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Post-classical hollywood, Langford, Barry


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Автор: Langford, Barry
Название:  Post-classical hollywood
ISBN: 9780748638581
Издательство: Bloomsbury Academic
Классификация:

ISBN-10: 074863858X
Обложка/Формат: Paperback
Страницы: 320
Вес: 0.49 кг.
Дата издания: 31.08.2010
Язык: English
Размер: 231 x 156 x 17
Читательская аудитория: Tertiary education (us: college)
Подзаголовок: Film industry, style and ideology since 1945
Рейтинг:
Поставляется из: Англии
Описание: Barry Langford explains and interrogates the concept of `post-classical` Hollywood cinema - its coherence, its historical justification and how it can help or hinder our understanding of Hollywood from the forties to the present.

Tyrone Power: Gender, Genre and Image in Classical Hollywood Cinema

Автор: Gillian Kelly
Название: Tyrone Power: Gender, Genre and Image in Classical Hollywood Cinema
ISBN: 1474452957 ISBN-13(EAN): 9781474452953
Издательство: Bloomsbury Academic
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Цена: 23220.00 T
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Описание:

One of the most popular actors of the Classical Hollywood period, Tyrone Power’s appeal was initially based around his outstanding beauty, his looks remaining key to his star persona throughout his 25-year career and almost 50 films. This book presents the first substantial academic study of Power and employs a range of approaches, including stardom and genre theory, to reappraise his career from various angles including gender, genre and image. Textual analysis coincides with discussions of Power’s multi-layered performances in a variety of genres while engaging with industry systems, specifically Twentieth Century-Fox, his home studio for almost two decades, and situates Power’s performances within the contexts of industry regulations, such as the Production Code, and industry technological advances, such as CinemaScope.


Schoenberg and hollywood modernism

Автор: Marcus, Kenneth H. (university Of La Verne, California)
Название: Schoenberg and hollywood modernism
ISBN: 1107652499 ISBN-13(EAN): 9781107652491
Издательство: Cambridge Academ
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Цена: 40130.00 T
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Описание: Schoenberg is often viewed as an isolated composer who was ill-at-ease in exile. Kenneth H. Marcus shows that, contrary to this perception, Schoenberg was deeply involved in the cultural and intellectual environment in which he found himself, and had multiple connections in Hollywood as well as within academia.

Hollywood: A Very Short Introduction

Автор: Decherney Peter
Название: Hollywood: A Very Short Introduction
ISBN: 0199943540 ISBN-13(EAN): 9780199943548
Издательство: Oxford Academ
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Цена: 10550.00 T
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Описание: Peter Decherney tells the story of Hollywood, from its nineteenth-century origins to the emergence of internet media empires.

The Studios After the Studios: Neoclassical Hollywood (1970-2010)

Автор: Connor J. D.
Название: The Studios After the Studios: Neoclassical Hollywood (1970-2010)
ISBN: 0804790779 ISBN-13(EAN): 9780804790772
Издательство: Mare Nostrum (Eurospan)
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Цена: 50160.00 T
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Описание:

Modern Hollywood is dominated by a handful of studios: Columbia, Disney, Fox, Paramount, Universal, and Warner Bros. Threatened by independents in the 1970s, they returned to power in the 1980s, ruled unquestioned in the 1990s, and in the new millennium are again beseiged. But in the heyday of this new classical era, the major studios movies — their stories and styles — were astonishingly precise biographies of the studios that made them. Movies became product placements for their studios, advertising them to the industry, to their employees, and to the public at large. If we want to know how studios work—how studios think—we need to watch their films closely. How closely? Maniacally so. In a wide range of examples, The Studios after the Studios explores the gaps between story and backstory in order to excavate the hidden history of Hollywood's second great studio era.


Death of the Moguls: The End of Classical Hollywood

Автор: Dixon Wheeler Winston
Название: Death of the Moguls: The End of Classical Hollywood
ISBN: 0813553768 ISBN-13(EAN): 9780813553764
Издательство: Mare Nostrum (Eurospan)
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Цена: 87780.00 T
Наличие на складе: Нет в наличии.
Описание: Death of the Moguls is a detailed assessment of the last days of the ""rulers of film."" Wheeler Winston Dixon examines the careers of such moguls as Harry Cohn at Columbia, Louis B. Mayer at MGM, Jack L. Warner at Warner Brothers, Adolph Zukor at Paramount, and Herbert J. Yates at Republic in the dying days of their once-mighty empires. He asserts that the sheer force of personality and business acumen displayed by these moguls made the studios successful; their deaths or departures hastened the studios' collapse. Almost none had a plan for leadership succession; they simply couldn't imagine a world in which they didn't reign supreme.Covering 20th Century-Fox, Selznick International Pictures, Metro-Goldwyn-Mayer, Paramount Pictures, RKO Radio Pictures, Warner Brothers, Universal Pictures, Republic Pictures, Monogram Pictures and Columbia Pictures, Dixon briefly introduces the studios and their respective bosses in the late 1940s, just before the collapse, then chronicles the last productions from the studios and their eventual demise in the late 1950s and early 1960s. He details such game-changing factors as the de Havilland decision, which made actors free agents; the Consent Decree, which forced the studios to get rid of their theatres; how the moguls dealt with their collapsing empires in the television era; and the end of the conventional studio assembly line, where producers had rosters of directors, writers, and actors under their command.Complemented by rare, behind-the-scenes stills, Death of the Moguls is a compelling narrative on the end of the studio system at each of the Hollywood majors as television, the de Havilland decision, and the Consent Decree forced studios to slash payrolls, make the shift to colour, 3D, and CinemaScope in desperate last-ditch efforts to save their kingdoms. The aftermath for some was the final switch to television production and, in some cases, the distribution of independent film.

Mise en scene and film style

Автор: Martin, A.
Название: Mise en scene and film style
ISBN: 1349444170 ISBN-13(EAN): 9781349444175
Издательство: Springer
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Цена: 23280.00 T
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Описание: "Styles of filmmaking have changed greatly from the classical Hollywood system, with its emphasis on narrative and character, to the current digital era of YouTube and installation art, where audiovisual spectacle takes command. The ways in which film critics and scholars have analysed these transformations in film style have also often changed. This book explores two central style concepts from the history of audiovisual criticism and theory, mise en scaene and dispositif, to illuminate a wide range of film and new media examples. It argues that we need an open, inclusive and truly international approach to understand anew both old and current film and media works"--

Cecil B. DeMille, Classical Hollywood, and Modern American Mass Culture

Автор: Blanke
Название: Cecil B. DeMille, Classical Hollywood, and Modern American Mass Culture
ISBN: 3319769855 ISBN-13(EAN): 9783319769851
Издательство: Springer
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Цена: 74530.00 T
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Описание:

This book uses the long and profitable career of Cecil B. DeMille to track the evolution of Classical Hollywood and its influence on emerging mass commercial culture in the US. DeMille’s success rested on how well his films presumed a broad consensus in the American public—expressed through consumer hedonism, faith, and an “exceptional” national history—which merged seamlessly with the efficient production methods developed by the largest integrated studios. DeMille’s sudden mid-career shift away from spectator perversity to corporate propagandist permanently tarnished the director’s historical standing among scholars, yet should not overshadow the profound links between his success and the rise and fall of mid-century mass culture.

Cecil B. DeMille, Classical Hollywood, and Modern American Mass Culture

Автор: David Blanke
Название: Cecil B. DeMille, Classical Hollywood, and Modern American Mass Culture
ISBN: 3030083411 ISBN-13(EAN): 9783030083410
Издательство: Springer
Рейтинг:
Цена: 74530.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

This book uses the long and profitable career of Cecil B. DeMille to track the evolution of Classical Hollywood and its influence on emerging mass commercial culture in the US. DeMille’s success rested on how well his films presumed a broad consensus in the American public—expressed through consumer hedonism, faith, and an “exceptional” national history—which merged seamlessly with the efficient production methods developed by the largest integrated studios. DeMille’s sudden mid-career shift away from spectator perversity to corporate propagandist permanently tarnished the director’s historical standing among scholars, yet should not overshadow the profound links between his success and the rise and fall of mid-century mass culture.

The Classical Hollywood Reader

Автор: Steve Neale
Название: The Classical Hollywood Reader
ISBN: 0415576725 ISBN-13(EAN): 9780415576727
Издательство: Taylor&Francis
Рейтинг:
Цена: 148010.00 T
Наличие на складе: Невозможна поставка.
Описание: The Classical Hollywood Reader brings together essential readings to provide a history of Hollywood from the 1910s to the mid 1960s. Following on from a Prologue that discusses the aesthetic characteristics of Classical Hollywood films, Part 1 covers the period between the 1910s and the mid-to-late 1920s. It deals with the advent of feature-length films in the US and the growing national and international dominance of the companies responsible for their production, distribution and exhibition. In doing so, it also deals with film making practices, aspects of style, the changing roles played by women in an increasingly business-oriented environment, and the different audiences in the US for which Hollywood sought to cater. Part 2 covers the period between the coming of sound in the mid 1920s and the beginnings of the demise of the `studio system` in late 1940s. In doing so it deals with the impact of sound on films and film production in the US and Europe, the subsequent impact of the Depression and World War II on the industry and its audiences, the growth of unions, and the roles played by production managers and film stars at the height of the studio era. Part 3 deals with aspects of style, censorship, technology, and film production. It includes articles on the Production Code, music and sound, cinematography, and the often neglected topic of animation. Part 4 covers the period between 1946 and 1966. It deals with the demise of the studio system and the advent of independent production. In an era of demographic and social change, it looks at the growth of drive-in theatres, the impact of television, the advent of new technologies, the increasing importance of international markets, the Hollywood blacklist, the rise in art house imports and in overseas production, and the eventual demise of the Production Code. Designed especially for courses on Hollywood Cinema, the Reader includes a number of newly researched and written chapters and a series of introductions to each of its parts. It concludes with an epilogue, a list of resources for further research, and an extensive bibliography.

Death of the Moguls: The End of Classical Hollywood

Автор: Dixon Wheeler W.
Название: Death of the Moguls: The End of Classical Hollywood
ISBN: 0813553776 ISBN-13(EAN): 9780813553771
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 27720.00 T
Наличие на складе: Нет в наличии.
Описание: Death of the Moguls is a detailed assessment of the last days of the ""rulers of film."" Wheeler Winston Dixon examines the careers of such moguls as Harry Cohn at Columbia, Louis B. Mayer at MGM, Jack L. Warner at Warner Brothers, Adolph Zukor at Paramount, and Herbert J. Yates at Republic in the dying days of their once-mighty empires. He asserts that the sheer force of personality and business acumen displayed by these moguls made the studios successful; their deaths or departures hastened the studios' collapse. Almost none had a plan for leadership succession; they simply couldn't imagine a world in which they didn't reign supreme.Covering 20th Century-Fox, Selznick International Pictures, Metro-Goldwyn-Mayer, Paramount Pictures, RKO Radio Pictures, Warner Brothers, Universal Pictures, Republic Pictures, Monogram Pictures and Columbia Pictures, Dixon briefly introduces the studios and their respective bosses in the late 1940s, just before the collapse, then chronicles the last productions from the studios and their eventual demise in the late 1950s and early 1960s. He details such game-changing factors as the de Havilland decision, which made actors free agents; the Consent Decree, which forced the studios to get rid of their theatres; how the moguls dealt with their collapsing empires in the television era; and the end of the conventional studio assembly line, where producers had rosters of directors, writers, and actors under their command.Complemented by rare, behind-the-scenes stills, Death of the Moguls is a compelling narrative on the end of the studio system at each of the Hollywood majors as television, the de Havilland decision, and the Consent Decree forced studios to slash payrolls, make the shift to colour, 3D, and CinemaScope in desperate last-ditch efforts to save their kingdoms. The aftermath for some was the final switch to television production and, in some cases, the distribution of independent film.

Projecting the World: Representing the  "Foreign " in Classical Hollywood

Автор: Meeuf Russell, Cooper Anna
Название: Projecting the World: Representing the "Foreign " in Classical Hollywood
ISBN: 0814343066 ISBN-13(EAN): 9780814343067
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 30930.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The classical Hollywood films that were released between the 1930s and 1960s were some of the most famous products of global trade, crisscrossing borders and rising to international dominance. In analysing a series of Hollywood films that illustrate moments of nuanced transnational engagement with the "foreign," Projecting the World: Representing the "Foreign" in Classical Hollywood enriches our understanding of mid-twentieth-century Hollywood cinema as a locus of imaginative geographies that explore the United States’ relationship with the world. While previous scholarship has asserted the imperialism and racism at the core of classical Hollywood cinema, Anna Cooper and Russell Meeuf’s collection delves into the intricacies—and sometimes disruptions—of this assumption, seeing Hollywood films as multivalent and contradictory cultural narratives about identity and politics in an increasingly interconnected world.Projecting the World illustrates how Hollywood films negotiate shifting historical contexts of internationalisation through complex narratives about transnational exchange—a topic that has thus far been neglected in scholarship on classical Hollywood. The essays analyse the "foreign" with topics such as the 1930s island horror film, the 1950s Mexico-set bullfighting film, Hollywood’s projection of "exoticism" on Argentina, and John Wayne’s film sets in Africa. Against the backdrop of expanding consumer capitalism and the growth of U.S. global power, Hollywood films such as Tarzan and Anatahan, as well as musicals about Paris, offered resonant images and stories that dramatised America’s international relationships in complicated ways.A fascinating exploration of an oft-overlooked aspect of classical Hollywood films, Projecting the World offers a series of striking new analyses that will entice cinema lovers, film historians, and those interested in the history of American neocolonialism.

Schoenberg and Hollywood Modernism

Автор: Marcus
Название: Schoenberg and Hollywood Modernism
ISBN: 1107064996 ISBN-13(EAN): 9781107064997
Издательство: Cambridge Academ
Рейтинг:
Цена: 115110.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Schoenberg is often viewed as an isolated composer who was ill-at-ease in exile. Kenneth H. Marcus shows that, contrary to this perception, Schoenberg was deeply involved in the cultural and intellectual environment in which he found himself, and had multiple connections in Hollywood as well as within academia.


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