Автор: Robertson Kate R. Название: Identity, Community and Australian Artists, 1890-1914: Paris, London and Further Afield ISBN: 1501388711 ISBN-13(EAN): 9781501388712 Издательство: Bloomsbury Academic Рейтинг: Цена: 62760.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: An irresistible call lured Australian artists abroad between 1890 and 1914, a transitional period immediately pre- and post-federation. Travelling enabled an extension of artistic frontiers, and Paris – the centre of art – and London – the heart of the Empire – promised wondrous opportunities. These expatriate artists formed communities based on their common bond to Australia, enacting their Australian-ness in private and public settings.
Yet, they also interacted with the broader creative community, fashioning a network of social and professional relationships. They joined ateliers in Paris such as the Academie Julian, clubs like the Chelsea Arts Club in London and visited artist colonies including St Ives in England and Etaples in France. Australian artists persistently sought a sense of belonging, negotiating their identity through activities such as plays, balls, tableaux, parties, dressing-up and, of course, the creation of art. While individual biographies are integral to this study, it is through exploring the connections between them that it offers new insights.
Through utilising extensive archival material, much of which has limited or no publication history, this book fills a gap in existing scholarship. It offers a vital exploration re-consideration of the fluidity of identity, place and belonging in the lives and work of Australian artists in this juncture in British-Australian history.
Автор: Robertson, Kate,Robertson, Ella Название: How to Make a Difference ISBN: 1788402022 ISBN-13(EAN): 9781788402026 Издательство: Little Brown Рейтинг: Цена: 13150.00 T Наличие на складе: Поставка под заказ. Описание: The Definitive Guide from the World`s Most Effective Activists
An irresistible call lured Australian artists abroad between 1890 and 1914, a transitional period immediately pre- and post-federation. Travelling enabled an extension of artistic frontiers, and Paris - the centre of art - and London - the heart of the Empire - promised wondrous opportunities. These expatriate artists formed communities based on their common bond to Australia, enacting their Australian-ness in private and public settings.
Yet, they also interacted with the broader creative community, fashioning a network of social and professional relationships. They joined ateliers in Paris such as the Acad mie Julian, clubs like the Chelsea Arts Club in London and visited artist colonies including St Ives in England and taples in France. Australian artists persistently sought a sense of belonging, negotiating their identity through activities such as plays, balls, tableaux, parties, dressing-up and, of course, the creation of art. While individual biographies are integral to this study, it is through exploring the connections between them that it offers new insights. Through utilising extensive archival material, much of which has limited or no publication history, this book fills a gap in existing scholarship. It offers a vital exploration re-consideration of the fluidity of identity, place and belonging in the lives and work of Australian artists in this juncture in British-Australian history.
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