A History of the Surrealist Novel, Anna Watz

Название: Surrealist women`s writing
ISBN: 1526167158 ISBN-13(EAN): 9781526167156
Издательство: Неизвестно
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Цена: 19790.00 T
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Автор: Baxter, Jeannette
Название: J.G. Ballard`s Surrealist Imagination
ISBN: 0754662675 ISBN-13(EAN): 9780754662679
Издательство: Taylor&Francis
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Цена: 163330.00 T
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Автор: Dimovitz
Название: Angela Carter: Surrealist, Psychologist, Moral Pornographer
ISBN: 1472469666 ISBN-13(EAN): 9781472469663
Издательство: Taylor&Francis
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Цена: 158230.00 T
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Описание: Contributing to the conversation regarding Angela Carter`s problematic relationship with what she viewed as the interrelated traditions of surrealism and psychoanalysis, this book explores the intricate connections between Carter`s private life and her public writing.

Автор: Spencer
Название: Afro-Surrealism
ISBN: 113850405X ISBN-13(EAN): 9781138504059
Издательство: Taylor&Francis
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Цена: 148010.00 T
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Описание: Examining the surrealist novels of several contemporary writers, AfroSurrealism argues that we have entered a new and exciting era of the black novel, one that is more invested than ever before in the cross-sections of science, technology, history, folklore, and myth.

Автор: Vassiliki Rapti
Название: Ludics in Surrealist Theatre and Beyond
ISBN: 1409429067 ISBN-13(EAN): 9781409429067
Издательство: Taylor&Francis
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Цена: 153120.00 T
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Описание: This study reconsiders Surrealist theatre specifically from the perspective of ludics-a poetics of play and games-an ideal approach to the Surrealists, whose games blur the boundaries between the `playful` and the `serious.` Beginning with the Surrealists` `one-into-another` game and its illustration of Breton`s ludic dramatic theory.

Автор: Finkelstein
Название: The Screen in Surrealist Art and Thought
ISBN: 1138275085 ISBN-13(EAN): 9781138275089
Издательство: Taylor&Francis
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Цена: 58170.00 T
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Описание: An interrogation of the notion of space in Surrealist theory and philosophy, this study analyzes the manifestations of space in the paintings and writings done in the framework of the Surrealist Movement. Haim Finkelstein introduces the 'screen' as an important spatial paradigm that clarifies and extends the understanding of Surrealism as it unfolds in the 1920s, exploring the screen and layered depth as fundamental structuring principles associated with the representation of the mental space and of the internal processes that eventually came to be linked with the Surrealist concept of psychic automatism. Extending the discussion of the concepts at stake for Surrealist visual art into the context of film, literature and criticism, this study sheds new light on the way 'film thinking' permeates Surrealist thought and aesthetics. In early chapters, Finkelstein looks at the concept of the screen as emblematic of a strand of spatial apprehension that informs the work of young writers in the 1920s, such as Robert Desnos and Louis Aragon. He goes on to explore the way the spatial character of the serial films of Louis Feuillade intimated to the Surrealists a related mode of vision, associated with perception of the mystery and the Marvelous lurking behind the surfaces of quotidian reality. The dialectics informing Surrealist thought with regard to the surfaces of the real (with walls, doors and windows as controlling images), are shown to be at the basis of Andre Breton's notion of the picture as a window. Contrary to the traditional sense of this metaphor, Breton's 'window' is informed by the screen paradigm, with its surface serving as a locus of a dialectics of transparency and opacity, permeability and reflectivity. The main aesthetic and conceptual issues that come up in the consideration of Breton's window metaphor lay the groundwork for an analysis of the work of Giorgio de Chirico, Rene Magritte, Max Ernst, Andre Masson, and Joan Miro. The concluding chapter considers several issues that dominate the Surrealist spatiality in the 1930s. Derived from the various spatial concepts associated with the screen paradigm, at times in contradistinction to them, these issues, as the author argues, reflect a gradual eclipse of the screen paradigm in the early years of the decade.

Автор: Finkelstein, Haim
Название: The Screen in Surrealist Art and Thought
ISBN: 0754661164 ISBN-13(EAN): 9780754661160
Издательство: Taylor&Francis
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Цена: 153120.00 T
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Автор: Mcara, Catriona
Название: Surrealist stratigraphy of dorothea tanning`s chasm
ISBN: 1032339829 ISBN-13(EAN): 9781032339825
Издательство: Taylor&Francis
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Цена: 39800.00 T
Наличие на складе: Нет в наличии.
Описание: In A Surrealist Stratigraphy of Dorothea Tanning`s Chasm, Catriona McAra offers the first critical study of the literary work of the celebrated American painter and sculptor Dorothea Tanning (1910-2012). McAra fills a major gap in the scholarship, repositioning Tanning`s writing at the centre of her entire creative oeuvre and focusing on

Автор: Shin Ery
Название: Gertrude Stein`s Surrealist Years
ISBN: 0817320636 ISBN-13(EAN): 9780817320638
Издательство: Mare Nostrum (Eurospan)
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Цена: 45270.00 T
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Описание: Brings to life Gertrude Stein`s surrealist sensibilities and personal values borne from her WWII anxieties, not least of which originated in a dread of anti-Semitism. Ery Shin argues that Stein`s later works engage with storytelling and life-writing in startling ways - most emphatically and poignantly through the surrealist lens.

Автор: Jacqueline Rattray
Название: A Sight for Sore Eyes: The Surrealist Visuality of Jose Maria Hinojosa
ISBN: 190797573X ISBN-13(EAN): 9781907975738
Издательство: Taylor&Francis
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Цена: 66350.00 T
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Описание: Jose Maria Hinojosa (1904-1936) has been credited with being a pioneer of Surrealism in Spain. He moved in the same circles as Bunuel and Dali and was one of the key figures behind an attempt to form an organised group of Spanish surrealists along the lines of the French model. And yet, the name of Hinojosa remains curiously neglected.

Автор: Scott Dimovitz
Название: Angela Carter: Surrealist, Psychologist, Moral Pornographer
ISBN: 0367140292 ISBN-13(EAN): 9780367140298
Издательство: Taylor&Francis
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Цена: 47970.00 T
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Описание: Contributing to the conversation regarding Angela Carter's problematic relationship with what she viewed as the interrelated traditions of surrealism and psychoanalysis, Scott Dimovitz explores the intricate connections between Carter's private life and her public writing. He begins with Carter's assertion that it was through her "sexual and emotional life" that she was radicalized, drawing extensively on the British Library's recently archived collection of Carter's private papers, journals, and letters to show how that radicalization happened and what it meant both for her worldview and for her writings. Through close textual analysis and a detailed study of her papers, Dimovitz analyzes the ways in which this second-wave feminist's explorations of sexuality merged with her investigations into surrealism and psychoanalysis, an engagement that ultimately led to the explosively surreal allegories of Carter's later, more complex, and more accomplished work. His study not only offers a new way to view Carter's oeuvre, but also makes the case for the importance of Angela Carter's vision in understanding the transformations in feminist thinking from the postwar to the postfeminist generation.