Автор: Henry Johnson Название: Bic Runga`s Drive ISBN: 1501390031 ISBN-13(EAN): 9781501390036 Издательство: Bloomsbury Academic Рейтинг: Цена: 17940.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: From entering a high-school music competition to being honoured with the New Zealand Order of Merit, Bic Runga has an established place within contemporary popular music. Focusing on her iconic album, Drive, and including informative case studies of representative tracks on the album, this book provides not only an in-depth study of one album, but skillfully navigates Runga’s creative work over three decades to illuminate some of the key stages of her career. The book offers comprehension of the performer’s rise to stardom, musical style, accolades, and performance achievements. Blending popular music studies with media analysis, the book is the first to offer a detailed study of Runga’s creativity, and a close-up study of her debut and critically acclaimed album.
Автор: Bick Sally Название: Unsettled Scores: Politics, Hollywood, and the Film Music of Aaron Copland and Hanns Eisler ISBN: 0252084640 ISBN-13(EAN): 9780252084645 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 23410.00 T Наличие на складе: Невозможна поставка. Описание: The Hollywood careers of Aaron Copland and Hanns Eisler brought the composers and their high art sensibility into direct conflict with the premier producer of America's potent mass culture. Drawn by Hollywood's potential to reach—and edify—the public, Copland and Eisler expertly wove sophisticated musical ideas into Hollywood and, each in their own distinctive way, left an indelible mark on movie history. Sally Bick's dual study of Copland and Eisler pairs interpretations of their writings on film composing with a close examination of their first Hollywood projects: Copland's music for Of Mice and Men and Eisler's score for Hangmen Also Die! Bick illuminates the different ways the composers treated a film score as means of expressing their political ideas on society, capitalism, and the human condition. She also delves into Copland's and Eisler's often conflicted attempts to adapt their music to fit Hollywood's commercial demands, an enterprise that took place even as they wrote hostile critiques of the film industry.
The Hollywood careers of Aaron Copland and Hanns Eisler brought the composers and their high art sensibility into direct conflict with the premier producer of America's potent mass culture. Drawn by Hollywood's potential to reach—and edify—the public, Copland and Eisler expertly wove sophisticated musical ideas into Hollywood and, each in their own distinctive way, left an indelible mark on movie history. Sally Bick's dual study of Copland and Eisler pairs interpretations of their writings on film composing with a close examination of their first Hollywood projects: Copland's music for Of Mice and Men and Eisler's score for Hangmen Also Die! Bick illuminates the different ways the composers treated a film score as means of expressing their political ideas on society, capitalism, and the human condition. She also delves into Copland's and Eisler's often conflicted attempts to adapt their music to fit Hollywood's commercial demands, an enterprise that took place even as they wrote hostile critiques of the film industry.
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