Materiality of Literary Narratives in Urban History, Liu, Zhanguo (Research Institute of Tsinghua University, Shenzhen, China) Lo, T. Wing
Название: Materiality of literary narratives in urban history ISBN: 0367343290 ISBN-13(EAN): 9780367343293 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Невозможна поставка. Описание: The contributions to this volume address the materiality of literary narratives in urban history from a range of perspectives and in light of a wealth of textual materials, in an effort to see how literature studies could learn from urban history, and vice versa.
Автор: Prachi More Название: Actors & Networks in the Megacity: A Literary Analysis of Urban Narratives ISBN: 3837638340 ISBN-13(EAN): 9783837638349 Издательство: Gazelle Book Services Рейтинг: Цена: 55750.00 T Наличие на складе: Невозможна поставка. Описание: This study is a concise introduction to Bruno Latours Actor-Network Theory and its application in a literary analysis of urban narratives of the 21st century. Are these literary documentaries a contemporary solution to reporting an ever-evasive reality? If so, how do they embody "matters of concern" as Latour would have put it, laying bare modern-day "actors" and "networks" rather than documenting mere "matters of fact"? In answering these questions, the author describes how these narratives function as sites of knowledge production, particularly in light of the development of historiography and empirical documentation since modernism. We thus encounter an inter-disciplinary framework that addresses concerns and questions of epistemology, the sociology of knowledge and urban and documentary studies.
Автор: Aarons Victoria Название: Holocaust Graphic Narratives: Generation, Trauma, and Memory ISBN: 1978802552 ISBN-13(EAN): 9781978802551 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 28380.00 T Наличие на складе: Нет в наличии. Описание: In Holocaust Graphic Narratives , Victoria Aarons demonstrates the range and fluidity of this richly figured genre. Employing memory as her controlling trope, Aarons analyzes the work of the graphic novelists and illustrators, making clear how they extend the traumatic narrative of the Holocaust into the present and, in doing so, give voice to survival in the wake of unrecoverable loss. In recreating moments of traumatic rupture, dislocation, and disequilibrium, these graphic narratives contribute to the evolving field of Holocaust representation and establish a new canon of visual memory. The intergenerational dialogue established by Aarons' reading of these narratives speaks to the on-going obligation to bear witness to the Holocaust. Examined together, these intergenerational works bridge the erosions created by time and distance. As a genre of witnessing, these graphic stories, in retracing the traumatic tracks of memory, inscribe the weight of history on generations that follow.
Автор: Major, R.H. Название: India in the Fifteenth Century ISBN: 1409412881 ISBN-13(EAN): 9781409412885 Издательство: Taylor&Francis Рейтинг: Цена: 137810.00 T Наличие на складе: Нет в наличии. Описание: The volume contains the following accounts, edited, with an introduction: Narrative of the voyage of Abd-er-Razzak, Ambassador from Shah Rukh, A.H. 845, A.D. 1442.; The travels of Nicolo Conti in the East in the early part of the fifteenth century; The travels of Athanasius Nikitin, a native of Twer; The journey of Hieronimo di Santo Stefano, a Genoese.
This is a new print-on-demand hardback edition of the volume first published in 1857.
Автор: Boxer, C.R. Название: Further Selections from the Tragic History of the Sea, 1559-1565 ISBN: 1409414981 ISBN-13(EAN): 9781409414988 Издательство: Taylor&Francis Рейтинг: Цена: 137810.00 T Наличие на складе: Нет в наличии. Описание: 'Being about to write down the disastrous voyage of this great ship, it occurred to me how rash men are in their undertakings, chief among which, or one of the greatest is confiding their lives to four planks lashed together, and to the discretion of the furious winds.' So wrote Henrique Dias, an eye-witness of the wreck of the Sao Paulo off Sumatra and the subsequent fate of the survivors. His account is one of three narratives, here translated into English for the first time, of certain shipwrecks which befell the Portuguese in the mid-16th century. The other two describe the wrecking of two East Indiamen off the East African coast, and the misadventures of a voyage from Brazil to Lisbon.
In his introduction, Professor Boxer describes the lives of the three chroniclers, and gives bibliographical details of their works. The narratives are translated from the original accounts which Bernardo Gomes de Brito included in his Historia Tragico-Maritima (Lisbon, 1735-36). The present volume forms a companion to Professor Boxer's earlier work The Tragic History of the Sea, 1589-1622 (Hakluyt Society, 1959).
This is a new print-on-demand hardback edition of the volume first published in 1968.
Автор: Salamon Gayle Название: Assuming a Body: Transgender and Rhetorics of Materiality ISBN: 023114959X ISBN-13(EAN): 9780231149594 Издательство: Wiley Рейтинг: Цена: 29570.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Transgender and Rhetorics of Materiality. .
From the eighteenth-century abolitionist motto "Am I Not a Man and a Brother?" to the Civil Rights-era declaration "I AM a Man," antiracism has engaged in a struggle for the recognition of black humanity. It has done so, however, even as the very definition of the human has been called into question by the biological sciences. While this conflict between liberal humanism and biological materialism animates debates in posthumanism and critical race studies today, Antebellum Posthuman argues that it first emerged as a key question in the antebellum era.
In a moment in which the authority of science was increasingly invoked to defend slavery and other racist policies, abolitionist arguments underwent a profound shift, producing a new, materialist strain of antislavery. Engaging the works of Douglass, Thoreau, and Whitman, and Dickinson, Cristin Ellis identifies and traces the emergence of an antislavery materialism in mid-nineteenth century American literature, placing race at the center of the history of posthumanist thought. Turning to contemporary debates now unfolding between posthumanist and critical race theorists, Ellis demonstrates how this antebellum posthumanism highlights the difficulty of reconciling materialist ontologies of the human with the project of social justice.
Автор: Steel Название: Materiality and Consumption in the Bronze Age Mediterranean ISBN: 1138107913 ISBN-13(EAN): 9781138107915 Издательство: Taylor&Francis Рейтинг: Цена: 54090.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
The importance of cultural contacts in the East Mediterranean has long been recognized and is the focus of ongoing international research. Fieldwork in the Aegean, Egypt, Cyprus, and the Levant continues to add to our understanding of the nature of this contact and its social and economic significance, particularly to the cultures of the Aegean. Despite sophisticated discussion of the archaeological evidence, in particular on the part of Aegean and Mediterranean archaeologists, there has been little systematic attempt to incorporate anthropological perspectives on materiality and exchange into archaeological narratives of this material. This book addresses that gap and integrates anthropological discourse on contact, examining exchange systems, the gift, notions of geographical distance and power, colonization, and hybridization. Furthermore, it develops a social narrative of culture contact in the Mediterranean context, illustrating the reasons communities chose to engage in international exchange, and how this impacted the construction of identities throughout the region.
While traditional archaeologies in the East Mediterranean have tended to be reductive in their approach to material culture and how it was produced, used, and exchanged, this book reviews current research on material culture, focusing on issues such as the biography of objects, inalienable possessions, and hybridization - exploring how these issues can further illuminate the material world of the communities of the Bronze Age Mediterranean.
"Staging Memory and Materiality in Eighteenth-Century Theatrical Biography" examines theatrical biography as a nascent genre in eighteenth-century England. This study suggests a visible--but not impermeable--teleology from Thomas Davies to James Boaden in the development of theatrical biography as a professional enterprise. Chapter One explores Davies, the first significant biographer to throw off the shadows of anonymity and weld his own image to his subject, David Garrick. The second chapter traces three biographies of Charles Macklin written by biographers dueling amongst themselves for the right to tell Macklin's story in the post-Davies competitive market. Finally, the third chapter tells the story of the serial biographer James Boaden's attempts to build a professional reputation for himself as a biographer and prominent participatory character in the multiple "Lives" he tells, including those of John Philip Kemble, Sarah Siddons, Dorothy Jordan, and Elizabeth Inchbald. In each instance of producing a theatrical biography, the author is confronted not only with his duty to represent the actor, but the need to do so in an original, compelling manner that sets his account apart from other contenders and guarantees the permanency of his account as a treasured artifact of the stage rather than a disposable commodity.
The willful encouragement of viewing literary materiality as an antidote to ephemeral stage-business leads in turn to the absorption of prior biographical works and letters by authors, and reverberates in their readers' quests to augment their copies of theatrical biographies through adding playbills, marginal notes, etchings, paintings, newspaper clippings, and even funerary souvenirs that not only testified to their interest in the stage, but secured their existence as well by evidence of participation. Thus, the author at once guaranteed the thespian's legacy would live on while hitching his own likelihood of being remembered to the actor. The audience followed suit by adding their own personal touches, forming a palimpsest of participants. Drawing heavily on primary sources, then-contemporary reviews, and archival material in the form of extra-illustrated or "scrapbooked" editions of the biographies, this book is invested in the ways that the increasing emphasis on materiality was designed to consolidate, but often challenged, the biographer's authority.
The book provides an introduction to theatrical biography as an immensely popular genre in the eighteenth century that deserves more scholarly attention. Currently, theatrical biography is usually overlooked or encountered solely in excerpts offered to advance individual research goals; the texts are perceived as repositories of facts or the odd opinion, more akin to a reference work than anything innately artistic. This study's contribution is to read these biographies in context, exploring their participation in a developing poetics of a new artistic subgenre, from the content of the works and the concerns of its authors to the responses that these biographies elicited from their readers.
Автор: Carl J. Griffin; Briony McDonagh Название: Remembering Protest in Britain since 1500 ISBN: 3030089444 ISBN-13(EAN): 9783030089443 Издательство: Springer Рейтинг: Цена: 83850.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book offers the first systematic study of the multiple and contested ways in which protest is remembered. Drawing on work in social and cultural history, cultural and historical geography, psychology, anthropology, critical heritage studies, and memory studies, Remembering Protest focuses on the dynamic and lived nature of past protests, asking how conflicted communities and individuals made sense of and mobilized protest past in forging the future. Written by several of the leading historians and historical geographers of protest in early modern and modern Britain, the chapters span the period from 1500 to c.1850 while also speaking to the politics of past protests in the present. In so doing, it also offers the first showcase of the variety of approaches that comprises the vibrant and intellectually fecund ‘new protest history’. Empirically rich but conceptually sophisticated, this book will appeal to those with an interest in protest history, and early modern and modern British history, and historical geography more generally.
Throughout history, the study of sacred texts has focused almost exclusively on the content and meaning of these writings. Such a focus obscures the fact that sacred texts are always embodied in particular material forms—from ancient scrolls to contemporary electronic devices. Using the digital turn as a starting point, this volume highlights material dimensions of the sacred texts of Judaism, Christianity, and Islam.
The essays in this collection investigate how material aspects have shaped the production and use of these texts within and between the traditions of Judaism, Christianity, and Islam, from antiquity to the present day. Contributors also reflect on the implications of transitions between varied material forms and media cultures.
Taken together, the essays suggests that materiality is significant for the academic study of sacred texts, as well as for reflection on developments within and between these religious traditions. This volume offers insightful analysis on key issues related to the materiality of sacred texts in the traditions of Judaism, Christianity, and Islam, while also highlighting the significance of transitions between various material forms, including the current shift to digital culture.
Автор: Amanda Lahikainen Название: Money and Materiality in the Golden Age of Graphic Satire ISBN: 1644532689 ISBN-13(EAN): 9781644532683 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 31730.00 T Наличие на складе: Нет в наличии. Описание: This book examines the entwined and simultaneous rise of graphic satire and cultures of paper money in late eighteenth- and early nineteenth-century Britain. Asking how Britons learned to value both graphic art and money, the book makes surprising connections between two types of engraved images that grew in popularity and influence during this time. Graphic satire grew in visual risk-taking, while paper money became a more standard carrier of financial value, courting controversy as a medium, moral problem, and factor in inflation. Through analysis of satirical prints, as well as case studies of monetary satires beyond London, this book demonstrates several key ways that cultures attach value to printed paper, accepting it as social reality and institutional fact. Thus, satirical banknotes were objects that broke down the distinction between paper money and graphic satire altogether.
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