatre.

Автор: Szentkuthy Miklos
Название: Black Renaissance: St. Orpheus Breviary, Vol. II
ISBN: 1940625262 ISBN-13(EAN): 9781940625263
Издательство: Неизвестно
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Цена: 19640.00 T
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Автор: Durante, Sergio Rohringer, Stefan Rushton, Julian Webster, James
Название: Dramma giocoso
ISBN: 9058678458 ISBN-13(EAN): 9789058678454
Издательство: Неизвестно
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Цена: 58630.00 T
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Описание:

The three Mozart/Da Ponte operas offer a inexhaustible wellspring for critical reflection, possessing a complexity and equivocation common to all great humane works. They have the potential to reflect and refract whatever locus of contemporaneity may be the starting point for enquiry. Thus, even postmodern and postmillennial concerns, far from seeming irrelevant to these operas, are instead given new perspectives by them, while the music and the dramatic situations have the multivalency to accept each refreshed palette of interpretation without loss of their essential character. These operas seem perennially new. In exploring the evergreen qualities of Don Giovanni and Le Nozze di Figaro, the authors of this book do not shun approaches that have foundations in established theory, but refract them through such problems as the tension between operatic tradition and psychological realism, the coexistence of multiple yet equal plots, and the antagonism between the tenets of tradition and the need for self-actualization. In exploring such themes, the authors not only illuminate new aspects of Mozart's operatic compositions but also probe the nature of musical analysis itself.

Название: Performance, subjectivity, and experimentation
ISBN: 9462702314 ISBN-13(EAN): 9789462702318
Издательство: Неизвестно
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Цена: 44450.00 T
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Music reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity in music - how music expresses or represents an individual or a group. However, a sense of selfhood is also formed and continually reformed through musical practices, not least performance. How does this take place? How might the work of practitioners reveal aspects of this process? In what sense is subjectivity performed in and through musical practices? This book explores these questions in relation to a range of artistic research involving contemporary musical practices, drawing on perspectives from performance studies, phenomenology, embodied cognition, and theories of gendered and cultural identity.

Contributors: Steve Benford (University of Nottingham), Richard Craig (freelance performer and researcher), David Gorton (Royal Academy of Music, London), Christopher Greenhalgh (University of Nottingham), Adrian Hazzard (University of Nottingham), Juliana Hodkinson (Grieg Academy, University of Bergen), Maria Kallionp (Aalborg University), Zubin Kanga (Royal Holloway, University of London), Catherine Laws (University of York/Orpheus Institute), Jin Hyung Lim (Keimyung University), Thanh Thy Nguyn (Malm Academy of Music, Lund University/Vietnam National Academy of Music), Stefan stersj (Pite School of Music, Lule University of Technology/Orpheus Institute), Deniz Peters (University of Music and Performing Arts, Graz), Eleanor Roberts (University of Roehampton), Anne Veinberg (Orpheus Institute)

This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

Название: Orpheus-mythos von der antike bis zur gegenwart
ISBN: 3631530633 ISBN-13(EAN): 9783631530634
Издательство: Peter Lang
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Цена: 57290.00 T
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Описание: Lonely Planet`s Portugal is our most comprehensive guide that extensively covers all the country has to offer, with recommendations for both popular and lesser-known experiences. Spend an evening in one of Lisbon`s many fado houses, discover stunning architecture in Porto and soak up the sun in the Algarve; all with your trusted travel companion.

Автор: Cross, Jonathan
Название: Harrison Birtwistle: The Mask of Orpheus
ISBN: 0367409208 ISBN-13(EAN): 9780367409203
Издательство: Taylor&Francis
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Цена: 38780.00 T
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Описание: The Mask of Orpheus is viewed as a key work in the development of opera since the Second World War, that pushed at the boundaries of what was possible in lyrical theatre. In its imaginative fusion of music, song, drama, myth, mime and electronics, it has become the object of wide critical attention.

Автор: Laws, Catherine Brooks, William Gorton, David Nguyen, Thanh Thuy Oestersjoe, Stefan Wells, Jeremy J.
Название: Voices, bodies, practices
ISBN: 9462702055 ISBN-13(EAN): 9789462702059
Издательство: Неизвестно
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Цена: 45210.00 T
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Who is the I that performs? The arts of the twentieth and twenty-first centuries have pushed us relentlessly to reconsider our notions of the self, expression, and communication: to ask ourselves, again and again, who we think we are and how we can speak meaningfully to one another. Although in other performing arts studies, especially of theatre, the performance of selfhood and identity continues to be a matter of lively debate in both practice and theory, the question of how a sense of self is manifested through musical performance has been neglected. The authors of Voices, Bodies, Practices are all musician-researchers: the book employs artistic research to explore how embodied performing voices can emerge from the interactions of individual performers and composers, musical materials, instruments, mediating technologies, and performance contexts.

This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

In collaboration with Orpheus Institute

Автор: Cross, Jonathan
Название: Harrison Birtwistle: The Mask of Orpheus
ISBN: 0754653838 ISBN-13(EAN): 9780754653837
Издательство: Taylor&Francis
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Цена: 158230.00 T
Наличие на складе: Нет в наличии.

Автор: Peter Bozo
Название: Offenbach Performance in Budapest, 1920–1956: Orpheus on the Danube
ISBN: 1108977596 ISBN-13(EAN): 9781108977593
Издательство: Cambridge Academ
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Цена: 19010.00 T
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Описание: This element identifies the important role played by Jacques Offenbach`s musical stage works in Budapest musico-theatrical life in the twentieth century and how Offenbach`s stage works were performed/transformed in interwar and post-World War II Budapest.

Автор: Van Hyning, Victoria,
Название: Convent autobiography :
ISBN: 0197266576 ISBN-13(EAN): 9780197266571
Издательство: Oxford Academ
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Цена: 89760.00 T
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Описание: Convent Autobiography explores the ways in which cloistered women evaluated and articulated their senses of self through letters, chronicles, accounts and other such genres. The book explores writings by women who composed under their own names and those who composed anonymously and considers three case studies devoted to anonymous chronicling.