Live digital theatre, Dundjerovic, Aleksandar Sasha
Автор: Steve Gibson et al. Название: Live visuals ISBN: 1032252685 ISBN-13(EAN): 9781032252681 Издательство: Taylor&Francis Рейтинг: Цена: 53070.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This project collects the most significant historical inventions, artists, and movements that have contributed to the development of Live Visuals
Автор: Radosavljevic, Duska Название: Aural/oral dramaturgies ISBN: 0367560747 ISBN-13(EAN): 9780367560744 Издательство: Taylor&Francis Рейтинг: Цена: 37760.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Aural/Oral Dramaturgies: Theatre in the Digital Age focuses on the ‘aural turn’ in contemporary theatre-making, examining a number of seemingly disparate trends that foreground speech and sound -- ‘post-verbatim’ theatre, 'amplified storytelling' (works using microphones and headphones), and ‘gig theatre’ that incorporates live music performance. Its main argument is that the dramaturgical underpinnings of these works contribute to an understanding of theatre as an extra-literary activity, greater than the centrality of the script that traditionally dominated many historical discussions. This quality is usually expressed in terms of the corporeality in dance and physical theatre, but the aural/oral turn gives an alternative viewpoint on the interplay between text and performance. The book's case studies draw on the ways in which a range of theatre companies engage with the dramaturgy of speech and sound in their work. It is further accompanied by a specially curated collection of digital resources, including interviews, conversations, and presentations from artists and academics.This is a key text for scholars, students, and practitioners of contemporary performance, and anyone working with dramaturgies of orality and aurality in today’s performance environment.
Performance in the digital age has undergone a radical shift in which a once ephemeral art form can now be relived, replayed and repeated. Until now, much scholarship has been devoted to the nature of live performance in the digital age; Documenting Performance is the first book to provide a collection of key writings about the process of documenting performance, focused not on questions of liveness or the artistic qualities of documents, but rather on the professional approaches to recovering, preserving and disseminating knowledge of live performance.
Through its four-part structure, the volume introduces readers to important writings by international practitioners and scholars on: * the contemporary context for documenting performance * processes of documenting performance * documenting bodies in motion * documenting to create In each, chapters examine the ways performance is documented and the issues arising out of the process of documenting performance. While theorists have argued that performance becomes something else whenever it is documented, the writings reveal how the documents themselves cannot be regarded simply as incomplete remains from live events. The methods for preserving and managing them over time, ensuring easy access of such materials in systematic archives and collections, requires professional attention in its own right. Through the process of documenting performance, artists acquire a different perspective on their own work, audiences can recall specific images and sounds for works they have witnessed in person, and others who did not see the original work can trace the memories of particular events, or use them to gain an understanding of something that would otherwise remain unknown to them and their peers.
Автор: Jessica Hillman-McCord Название: iBroadway ISBN: 3319648756 ISBN-13(EAN): 9783319648750 Издательство: Springer Рейтинг: Цена: 93160.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Due to the historically commercial nature of the musical theatre form, it offers a more potent test case to reveal the implications of this digital shift than other theatrical art forms. Rather than merely reflecting technological change, musical theatre scholarship and practice is at the forefront of the conversation about art in the digital age.
Автор: Jessica Hillman-McCord Название: iBroadway ISBN: 3319878921 ISBN-13(EAN): 9783319878928 Издательство: Springer Рейтинг: Цена: 121110.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Due to the historically commercial nature of the musical theatre form, it offers a more potent test case to reveal the implications of this digital shift than other theatrical art forms. Rather than merely reflecting technological change, musical theatre scholarship and practice is at the forefront of the conversation about art in the digital age.
Автор: Karen Henson Название: Technology and the Diva: Sopranos, Opera, and Media from Romanticism to the Digital Age ISBN: 1108723330 ISBN-13(EAN): 9781108723336 Издательство: Cambridge Academ Рейтинг: Цена: 33790.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Focusing on the operatic soprano and her relationships with technology from the 1820s to the twenty-first-century digital age, this book considers how the `diva`s` voice and allure have been created by technologies and media such as theatrical stagecraft, journalism, and the simulcast.
Автор: Harding, Mariann M. (professor Of Nursing Technology,kent State University Tuscarawas,new Philadelphia, Ohio) Kwong, Jeffrey (program Director, Adult- Название: Commemorative issue: 15 years of the sleep medicine clinics part 2: medication and treatment effect on sleep disorders, an issue of sleep medicine clinics ISBN: 0367560763 ISBN-13(EAN): 9780367560768 Издательство: Taylor&Francis Рейтинг: Цена: 132710.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Aural/Oral Dramaturgies: Theatre in the Digital Age focuses on the ‘aural turn’ in contemporary theatre-making, examining a number of seemingly disparate trends that foreground speech and sound -- ‘post-verbatim’ theatre, 'amplified storytelling' (works using microphones and headphones), and ‘gig theatre’ that incorporates live music performance. Its main argument is that the dramaturgical underpinnings of these works contribute to an understanding of theatre as an extra-literary activity, greater than the centrality of the script that traditionally dominated many historical discussions. This quality is usually expressed in terms of the corporeality in dance and physical theatre, but the aural/oral turn gives an alternative viewpoint on the interplay between text and performance. The book's case studies draw on the ways in which a range of theatre companies engage with the dramaturgy of speech and sound in their work. It is further accompanied by a specially curated collection of digital resources, including interviews, conversations, and presentations from artists and academics.This is a key text for scholars, students, and practitioners of contemporary performance, and anyone working with dramaturgies of orality and aurality in today’s performance environment.
Performance in the digital age has undergone a radical shift in which a once ephemeral art form can now be relived, replayed and repeated. Until now, much scholarship has been devoted to the nature of live performance in the digital age; Documenting Performance is the first book to provide a collection of key writings about the process of documenting performance, focused not on questions of liveness or the artistic qualities of documents, but rather on the professional approaches to recovering, preserving and disseminating knowledge of live performance.
Through its four-part structure, the volume introduces readers to important writings by international practitioners and scholars on: * the contemporary context for documenting performance * processes of documenting performance * documenting bodies in motion * documenting to create In each, chapters examine the ways performance is documented and the issues arising out of the process of documenting performance. While theorists have argued that performance becomes something else whenever it is documented, the writings reveal how the documents themselves cannot be regarded simply as incomplete remains from live events. The methods for preserving and managing them over time, ensuring easy access of such materials in systematic archives and collections, requires professional attention in its own right. Through the process of documenting performance, artists acquire a different perspective on their own work, audiences can recall specific images and sounds for works they have witnessed in person, and others who did not see the original work can trace the memories of particular events, or use them to gain an understanding of something that would otherwise remain unknown to them and their peers.
Автор: Gratch Lyndsay Michalik, Gratch Ariel Название: Digital Performance in Everyday Life ISBN: 1138342149 ISBN-13(EAN): 9781138342149 Издательство: Taylor&Francis Рейтинг: Цена: 38780.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Digital Performance in Everyday Life combines theories of performance, communication, and media to explore the many ways we perform in our everyday lives through digital media and in virtual spaces.
Автор: Yngvar Kjus Название: Live and Recorded ISBN: 3319703676 ISBN-13(EAN): 9783319703671 Издательство: Springer Рейтинг: Цена: 83850.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book uncovers how music experience-live and recorded-is changing along with the use of digital technology in the 2000s. Digital technology has also introduced new distribution and consumption technologies that allow record listening to be more closely linked to the live music experience.
Автор: Maria Chatzichristodoulou Название: Live Art in the UK: Contemporary Performances of Precarity ISBN: 1474257712 ISBN-13(EAN): 9781474257718 Издательство: Bloomsbury Academic Рейтинг: Цена: 26390.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Since entering the performance lexicon in the 1970s, the term Live Art has been used to describe a diverse but interrelated array of performance practices and approaches. This volume offers a contextual and critical introduction to the scene of contemporary Live Art in Britain. Focusing on the key artists, companies and organisations with a prolific body of work and which have been vital to the development of contemporary practice, this edited volume maps the landscape, illuminating the origins, concerns and aesthetics of Live Art in the UK today. In their Introduction to the volume, the editor situate Live Art in relation to other related areas of artistic practice such as Performance Art and Body Art, and explore Live Art as a British phenomenon, considering questions of cultural specificity, financial and institutional support, and social engagement. A Prologue further maps the context by tracing the work and impact of key organisations and frameworks on the Live Art scene in the UK, in particular the Live Art Development Agency, besides Artsadmin, Arts Catalyst and Spill festival. Across three sections leading scholars offer case studies exploring the practice of key artists: *Section One: Experiments In Life / Experiments In Art Anne Bean, Marisa Carnesky, and Julia Bardsley *Section Two: Performances Of Conflict And Resolution, Hurt And Healing Adrian Howells, Alastair MacLennan, and Kira O’Reilly *Section Three: Camp, Comedy And Laughs David Hoyle, Duckie Performance Collective, and Marcia Farquhar
Автор: Maria Chatzichristodoulou Название: Live Art in the UK: Contemporary Performances of Precarity ISBN: 1474257704 ISBN-13(EAN): 9781474257701 Издательство: Bloomsbury Academic Рейтинг: Цена: 84480.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Since entering the performance lexicon in the 1970s, the term Live Art has been used to describe a diverse but interrelated array of performance practices and approaches. This volume offers a contextual and critical introduction to the scene of contemporary Live Art in Britain. Focusing on the key artists, companies and organisations with a prolific body of work and which have been vital to the development of contemporary practice, this edited volume maps the landscape, illuminating the origins, concerns and aesthetics of Live Art in the UK today. In their Introduction to the volume, the editor situate Live Art in relation to other related areas of artistic practice such as Performance Art and Body Art, and explore Live Art as a British phenomenon, considering questions of cultural specificity, financial and institutional support, and social engagement. A Prologue further maps the context by tracing the work and impact of key organisations and frameworks on the Live Art scene in the UK, in particular the Live Art Development Agency, besides Artsadmin, Arts Catalyst and Spill festival. Across three sections leading scholars offer case studies exploring the practice of key artists: *Section One: Experiments In Life / Experiments In Art Anne Bean, Marisa Carnesky, and Julia Bardsley *Section Two: Performances Of Conflict And Resolution, Hurt And Healing Adrian Howells, Alastair MacLennan, and Kira O’Reilly *Section Three: Camp, Comedy And Laughs David Hoyle, Duckie Performance Collective, and Marcia Farquhar
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