Reading Underwater Wreckage: An Encrusting Ocean 9781350290044

Варианты приобретения

Цена: 89760.00T
Кол-во:
Наличие: Поставка под заказ. Есть в наличии на складе поставщика.
Склад Америка: 190 шт.
При оформлении заказа до:
Ориентировочная дата поставки:
При условии наличия книги у поставщика.

Добавить в корзину

в Мои желания

Автор: Killian Quigley
Название: Reading Underwater Wreckage: An Encrusting Ocean
ISBN: 9781350290044
Издательство: Bloomsbury Academic
Классификация:

Художественные стили, не ограниченные по времени

Литературоведение: с 1900 г.

Литературоведение: поэзия и поэты

Экологическое мышление и идеология

ISBN-10: 1350290041
Обложка/Формат: Hardback
Страницы: 216
Вес: 0.45 кг.
Дата издания: 12.01.2023
Серия: Environmental cultures
Язык: English
Иллюстрации: 22 bw illus
Размер: 234 x 156 x 25
Читательская аудитория: Professional & vocational
Ключевые слова: Art styles not defined by date,Environmentalist thought & ideology,Literary studies: from c 1900 -,Literary studies: poetry & poets, ART / Environmental & Land Art,LITERARY CRITICISM / Modern / 20th Century,LITERARY CRITICISM / Subjects & Themes / Nature
Подзаголовок: An encrusting ocean
Рейтинг:
Поставляется из: Англии
Описание: Presenting a novel and needed theoretical model for interpreting shipwrecks and other drowned fragments—the histories they tell, and the futures they presage—as junctures of artefact and ecofact, human remains and emergent ecologies, this book puts the environmental humanities, and particularly multispecies studies, in close conversation with literary studies, history, and aesthetic theory.Earth’s oceans hold the remains of as many as three million shipwrecks, some thousands of years old. Instead of approaching shipwrecks as either artefacts or “ecofacts,” this book presents a third frame for understanding, one inspired by the material dynamism of sea-floor stuff. As they become encrusted by oceanic matter—some of it living, some inanimate—anthropic fragments participate in a distinctively submarine form of material relation. That relation comprises a wide, and sometimes incalculable, array of things, lives, times, and stories. Drawing from several centuries of literary, philosophical, and scientific encounters with encrustations—as well as from some of the innumerable encrusted “art-forms” that inhabit the sea floor— this book serves anyone in search of better ways to perceive, describe, and imagine submarine matters.

Reading Underwater Wreckage: An Encrusting Ocean, Killian Quigley