Yasha Klots Tamizdat: Contraband Russian Literature in the Cold War Era 9781501768958

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Автор: Yasha Klots (Яша Клоц)
Название: Tamizdat: Contraband Russian Literature in the Cold War Era
Перевод названия: Яша Клоц: Тамиздат. Контрабанда русской литературы в эпоху холодной войны
ISBN: 9781501768958
Издательство: Mare Nostrum (Eurospan)
Классификация:

Литературоведение: с 1900 г.

История Европы

История других земель

Пресса и журналистика

Издательское дело и книжная торговля

ISBN-10: 1501768956
Обложка/Формат: Hardback
Страницы: 330
Вес: 0.06 кг.
Дата издания: 15.05.2023
Серия: Niu series in slavic, east european, and eurasian studies
Язык: English
Иллюстрации: 15 b&w halftones - 15 halftones, black and white
Размер: 159 x 236 x 26
Ключевые слова: Literature: history & criticism,Press & journalism,Publishing industry & book trade, HISTORY / Russia / General,LANGUAGE ARTS & DISCIPLINES / Publishers & Publishing Industry,LITERARY CRITICISM / Russian & Soviet
Подзаголовок: Contraband russian literature in the cold war era
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Поставляется из: Англии
Описание:

Tamizdat offers a new perspective on the history of the Cold War by exploring the story of the contraband manuscripts sent from the USSR to the West. A word that means publishing over there, tamizdat manuscripts were rejected, censored, or never submitted for publication in the Soviet Union and were smuggled through various channels and printed outside the country, with or without their authors knowledge. Yasha Klots demonstrates how tamizdat contributed to the formation of the twentieth-century Russian literary canon: the majority of contemporary Russian classics first appeared abroad long before they saw publication in Russia.

Examining narratives of Stalinism and the Gulag, Klots focuses on contraband manuscripts in the 1960s and 70s, from Khrushchevs Thaw to Stagnation under Brezhnev. Klots revisits the traditional notion of late Soviet culture as a binary opposition between the underground and official state publishing. He shows that even as tamizdat represented an alternative field of cultural production in opposition to the Soviet regime and the dogma of Socialist Realism, it was not devoid of its own hierarchy, ideological agenda, and even censorship.

Tamizdat is a cultural history of Russian literature outside the Iron Curtain. The Russian literary diaspora was the indispensable ecosystem for these works. Yet in the post-Stalin years, they also served as a powerful weapon on the cultural fronts of the Cold War, laying bare the geographical, stylistic, and ideological rifts between two disparate yet inextricably intertwined fields of Russian literature, one at home, the other abroad.

Tamizdat: Contraband Russian Literature in the Cold War Era, Yasha Klots